SHORT STORY: WHO WOULD YOU BE, IF YOU WEREN'T WHO YOU ARE?

photo by Alex Lear

 

 

who would you be, if you weren’t who you are?

 

“most people want younger,” he eyed me with bemusement, but i did not respond to his provocation. “but then you are not like most of our clients.”

 

i knew what he meant. one, i was african american. two, although on the cusp, i was not yet in my fifties. three, i wasn’t looking to be exotic, or trans-race, or exceptionally gifted physicially--well, actually, in a way, i did want to be a bit more exciting. average is ok, but, you know shorter or taller than normal might be better. but then, i don’t know, and i guess that’s what it is, i want to know something else. my new self doesn’t have to be a special something else…

 

“your tests results were excellent. you’ve fulfilled all the requirements and then some.” bob was chattering on. i took another sip from the room temperature goblet of wine. it was an excellent sherry. “may i call you arthur?” i started to say something that might vaguely sound smart like, “sure, bob, arthur or art, is fine,” but really it wasn’t fine, or i mean it would have been fine but i have never been an “art” or even “arthur” for that matter. so i said nothing.

 

my recollections reeled back to my ex-wife. even at our most intimate moments sandra called me by a contraction of my surname; i will always remember: “kenny my legs are wide open and my coochie’s dripping wet, just for you, baby.” but she never screamed nor got wild; i think she was making up that thing about being so wet just to con me, especially after that tryst with royce, which, as hurtful as the affair was, didn’t really lead to our break up because basically we were broke up before she started stepping out…

 

“frankly, i’m intrigued by your high verbal scores that indicate a philosophical bent. most of the people i see are so average it’s almost boring--please, disregard that last statement. i’m afraid this wine has clouded my judgment. it is entirely unprofessional for me to say anything about any of our other clients, even to generalize. nevertheless, i am intrigued. your undergraduate degree was in theological studies but you went on to earn an mba, top of your class and have spent seventeen years at the bureau of labor statistics. it’s unusual for a person to score higher on these verbal tests if they are not in a field that requires, well, you understand, i don’t mean to make you uncomfortable, i’m just admiring your test results. theology and philosophy are siblings, but add in business and statistics. frankly, arthur, you are an unusual man.”

 

bob’s steely blue-grey eyes focused on me with an unwavering gaze as though i were a picasso he was trying to decipher. i remember peeping at him while we were auditioning bodies. he didn’t flinched when i wondered aloud: “why would these people volunteer to… ummm, to trade-in their bodies.”

 

i wondered whether the models were aware they were on view. “self sacrifice is not unusual for the benefit of one’s family. were it not for our generosity to these donors, we could offer this service at much more affordable price point, but frankly, i think it is better to charge those with disposable income than to exploit those who are financially challenged.”

 

i could have chosen to be any one of them, or so i was told, “but,” and i had surprised myself by boldly offering an opinion in the form of a question, “why would any man want to become a female?” i choose not to be personally offended that there were women sprinkled among my candidates.

 

without even a hint of sarcasm, bob quietly retorted, “there are many of us who feel trapped in the body of the wrong gender. we at nu-life advancement  don’t judge the etiology of desire, we serve to help our clients achieve life lived to the fullest. over and above our commitment to our clients, philosophically,” at that moment bob had paused and softly rested a hand on my shoulder before intoning, “one could ask a fundamental question: what is wrong with becoming whomever we want to be?”

 

bob’s expertly manicured nails gleamed in the candle light as he waved away the waitress who was holding a water pitcher to top off his glass. “art, i sense you have a question.”

 

a non-refundable, hundred fifty thousand tab was not so expensive considering that one got a whole new life, except... “suppose, once i’ve made the switch, if i’m dissatisfied, can i obtain a second switch?”

 

bob smiled cryptically, well, not fully smiled, just sort of barely opened his mouth and clasped his hands with forefingers extended, brought them up to his lips, and then rested the tips of his fingers on the tip of his nose before clearing his throat. “nu-life advancement has a policy of non-serial transfers, meaning, second transfer are prohibited. this is why our selection process is so strenuous. we don’t accept everyone who wants a life transfer, nor do we always perform a client’s initial choice. we once had…” bob inexplicably paused and looked away.

 

“you once had…?”

 

bob cleared his throat a second time. “actually, i’m not supposed to engage this line of questioning. our policy pro…” bob abruptly halted. folding his arms as he leaned back in the booth. “i can’t…” he sat up straight.

 

i could tell he was stalling, waiting for me to interrupt him, but i had read the book on negotiating. i knew to say nothing. absolutely nothing. let him work it out. even if he said he couldn’t, i would say nothing and just wait. i didn’t look down or away, i stared him in the eyes, besides in this dimly lit lounge, neither of us could clearly see the other person across the table.

 

“you understand what i’m saying?”

 

i waited. didn’t move a muscle, no lick of the lips, no nod of the head. nothing. i just looked and waited.

 

bob reached into his coat jacket and took out his fountain pen—the pen he called his “contract” pen. i remember his ritual: “a signing should be done with an instrument befitting the seriousness of the occasion, hence i use a monteblanc. you know there are not that many of these in general circulation anymore.” bob tapped the pen lightly against his palm.

 

“mr. kennedy we once had an african american female who wanted to transfer into a white male. although she was otherwise fully qualified we declined. after we declined she threatened to sue. bottom line, he/she now works for us.”

 

was he saying what i thought he was saying, which was that bob had once been a black woman? i mean that’s not what he said but that was just the feeling i was getting, especially from the way he doodled on the pad with the ink pen. drawing a circle and then slowly filling it in. i wanted to ask a plethora of questions, but, holding to my plan, said nothing. didn’t even act like i heard him.

 

bob slowly screwed the cap back on his pen and gently lay the pen down next to the small notepad on which he had been noodling. “mr. kennedy do you have any other questions?”

 

i just looked at him. and then he folded his hands atop the table and stared back at me.

 

“hearing no further questions, once you sign…” bob reached into his brief and pulled out a paper. “this is a release form. remember, the contract you signed previously gave you a two week wavier period during which, for any reason whatsoever, you could change your mind and be fully released from your contract with nu-life advancement with no penalty whatsoever.”

 

bob placed the single sheet of paper before me. there was only one short paragraph printed on the nu-life advancement stationary.

 

“this is your acknowledgement that you have not changed your mind and that you hold nu-life advancement harmless should the procedure turn out other than you expect.”

 

bob proffered me his pen.

 

“i didn’t know i would have to… i mean i thought this was basically a follow-up session and…”

 

“take this home with you and read it at your leisure. if, for any reason whatsoever, you do not wish to sign, simply return this release to us unsigned and we will refund your payments. we at nu-life advancement understand that this is the single most important decision you will make in a lifetime. we want you to make this decision without any compulsion or pressure. if you have any questions, please ask them. if you feel any hesitancy, we understand. do not. i repeat, do not feel you must sign this release. if you do not want to proceed, if you feel uneasy, or just have a premonition that this is not what you should do. please do not sign this release.”

 

bob’s steely eyes were boring into me the whole time he mechanically unreeled his spiel. it was almost like he was challenging me to stand down. i looked at the paper. who was i kidding. i’d come too far to turn around now. i took the pen from bob and signed.

 

“thank you, mr. kennedy.”

 

bob gently retrieved the signed release, spun it around, extended his hand asking for the pen. after i gave it to him, bob signed the release in my presence.

 

“we will mail you a copy of this release.” and then bob put the paper back in his case, screwed the top back on his pen and smoothly replaced the pen into his inside breastpocket.

 

“we’ll see you on the 25th. good luck mr. kennedy.”

 

bob rose, extended his hand to shake. i firmly clasped his hand. “thank you, bob.”

 

* * *

 

“how did it go?”

 

“how does it always go? here’s the release.”

 

“robert, this is unbelievable. that’s what, the third one this week? one hundred fifty thousand a pop. what people won’t pay for physical enhancement.”

 

“it’s advancement, not enhancement. we are not some hollywood surgeon firming up tits and lipo-sucking stomachs. we are personal development specialists who help our clients achieve a higher state of life through physical and mental advancement. we are selling dreams, fulfilling desires, everybody wants to be more than they are. we’re just offering a process for our clients to achieve…”

 

“everybody has a right to be the person they desire to be. robert, that was great ad copy you wrote.”

 

“i didn’t write it, i stole it. mind you wants because someone wants your mind.”

 

“what?”

 

“george clinton.”

 

“who?”

 

“i grew up in d.c. used to be one of the few whites at clinton’s p-funk concerts. one day my father pulled me aside: robert, son, you are attracted to all those eccentric people—how many of those whom you follow live a good life after they reach fifty? i couldn’t think of one of my musical heroes who was over fifty—even clinton has lost most of his music publishing, so in that sense i no longer admire him. i can hear my father now: ‘son, it’s ok to enjoy yourself, but please think about your future. don’t end up penniless in your senior years. there’s nothing hip, as you call it, about being old, poor and uncared for’.”

 

“for sure you’re not poor.”

 

“poverty is boring—i have no intentions of ever being poor. simon, send mr. kennedy to barbados for his procedure. he’ll die happy.”

 

“robert, you are a genius.”

 

“no. i’m not a genius. it’s just that so many people are dissatisfied with who they are. for a fee, we help them out of their misery. they think they’re getting a new life, and in a way they are. it’s just not in this life. after all, who knows, there may indeed be life after death.”

 

—kalamu ya salaam

 

SHORT STORY: ANOTHER DUKE ELLINGTON STORY

photo by Alex Lear

 

 

Another Duke Ellington Story

  

The dance had ended forty-some minutes ago but no one seemed to be in any rush to go anywhere. Though they usually clamored to be on the road, quickly gone from these hick towns after they played, tonight the musicians were casually strewn backstage; some even cradled their still warm horns, occasionally sounding a very soft note or two. Duke grinned inwardly. Collectively, these men were his instrument and it made Ellington feel good when they felt good.

 

As always there was a coterie of jazz aficionados, aspirant entertainers, and non-music-related hopefuls who lingered in the hallway that led to the rear parking lot in which a bus waited to take the band back to the train depot where Duke's private pullman car was parked, well-stocked with appropriate food and other road comforts almost unknown to most musicians who crisscrossed America.

 

One gentleman stood at the end of the slow moving queue crawling along the wall outside Duke's dressing room. This small farmer recently turned salesman patiently awaited his turn to thrust the evening's printed program into Duke's hands so that Mr. Ellington might grace him with the gift of an autograph and, hopefully, also a flash of that fabulous love-you-madly signature smile. A stone-faced woman stood stiffly at his side. She had had a long day, was tired, and was the only audience member not displaying a beatific expression.

 

Unfurling the seduction of his whiskey-tinged baritone, Duke graciously received this last couple. "I am Duke Ellington. With whom do I have the pleasure of making an acquaintance?"

 

"Ah, Squire, Joe Squire. You can just put: To Mr. and Mrs. Joseph Squire. Please, I mean if you don't mine."

 

"Mister. And madam. Joseph. Squire. Thank you so very much for gracing us with your appearance tonight. You, your lovely wife, and all the other audience members made each of us feel at home." Duke shook hands cordially and paused to sign the program that Joseph Squire had tentatively proffered. As Duke finished his inscription with a flourish, he turned to the woman who remained starkly still looking as though it would have pained her to move. "Mrs. Squire, I'm sure you have a lovely first name. Might I inquire what it is?" Duke held his gracefully manicured right hand waist high in front of Mrs. Squire.

 

Mrs. Squire was slightly taken aback by the man's forwardness. She had not touched many negroes before and though she appreciated his musicianship she was not interested in any personal contact with this mister Duke Ellington. But he spoke with such manners and deference in his tone, and he bent at the waist slightly in sort of a half bow, and his smile seemed so sincere; her hand floated forward more drawn by Duke's personal magnetism than guided by her own will.

 

"Her, her name is Rosemary," Joseph Squire spoke up on behalf of his silent wife. Joe knew that Rose was past ready to go home and she had begrudgedly accompanied him backstage in his quest for Ellington's autograph. Now that Joseph's search had been successful, they should go.

 

But, she hesitated: Ellington's handshake was so smooth, so warm, so tender as he courteously held Rosemary's farm-roughened palm. "Mrs. Rosemary Squire would you please allow me to show you something stunningly beautiful which I have just recently discovered? Please indulge me. It won't take but a small moment of your time."

 

Duke gently released Rosemary's hand after slowly guiding it back down to her side. He turned to the small group of people surrounding him. "Excuse us one moment please." Without hesitation Duke cleared a path with a regal sweep of his left arm. He touched no one, instead everyone instinctively melted back like room-temperature butter retreating from the radiance of a heated knife. With his right forearm Duke smoothly pushed open the dressing room door.

 

The first object Rosemary admiringly focused on was Duke's stage shoes: a pair of gleaming patent leather pumps which sat languidly atop the dresser table next to a half drunk demitasse of tea--between two slivers of lemon a chamomile tea bag lay beside the china. Had Rosemary glanced at Duke's feet she would have spied black lambskin loafers, but at that moment Rosemary's nostrils flared as she inhaled the fragrance emanating from a spray of cut flowers which freshened the atmosphere as the bouquet lay beneath the over-sized dressing room mirror.

 

Duke sensibly had left the door wide open. At a discreet distance Joseph Squire and a few other people peeped into the room hoping to also see whatever was the beautiful something Ellington had promised to show the tight lipped woman.

 

"Rosemary Squire," Duke guided her forward with the faintest touch to her waist, "regard. Behold something beautiful." She turned to look at Duke. What was he saying? Duke nodded toward the mirror. She turned again. Duke stepped sideways so that he was out of the reflected line of sight. "Notice the elegance of the eyes. The determined jaw line which undoubtedly reflects a willful and passionate personality. But above all, the clean symmetry of the facial plane and the...aghhhhh," Duke intoned wordlessly, "but oh, you can see as well as I." Then Ellington stopped speaking.

 

Someone nearby gasped almost inaudibly. Rosemary virtually transformed before their sight. What had once been a cold mask of tolerance warmed into a tender visage of contentment. And as she started a smile, Duke picked up his pair of shoes from the dresser and backed out of the room. In the hallway Duke paused and touched Joseph lightly on the shoulder, " Never forget , your wife is beautiful. Though youth may leave us, beauty can always find a home within. Sometimes beauty slumbers but even then requires merely an appropriately gentle nudge to reawaken."

 

Then, on padded feet, Duke glided noiselessly down the carpeted corridor just behind Johnny Hodges who was already blasély ambling toward the back exit. Clark Terry had been patiently leaning against the wall opposite Duke's door; he grinned as he too shoved off to take his leave. Terry had seen the master do this many, many times before. Duke was casually adept at reading people and adroitly drawing out their best qualities regardless of how they felt at any given moment.

 

Exhibiting a rainbow of diverse complexions, a small knot of people stood outside the auditorium's rear egress. Sporting their best coats and warmest hats, the locals huddled in the chilly Indian summer night exchanging murmured conversations with Ellington's worldly array of well traveled musicians.

 

"Excuse me, the time of our departure draws neigh and I'm afraid we must bid you good night." Disappointed but understanding sighs drifted through the frosty air as Duke strove to extricate himself from the thinning throng. A lady who would not be denied sought Ellington's attention—an attractively tall woman, slightly darker than cinnamon. Duke signed her program "love you madly" and then climbed into the vehicle, the beginnings of a melody capering in and out of his consciousness.

 

Suddenly realizing where she was, Rosemary Squire pirouetted in slow motion searching the dressing room for Ellington. Ellington however, by then, was reclining aboard the bus. Rosemary's gaze fell directly onto her husband. Joe was a bit blurry as Rose squinted at him through partially damp but very happy eyes. He smiled at her. She beamed back. And they walked off hand in hand.

 

—kalamu ya salaam


POEM: AN OPEN LETTER TO MY EXECUTIONERS

photo by Alex Lear

 

 

an open letter to my executioners

  

if you

catch me, so be it

 

my dark face knows

bush joys

i laugh at your square world

alternatives, everything you offer

smells like jail

 

my hair has been clipped

many, many times

but i continue to let it grow

choosing my beard over the edge

of your razor

 

track me with your dogs, spy

my toe prints on the mud

where i ran, where i danced

 

catch me if you can

and if you do

so be it

 

but before i'd dine on your

stolen feasts

i'll drink rain,

wash myself in the streams of life

and keep steppin'

keep steppin'

keep right on steppin' down the road

past my people's martyred bones

broken and stacked in irregular piles

by the wayside, past skulls

perched on poles, cruel totems

which i decline to heed

 

even if i have to go

totally nude to fight your dragons

you will not detour me

i will go

i will live while i'm alive

i refuse to die while i am alive

  refuse

 

i will even go to your white wall

place my firm handprint on the

  damp stucco darkened by body

  fluids siphoned from murdered comrades

reject the charity of your blindfold

wink as i stare down your bullets, and

greet sweet death with

my eyes wide open

 

catch me if you can

and if you do

so be it

 

—kalamu ya salaam


POEM: THE MURDER OF AMILCAR CABRAL

photo by Alex Lear

 

 

the murder of amilcar cabral 

 

be careful what evils you tolerate

or how easily you blink away the blood of others

as though murder were simply water under the bridge

 

be careful, look beyond appearances

to the blind, dead fish and jelly roll funk smell the same

there should be an amber light in both your nostrils

 

read the fine print, don't just sign your name

to unexamined copy, your x on this earth spot

will be used one day to demonstrate that you complied

remember, every vote is a wrong vote

if you have only voted for the lesser

of what you did not want to vote for in the first place

 

don't claim ignorance, ignorance of reality is no excuse

a little steam or sweetening can make atrocities

platable if you just want the illusion of health

why does a dead animal, a decapitated chicken for instance

or an angus bull whose throat has been slit, seem

to smell better after it has been cooked,

is it not still dead and decaying?

 

listen closely to everything that is not man made

for instance, the trees crying

their tears of acid rain scarring their tender

brittle barks as branches are cut off to make

toilet paper, ah i envy the bears who shit in the woods

at least they have cut out the charmin' middle men profiteering

off our need to cleanse our funky behinds

 

remember, nothing that is absolute is relevant

relativity rules us all

bach will be bach will be bach regardless of where he's played

but there can be no secondline without dancers

 

there is danger in reading without thinking

why are we taught to read but not to think, there

is danger, like the times picayune,

a paper in which it takes longer to read the ads

than to read the articles, early in this century

the picayune in typically backward prophesy warned us

about the addictive evils of jazz but it was too late

to save the symphony who spends millions of dollars each

year and has yet to produce a pops, a jelly roll or

anyone who has changed the way the world hears music

 

some of you will not understand this poem, that's alright

it took me a long time to understand that the murder

of amilcar cabral was just a dress rehearsal for

the inner city slaughter of our youth confronted

by theirown ignorance of who and what the real enemy is

 

be careful, dear hearts, be careful

the present is not a safe place to sleep

 

—kalamu ya salaam


POEM: YOU BETTER BELIEVE WE SOME BEAUTIFUL PEOPLE

photo by Alex Lear

 

 

You Better Believe We Some Beautiful People

 

sure, like all

living beings, especially 20th century americanized beings,

we are riddled with contradictions, like seventh generation

descendants of enslaved africans up&down this hemisphere

we've got sociologically specific problems even m.c. hammer

can't touch, like the wealth driven persistence of poverty,

old and new dope holes in our eyeballs, and imaginations

cluttered with wannabe-isms, we be so tired of concrete,

so tired, even when we don't know why we tired

or don't know why we don't feel like going to work

or wouldn't feel like going to work if we had a job

or how it's a hard job just going to the job and tired too

of no way to avoid negro politicians and white corporate

types always trying to sell us shinning trinkets

when what we need is acres of self-determined

living space painted the brilliant colors

of our unmolested emotions where we are able

to blow full out, riding on melodies and riffing rhythms

of cleverly rhymed black speech which two years from now

proper sounding teevee reporters will be enunciating

as they try to talk that clever toro poo-poo our people

naturally do so well, but for now i am going home

and am sailing down this street, reflectively smiling hard

at all my peoples giving the day a beautiful name

as they decorate broken sidewalks and littered street sides

a living african necklace on this caribbean city

my peripheral vision snap shooting portraits of

lanky legged men leaning against the wind

ambling down the street in yellow pants and red

shoes, wide grins with gold tooths, a black felt

sky piece ace deuced and a hand carved,

snake-headed walking cane, screaming coolness

defying sunset to be more graceful

and don't mention the sisters, the way they slay

and cause everything to pause, traffic be stopping

on green lights, people leaning out the window

trying to see what's happening, how come there

so many fine women in this three block stretch

and if you get out your car and walk the sidewalk

you will hear the music pouring out the houses

radios on the ground, some little big head kid

beating on a bucket and screaming at the top of his

lungs, two girls pop locking together, and this

is any evening on america street where we is

especially in the summer, we all be outside

inside is too hot, it's better to challenge the twilight

with our shouts and smiles, in the street

a young, fair skinned blood dribbles the ball between

his legs while backing just back enough for a green car to

pass by him with out touching him or that basketball, and

this is only the surface stuff, but you better believe

if the outside of us is this tough, inside, inside

all us, inside we is some beautiful people, yeah!

 

—kalamu ya salaam


POEM: STILL IN LOVE WITH YOU

photo by Alex Lear

 

 

Still in love with you

(for Nia)

 

your laughing lips opened me and i rediscovered

my child self delighting in the giddy delirium

of an innocent encounter with an adult experience

outside the restaurant i found the very wet

october rain was still summer warm when my

open-toe sandals sloshed through shallow puddles

with the undisguised glee of a five year old deliberately

trying to ruin a new pair of clunky old ugly dress shoes

 

afterwards the still moist night danced when i played the

majestic brazil of nascimento’s music over ‘oz radio airwaves

—milton’s sensual songs sent poetry ribbons pouring forth

from the grinning memory of my old mouth smiling now

about the sweet breath beauty i gladly and greedily tasted

upon savoring the caress of your casual see-you-later kiss

 

—kalamu ya salaam

POEM: SO WHY DOES THE WORLD HATE US?

photo by Alex Lear

 

 

so why does the world hate us?

(and who is this “us” they hate?)

 

so what do you do now sweet poet, grin bullet teeth? hold out for pious

hugs based on the necessity of samaritan love? how can we denounce

the blindness of flag waving at terrorists we can’t see? the plans

of militarists to bring them afghans back dead or alive? the immobilizing

fear that the populace eats instead of airline cuisine? and the saintly

diatribes of ministers salivating at the chance to bless our bombs?

 

can a poem really promote peace without the grease of middle east

petroleum to oil the sophisticated wheels of our daily life? you want

me to say something profound, to propose a safe path through the

minefield of international intrigue where cowboys are hated

worse than rattlesnakes—well, partner it’s simple, either we rein in our government

or else we mossy along with the rest of the herd, stumbling in the dark

of our dearly beloved democratic ignorance, oblivious to our sins and

perpetually surprised that so much of the world hates our comfortable asses.

 

—kalamu ya salaam

 

POEM: AS SERIOUS AS A HEART ATTACK

photo by Alex Lear

 

 

AS SERIOUS AS A HEART ATTACK

 

i have never been fully domesticated

but i have been civilized

 

by women taught that the heart

is more than a muscle

 

a life drum whose function is

both physical blood pumping

and spiritual longing to be embraced

 

but love, ah love is a river

we may get wet

but we can never drink it all

love always flows on

more than we can ever swallow

 

no matter how thirsty

we claim to be

 

—kalamu ya salaam

POEM: CAN'T DO NOTHING FOR YOU

photo by Alex Lear

 

 

Can't Do Nothing For You

  

sahel thin rock star beggar lady

requests a quarter

i refuse

i don't want to refuse

how long

will it take her to blow

my quarter

i ask myself

to justify my niggardness

 

i do not even give her words

i just shake my head "no"

 

i get in my car

i drive my divided self home

 

half of me hurdles

out the window

hastening to chase down

that shadow of a sister

desperate to explain

that my refusal doesn't

mean i don't care

 

although my other half

doesn't see

the light turn green

it sees

that hollow stare

that did not even blink

at my negative response

 

prodded by the blare

of someone's horn behind me

i move on at funeral pace

encased in a deathly silence

which eerily mirrors

the way she walked

away

from

me

 

something

has got to give

 

—kalamu ya salaam

POEM: TALK TO ME, YOU SAID

photo by Alex Lear

 

 

talk to me, you said

 

i want to speak with more than words

i really want to nude greet, & (with Black music

  as a multifaceted utensil of intelligent expression),

  both quietly open & tenderly close

  productive days for & with you

i want to scent yr nights w/passion flowers

  grown w/out haste in the garden of our communication

i want to speak with my eyes calmly reciting

  the poems of my feelings honestly revealed w/out

  even a hint of hesitancy nor embarassment

 

non-stuttering fingertips tracing your cheekline

unbroken body english orated like a coltrane prayer

the patience of blk blues blood beating through my brain

  a fly wheel of esctasy turning as i hear yr train

  slow chugging with deep whistle blowing down

  the lonesome terrain of me

& though no one be around, i lift my sound into the dawn

  as i stand on the balcony early in the morn and scat

  shout jazz so glad happy in the certainty that whether

  you hear this or not, when i call you later today, or pass

  & see you, these feelings will still be resonating

  in my throat & your lips will receive & reflect

  the joy of my song

 

the telephone is for you

some of the music i play on the radio

the tape in tomorrow's mail

spin the CD of me with the laser look of your eyes

touch me

 

i am more than talk

i am music

 

—kalamu ya salaam