POEM: GOVERN YRSELF ACCORDINGLY

photo by Alex Lear

 

 

Govern Yrself Accordingly

 

i have dismissed

the minister

of emotional defenses,

distributed

confetti to all

the guards and given

faithful and ever vigilant

caution

several days off

 

the city

of me is well ready

to joyously receive and

rainbow celebrate

your unanticipated but

nonetheless profoundly appreciated

arrival into the intimacy

of our space

 

know that you are warmly

welcomed for howsoever long

you should choose to stay

here, you need no keys

no door is locked to you

every window is open

 

feel free 

 

—Kalamu ya Salaam

POEM: UNFINISHED BUSINESS

photo by Alex Lear

 

 

UNFINISHED BUSINESS

 

our social happiness and wellbeing

has been crassly and commercially

reduced to getting and keeping

a job, a new car, a man

some women, some money

 

but our people are really unhappy

 

children out late in the chill

of cold night seeking companion warmth

instead finding sewer sex and their pictures

pornographed in glossy slicknesses

 

our elders caught in catatonic states

half eaten cans of animal food

hidden in their pantries

no use looking at poverty

 

sisters dressed up, made up

without bras, without men

without genuine touches to share

with children but no future

other than drag

 

brother behind bars

segregated into cells

jails and mental homes, electricity

shot into their ears, white coated

blue suited bullies beating them

and intravenously feeding them

 

how many of us can grasp

struggle in these circumstances

how many of us dare dream of tomorrow

with optimism,

 

especially while waterways are on fire

chemicals color our horizon and

every possible diversion is thrown at us,

discos and dee-jays rubbling the air

with jibber jabber and no sense,

capitalists and presidents talking

turgid trash and tall turkey tales

about economic and moral recovery

while poor people of the world

rush toward revolution

 

we are unhappy because we are

oppressed and exploited

 

i write this poem

as insistent reminder

of the unfinished business

of revolution

 

liberation will bring love

 

—kalamu ya salaam

SHORT STORY: MEN WITH GUNS

photo by Alex Lear

 

 

Men With Guns

 

from: shay@hotmail.com

to: dred_dee@earthlink.com

 

d.

 

my fingers hesitate, but i must tell someone, and who better than you, even though, i’m sort of sure, i mean, i’m pretty sure, you’re not expecting to hear from me. you know, the way we left, or at least, the way i left. maybe one day before we make thirty you will forgive me... i hope you’re willing to read this ... anyway, stop distracting me. oops, i’m sorry. i didn’t mean to say that.

 

i’m blaming you again for my own in-discipline. remember, how once i jumped on you for sleeping to quietly? you woke up and asked me what i was doing, and when i realized i had spent 20 minutes just looking at you sleeping, i got angry at you... anyway, how are you?

 

sometime back i filed some photos for the christian science monitor. was supposed to have two shots but it got cut down to one (kalamu re-ran the article on www.topica.com/lists/e-drum, you can search the archives for “black diamond” and read it). i’ve attached the two photos.

 

i think i did a pretty good job even though no one photo can tell it all. plus, you know, i don’t know that photography (or anything else) is capable of telling the whole story over here. remember we talked about what photographs can do, about why i continue as a photographer, why i think i can make a contribution being a revolutionary photographer. yu said a picture of a gun can’t shoot shit. and my reply: but a picture of a woman with a gun can make a man shit. lol. rotglmao (that’s, rolling on the ground laughing my ass off). smile, that’s just my macabre humor at work.

 

what’s that blues line: laughing to keep from crying? except, i really felt like crying after that shoot. you’d have to be here, i guess, to feel me, except if my pictures are strong enough to make you feel... i’m talking in circles again, huh?

 

we were in this encampment at a village caught in the middle. d, there’s nothing left. the guerillas invited us in to report on what happened. the journalist i’m traveling with is interviewing guerilla women, including one named black diamond. she’s only average height, robust but not big. a plain, oval-shaped, dark face. could be any woman in this area. except she speaks with fierce intensity. not shouting or loud, but not soft either. and, like, everything she says sounds like a command that everyone follows without hesitation. of course, i took some shots of her, me kneeling and angling up, making her look like a giant.

 

while the interview continued i looked around for something else to shoot. there was nothing. devastation is not dramatic unless you can find a small something that will hit home to the viewer, but there’s nothing  we would recognize as a destroyed home. and... d. are you still reading? i hope so. i’ve got a whole half hour of internet access. it only took me about ten or twelve minutes to file photos. my batteries are charging now, and i have about fifteen minutes left, so that’s why i’m rambling...

 

i’ma be honest: i miss you. but i know you know that cause whenever we argued and I threatened to leave, you used to all the time say, you know how you drawl, dawg, you gonna miss this bone when i’m gone... “dawg!” d. was that your hip way of calling me a bitch without saying the word? did you think i was acting like a bitch cause i didn’t want to commit to a long term relationship? ... i didn’t mean to bring that up.

 

this girl was standing by a tall, slender tree, one arm around the trunk. ther was something, like, I had this feeling she had been watching me for a long, long time. she did not avert her gaze when i glanced at her. just stared back. instantly  i knew she had seen a lot of stuff, there was no innocence in those eyes. no curiosity. just witness. her eyes were like my camera.

 

i held my camera up and pointed it toward her to ask permission. she didn’t respond. just kept looking. my hand flew to my mouth covering my lips, you know the gesture i do when I’m embarrassed, you always used to point that gesture out to me. i thought about you at that moment and how you would always say: ask for what you want, don’t be embarrassed by your wants.

 

so, i said, “photo”? no response at first, then she raised her free arm and hugged the tree like it was a best friend. i started to try and quickly frame that shot but before i got the camera up all the way she said, “yes, mam.” her english was clear and her deference made me hesitate.

 

“what’s your name?” I asked.

 

she replied, “kuji.”

 

i told her my name and fired off two quick shots. i wanted to talk but couldn’t think of anything appropriate to say, so i asked her age?

 

“fifteen.”

 

“you live here?”

 

“no. i am with the freedom fighters.”

 

i took another shot, she was holding her hands clasped in front of her.

 

“how long?”

 

“for life.”

 

“no, i mean when did you join the freedom fighters?”

 

“when i saw captain diamond.”

 

d. i’m running outta time (you know how long it takes me to type, how I usually send postcards, but we have not had easy access to the mail, except the office email is working fine, thus, this email but no postcard, you unnerstand?), anyway, i will just tell you what kuji told me. kuji is a war orphan, her mama was beat to death, never met her father, her twin brother is missing and she dosn’t have anyone else. she said she used to go to school in the city and one day they all had to leave suddenly. their teachers put them in the back of a truck trying to escape, but the truck was attacked and all children jumped out running, except kuji climbed a tree and she saw one of the guerillas catch a teacher. kuji heard the woman screaming and saw the man grab her red hair, that’s what kuji said, “red hair.” the teacher tried to run but tripped. the man grabbed her by hr blouse. the cloth ripped. kuji said, “she had one of them white straps holding her breasts” and the gurilla he grabbed that and it broke. and then he kicked the woman and jerked her by her arm and dragged her into a hut. after a while, kuji said, black diamond came with some other women guerillas and then the man came out with his gun in his hand, saying something kuji could not hear. when diamond tried to go inside, the man stepped in front of her. dimond pushed the man aside and went in. she came out quickly and walked straight up to the man and before he could do anything, she hit him with her gun. twice again. and ordered one of her soldiers to take his gun.

 

d. it was extraordinary to hear the pride as this young girl described this. kuji’s eyes were shining while telling me what had happened. kuji says, the guy and black diamond started shouting. diamond turns to the other guerillas and they discuss what to do. that’s when kuji climbed down and told them what she saw. they asked her questions and the guy questions. the man said kuji was lying. she said, I’m scared but i’m not lying. and than the man tried to grab her and shouted, “this kid is lying.” and i said, i mean, kuji said, i no lie! that’s when diamond ordered, let me see your dick. show me your dick! we will see if you have been with a woman just now. the man grabbed himself and shouted no. long story short, black diamond shot him. and proclaimed, we are fighting so that men with guns can never hurt us women again. death to thugs!

 

d., i got to go. i wish i had got the picture when kuji repeated diamond’s words, holding her little fist fiercely above her head: death to thugs! if you saw all the mad violence i’ve seen here, you would understand a teenage girl being proud of helping to kill a rapist. or maybe not, but anyway, life’s truly tragic here and probably it will take more women killing a bunch a men in order to put an end to all the killing and raping women suffer.

 

those are hard facts, but what else can anyone do? war is hell and women are heaven.

 

let me know how you like the article. i’m thinking about doing a book about the women over here and maybe i will call it, death to thugs.

 

gotta run. ciao (mein). ;>)

 

—kalamu ya salaam

INTERVIEW: Kalamu ya Salaam - Travels with Charley: New Orleans - Studio 360

Travels with Charley: New Orleans

Feature

Friday, February 18, 2011

New Orleans writer, educator, and filmmaker Kalamu ya Salaam (Alex Lear)
John Steinbeck's last major book, Travels with Charley, recounts his experiences while on a road trip across America with his poodle, Charley. Fifty years later, we follow in Steinbeck's footsteps to see how those places have changed or stayed the same. This week we're in New Orleans, where Steinbeck witnessed angry crowds protesting the desegregation of a public school. Produced by John Biewen.

 

John Biewen explains Steinbeck's journey...and his own:

Produced by:

John Biewen

 

POEM: TOUCH

photo by Alex Lear

 

 

TOUCH

(for Asinjae Monae Jackson)

 

we can live together / and still some crazy way

there be a certain wall of silence surrounding personal matters / usually

only a few intimacies and renegade thoughts, embarrassing ideas

too risque or too taboo / to share with others, even blood

close others, or friends who’ve known us since before we could read, not

to mention also with intimate others with whom we share physical

nakedness

 

there is an us that we decline to let others see

 

except when we honestly write

 

& even then we try to keep most of our deep interiors / under

the wraps of acceptable thoughts

 

but

 

still sometimes

 

we peek out / something serious escapes

 

and like a jolt of electricity, say from a toaster when we've stuck a butter

knife inside trying to retrieve a small crust of bread / or even the static

on a winter day when our woolen slippers on the carpet causes a little

spark and we flinch, like that

 

we touch others and they are surprised / by the force of who we are /

and we in turn are surreptitiously delighted

 

when they say to us: i never knew

you felt like that

 

we should consider all of our writing is a kiss, a caress, or even a fist, but

in any case, all cases, if we are true to

 

our selves our writing is us touching another

 

—kalamu ya salaam

POEM: EARLY EVENING/BLACK MUSICIANS

photo by Alex Lear

 

 

EARLY EVENING/Black Musicians

(para T.)

 

baba let’s

go dancing / the

children

are all asleep

 

         our bare bodies

         cross the sheets

         to each other

 

we don’t need

no music

 

—kalamu ya salaam

 

POEM: YOU

photo by Alex Lear

 

 

YOU

 

Romantics rapturize moonlight

but I like to see you

in the shine of day

morning dawn smiling encouragement

high noon working with our people

sun slanting at six, eating fruit

         reading with our children

I like you driving to meetings

and walking picket lines

how proud I am marching

         together with you down

         mean city streets defying

         state agents

 

Romantics week solitude

but I share your inspiration

and cherish most those moments

         when you go heads up

         against our adversaries

or turn seminars out

         putting forth bold presentations

we do not have time to simply sit

         mooning over each other

         petting, fondling our bodies

         like junkies clutching scag

yes, we watch the water sometimes

         but we mostly make collective motion

         with our brothers and sisters

         and play music at home as

         we write and plan our future

 

There is softness here

but it is concrete, not metaphysical,

not plagiarisms praising physical attributes

         but “can I fix you something to eat”

         said sincerely after we both have

been hard at it all day

“I’ll wash the dishes”

“I’ll mop the floor”

“I’ll go to the store”

all these words and actions

mean much more

than me laying back

my head heavy in your lap

reciting browning or

calling your brown eyes

stars in my midnight heaven

this means little if anything

while capitalists continue shooting

satellites into the sky,

call themselves the peaks

of civilization, and keep

killing us daily

 

Our uniting reinforces resistance

as we laugh, link up and lustily

prepare ourselves

to cleanse and clear

the earth and skies

with the fire and fervor

of our love and struggle

 

—kalamu ya salaam

POEM: I CAN NOT CALL YOU MINE

photo by Alex Lear

 

 

i can not call you mine

 

#

we are not

owner

property

 

i can not

tell you what to be

your identity is not

entirely, or even mostly, me

 

i can not call you mine

 

i do not own you

you are not a thing

 

i can not call you mine

 

you are a person

choosing, changing, conscious

producer, possessor and proponent

of your own unique personality

 

i can not

box or bottle your being

 

you are mother

noting and nurturing the needs

of countless children, both those biologically

ours and those not borne through your body

 

i can not

claim your accomplishments

 

you are warrior

engaging enemies, attacking attitudes

destroying domination, voluntarily

wielding your own weapons

 

i can not

call your shots

 

you are worker

toiling through tasks, acquiring

knowledge, learning skills, providing

productive labor for our liberation

 

i can not

expropriate your wealth

 

 

##

i can not call you mine

 

it is more

than enough

to be able to say

that i have been blessed

to share space, time and struggle

with you

 

because we are together

and kiss, or intimately and

openly reveal our dreams and fears

that does not mean we own

each other, it is surely

simply a sign of trust,

an index of our identification

with the inviolable integrities

of each of our individual selves

 

no one body can claim or own us,

not even we ourselves, for

we belong to our people,

our past and the future

we collectively develop in

these contemporary

conditions and circumstances,

you and i belong to the

ideals of a new world and the

constancy of conscious change

 

and thus cognizant of our worth

we willingly give of ourselves

to those with whom we

share struggle

 

i can not call you mine

 

—kalamu ya salaam

 

 

POEM: I'M LOOKING FOR A LOVE

photo by Alex Lear

 

 

i'm looking for a love

 

remember bobby womack admitting

his pain to the world, or

yrself, remember yrself vowing never, never

never to ever be hurt like that again, vowing

i will never never ever

put myself in a position

to be hurt like that again

remember me, i'm not exempt from this

as i write this poem

 

we all are seekers

we are all looking, we are

looking, we are looking, we are

looking for love

and yet, oh yes, make no mistake

we most definitely want, need and are

fighting for political power

we'll take some economic development

we'll even go after higher education too,

but what we're really looking for,

especially now that we've gotten older

and are less inclined to belive in material

things...

 

what can i say abt love

that you have not heard before

that our voices have not cogently wrung from

song lyrics, some lonely

sister has not ached, what can be said

after all is said, nothing, nothing can be said

cause words won't warm the pillow, and applause

from an audience or awards, well

at night in the apartment alone, the room

dark, yr eyes wide open, what do you thk

that means -- a lot of peo. admire

my work and even, and even

even though there are peo.

who love me... this is difficult,

you know what i trying to say

how it is when you can't find what you

need, we are all out there, and most of us

are seekers

still looking, still searching,

still in desparate need, and even sometimes

when we get close to it, we are too afraid...

 

i can't go on w/h this

this shit is too hard...

i'm not going to stop living

i'm not going to stop working

but this shit, this shit

is so hard...

 

—kalamu ya salaam


ESSAY: MEMORIES OF DEATH

photo by Alex Lear

 

 

memories of death

 

my first unforgettable death scene was a man’s body all cut up. some man i didn’t know. i had gone to meet my father at his job. a laboratory technician, he worked on the third floor (or was it the fourth floor) at the veteran’s hospital. sometimes he would show us how he mixed chemicals with body fluids, mainly blood or urine. it was kind of fun but not really exciting once you had been there a couple of times. this particular time, i remember i was in seventh grade, and he told me he wasn’t ready to go. often i would go to the main library, which was only a few blocks from the hospital, and afterwards meet my father when he got off from work. on a few occasions i would get there earlier than his getting off time of 4:30pm and would sit around reading until he was ready. but this particular time it was after 4:30. he said he had some extra work he had to do. as most children do, i said, ok.

 

he told me, come on. follow me. and we got on the elevator and headed to the basement. i walked behind him trying my best to keep up. my father was a fast walker. i’ll never forget his story about walking to new orleans from donaldsonville, louisiana. we twisted and turned through the basement. down this corridor, through that door, into another hallway, through another set of doors. i really wasn’t paying much attention. didn’t read any signs or anything. i didn’t have to. i was following my father.  and then we went through the last door.

 

and there it was. a corpse. i balked about ten feet away. the naked body was laid out on a big table that had a ridge around it and pans on carts next to it. the chest was cut completely open with the left and right rib cage folded back. a pan with internal organs was next to the torso. and worse yet, the top of the head was gone. i mean completely sawed off. the brains was in another pan.

 

i don’t remember it stinking or nothing. my daddy said, you can watch me or you can sit over there. over there was only like five or so feet away. i sat way over there. pulled a book out and buried my head in the book while my daddy started messing with that body. it would have been ok except they were making a lot of strange noises. my daddy was sewing the body back together with a big old needle and thread as thick as twine. when he started putting that man’s head back together and sewing the scalp back over the skull, it made this sucking kind of sound.

 

i had, of course, been to funerals before and seen bodies laid out at church, but this was my first really memorable experience with death. at that moment, i was de-romanticized about any thing i thought about dead bodies. i realized that for my daddy, death just brought another job he had to do. in fact it was a good job because it paid him overtime.

 

so this is what happens to you when you die. this is what an autopsy is all about.

 

between that time and my next memorable death experience i graduated from high school. in fact it was february of 1965, the year after i graduated. and, no, kennedy’s assassination was not a memorable death experience for me. by the end of high school i had been active in the civil rights movement: sitting in at woolworth’s and schwegmann’s lunch counters, picketing on canal street, knocking on doors and doing voter registration work in the black community. kennedy had never been a hero of mine. so here i was up in northfield, minnesota, a small town whose claim to fame was that’s where jesse james did his last bank robbery. the local folk had laid a trap for mr. james and they almost caught him. the james gang was badly hurt in the resulting shoot out and disbanded after that attempt. anyway, i was at carleton college. i hated it there and would leave in less than two months, but i also learned a lot there.

 

i was working at the college radio station doing a jazz show. my show came on on sunday nights from 8pm to 10pm, if i remember correctly. part of my job at the station was to get there by 7:30pm and literally rip the news off the teletype. it used to come in automatically and there was this big roll of paper that fed into a box. all the news, weather, sports and whatever. and you had to gather up that long roll of paper and cut it up, or rip it, to separate the items you wanted from the ones you didn’t.

 

there were only 13 black students at carleton, and 8 of us were freshman, so you know how lonely we were. that particular night, linda, a girl from little rock, was visiting my show. as i remember we were the only two black students from the deep south. and when i started ripping the news, i got the first and all subsequent reports: malcolm x had been shot. dead. linda was crying and my eyes were kind of blurry too.

 

at first it was just a line or two, and then later more and more info streamed over on the loudly clattering machine. i’m ripping the news of malcolm’s death for some college kid to read. i don’t know how much, if any of that news item was read that night on carleton’s radio show, but i was strangely very, very affected by malcolm’s death. i say strangely, because i was not a muslim. i was not a follower of malcolm in the sense of being part of any organization, but i was, like many, many people my age, an ardent admirer.

 

why? what was it about malcolm? over the years i have had time to think about it and rather than focus on him, i realize now the focus was on myself and parallels that i scarcely recognized back then, if i saw any of them at all. for one, we both rejected the civil rights movement.

 

i remember sitting on the steps of mt.zion methodist church before our weekly n-double a-c-p youth council meeting. we had been the main force picketing and leading the boycott on canal street. after close to a year of demonstrating, the merchants decided they wanted to negotiate. we said, sure. they said, stop picketing and we can talk. we said, let’s make an agreement and we will stop. the merchants balked. in response to the impasse the adult branch of the naacp, then led by the future first black mayor of new orleans, ernest “dutch” morial, instructed the youth council to stop picketing so negotiations could proceed.

 

we were adamant. we’d stop when the merchants met our demands. not before. the national office sent down wally moon, one of the main officials to instruct us, stop picketing or we will put you out of the naacp. they didn’t have to tell me twice. i decided to leave.

 

for close to two years, the youth council had been my life, consuming all my free time and a lot of my thoughts even when i was in school. i was a few years younger than the leading members, who were mainly college students but they were my gang, whom i hung out with, admired, wanted to be like.

 

i sat there on those church steps and finally decided: i couldn’t do it. anyone who has ever, for whatever reasons, abandoned a love can appreciate the pain of this voluntary separation. that was my first divorce.

 

malcolm had divorced himself from the muslims. also, malcolm was advocating internationalism and self-determination. i agreed with both. plus, malcolm had been a preacher--well, officially he had been a muslim minister, but anyone familiar with his oratory knew that malcolm was not just a master minister, he was a full blooded, get down preacher who spoke so eloquently both birds and angels hushed their singing while he was delivering the word. amen.

 

i had been groomed to hold forth in the pulpit, i knew a thing or two about public speaking, and i knew that malcolm was about the best we had, martin luther king notwithstanding. king had dreams but malcolm had the fire.

 

to paraphrase malcolm’s eloquent post mortem, the march on washington had been a picnic. the white man told those negroes when they could march, where they could march, how long they could march and when to leave town, and you know what, they came when the white man said you can come and they said what the white man wanted said and they left when the white man said go! malcolm. malcolm. el hajj malik shabazz, malcolm x.

 

knowing about the organizers’ attempt to censor the march on washington speech of john lewis, the chairman of the student nonviolent organizing committee, whom walter reuther (of the afl-cio) and others considered too militant was proof to me that malcolm had been right. the sell-out house negroes and their white liberal supporters were emasculating our leadership. i was a young man; speaking truth to power was a sine qua non of my definition of manhood, and in that regard no nationally recognized black leader was more man than malcolm.

 

plus as an insider, i knew all the stories, tales and gossip about our black leaders--king as a philanderer; this one on the take; the other one married to a white woman; on and on. but  when it came to malcolm there was nothing, and malcolm was so hard on middle class negro leadership, i knew that if anyone had anything on malcolm we all would have been made aware. malcolm was a model of leadership in a category unto himself. and now he was gone.

 

days afterwards, i tried to find out as much as i could. and when i saw one of the death scenes: malcolm carted out on a gurney, his head back and to the side, his mouth sort of open, i thought about that body my father had sewn up and wondered would malcolm be cut up like that. my subsequent thoughts were about the men who shot malcolm, how they could do it. death comes in many forms, but for us in the movement, the hardest to confront is the seeming endless cases of black-on-black killings. 

 

death makes you think. at first you just recoil in shock, but sooner or later, the philosophical aspects confront and confound. malcolm’s murder in particular initiated many hours of trying to figure out what, if anything, i could do to address, and ultimately stop, black on black murder. i was too young to know how old that particular problem was. fratricide has never been a racial issue, has never been anything but a human issue, and mainly a human male issue.

 

nevertheless, when your leader and hero dies at the hands of our own, you never forget. i don’t recall what music i played the night malcolm died. despite any nostalgia for my youth and the glory days of seemingly boundless energy and optimism (which two qualities are, after all, the hallmarks of youth regardless of the specifics of any particular time period), despite the fog of memory and the hunger for the good old days (isn’t it oxymoronic that we call the days of our youth “the good old days”?), despite any and all of that, all i remember about that sunday night is malcolm was assassinated. our movement was in crisis. i was in crisis. those were difficult days.

 

—kalamu ya salaam