POEM: WHILE I WAS WALKING

photo by Alex Lear

 

 

 

WHILE I WAS WALKING

 

down the motel corridor

i nodded my head & spoke

to the black maid—

late-twenties, maybe mid-thirties—

who smiled and delivered

a deeply dimpled reply

in a low-pitched, whiskey-voiced

off-handed, matter-of-fact way

that led me

—and i suppose

would have tempted

most hetero-black males

of my generation—

to wonder how that voice

would have sounded

when pitched in the throes

of excruitiating love making

 

this was not the dog in me

barking for a boning

but rather the traditional

appreciator of african aesthetics

who finds great comfort

in both the pleasure and spirituality

of african feminity

and who acknowledges

with neither shame nor hesitancy

that i can be both physically

and spiritually moved 

by the deepness

of a dark-hued woman’s 

sweet voice

 

i suppose there are those

who will find this poem problematic

but that is their problem

as for me

i will never stop 

greeting black women

& will continue to be 

profoundly grateful to my sisters

and whatever gods there be

that despite the historic

and contemporary disasters

and miscues which taint

a multitude of exchanges

between females and we males

black women nevertheless

continue to respond

to our quieries of “good morning/

good evening, how you doing?”

with that most profound

of monosyllabic redundacies—

you know what i mean, how

when a sister that some hollywood

counch caster might consider a bit plump

weighing in on the upside 

of a hundred pounds 

but all attractively porportioned

in the classic negroidal 3-2-4 

golden ratio of breasts, waist, butt

will innocently restate the obvious

as she looks up from whatever she is doing

looks up, stares you in the eye

and simply sounds an answer

to your rhetorical query

simply sounds

that amazingly accurate

one-word-tells-all 

ebonic refrain:

“fine!”

 

and then i moved on

 

—kalamu ya salaam

SHORT STORY: HORACE SILVER

photo by Alex Lear

 

 

 

Horace Silver

 

            Where is the orange pumpkin face with the lit candle inside? Where the wide snaggle tooth smile like the one Ma'dear used to beam at us? But she also used to bust our butts and that warm smile would turn to a grimace just like the one you got now, and just like I never pleaded with Ma'dear to slack up on whipping us, I'm not going to beg you to stay.

            You used to glow radiant like you were plugged into god's bright light when you first came here in that happy yellow dress I liked to see you wear. Although you arrived in December, in winter, your aura was so unwintery, plus you had yellow shoes with spaghetti straps. From the beginning you were always munching fruit.

            "You like jazz?" I asked. You nodded. I gestured toward the sofa and dropped a record on my system. You sat listening attentively to Horace Silver blowing the "Tokyo Blues." I don't know why I chose that album to play to you, or why I asked did you like jazz, or even why I invited you over.

            You were so thin, thinner than any woman I had ever been with at that time. I don't even like thin women, so I mean you were already way ahead of the game. Maybe it was the geisha girls on the cover with Horace sitting between them that caused me to pause while flipping through the stack searching for suitably impressive sounds to play. Maybe your bright red lipstick, the rouge tastefully spread on your cheek, and, of course, your quietness reminding me of the way I imagine Japanese women are, and your carefully painted fingernails, and the small amber ring you wore, with matching earrings, your legs crossed listening to "Cherry Blossom," saying you had that record in your collection.

            Before the LP was over you looked up at me. I was standing tall. You smiled and then sat back and looked away briefly, then looked back and gave me a full, big eyed stare like you had already figured what you wanted out of this. I was just steady looking at you, at how small your breasts were and trying to think was this going to be worth my time. If I knew what I know now, I never would have cared about you, but I didn't know. You let me fall in love with you, and now that I do, you don't care.

            I still remember standing in my living room the evening of the first day. It was already December dark even though it was only like a quarter to seven. You were admiring my African sculpture that my sister gave me from her trip to Ghana and I had on a cranberry colored sweater. Horace Silver was spinning exactly at 33 and 1/3 revolutions a minute. The orange lights on the turntable gauge where perfect squares standing still. I remember all that. I just kind of stood there listening to Blue Mitchell's exuberant trumpet calls and was wondering what all this was about.

            Yeah I'm a little upset. I mean I care. Yeah, I would prefer if we worked this out, if you would glow like you used to when you looked at me with your huge brown eyes telling me about some book you had read or how you liked the way I touched you, glow like you did that first evening when I was standing surrounded by Horace Silver's hip sounds washing over us and you returned your face to me and told me, "I don't want anything serious. I want this to be light. I want us to enjoy it. I'll stay as long as it's light."

            I suppose I was supposed to kiss you at that moment, but Horace was playing so beautifully I had to be more subtle than that. So I squatted in front of you, touched your knee briefly and simply said, "yeah, that's what I want too. As long as it's good." I never intended to really, really love you. I mean you wanted it "light," and I imagined this could be very convenient, us seeing each other and seeing other people too.

            I asked you if you wanted something to eat and you held up the apple you were chewing and smiled. You never liked to cooked. I never met a woman like you that was so open about not wanting to cook, about refusing to cook. I cooked more than you did and I can't cook, and my surprise to learn you were a school teacher. I guess I thought all school teachers were also supposed to know how to cook.

            You never corrected the way I talked so I couldn't imagine you an English teacher but I guess you had to be something. I never really knew you before that day you came over and right now I'm realizing that I have never really got to know you since.

            It's only a few months later. The weather has just turned to spring, nevertheless, here you are intoning in that husky voice of yours (a sexy huskiness that first attracted me to you, a voice which initially sounds too deep for such a petit body, that voice which tipped me off that maybe there was more to you than it looked like there was), here you are saying "Harold, it's not light anymore."

            When did it stop being light. It's still light for me. For a teacher you sure do get a lot of stuff backwards. Winter is heavy, spring is light. Look at you right now, you're hunched into that frog position you like so much lately: your heels pulled up on the edge of the chair, your arms wrapped around your legs, your chin on your knee.

            "Is this because I don't want to drive to Atlanta to see Nelson Mandela?" You answer "no," dragging out the short response, but it sounds like yes to me.

            "Was it about that AIDS walk I didn't want to go to and you went by yourself?" You answer me "no" but here we go again, it sounds like yes.

            "Is it because I don't want to use condoms? I mean it's mainly you and me right..."

            You slowly close your eyes.

            "I mean you did say you wanted this to be light, right?"

            I can hear you not listening to me.

            "What do you want? You want us to live together? You already said you don't want to be married. What, huh? I don't understand..."

            I looked at you. You are fading before my eyes. I reach out to touch you, to hold you. My hand goes right through your body and touches the back of the chair.

 

—kalamu ya salaam

POEM: LET ME SENSE THE CHAOS

photo by Alex Lear

 

 

 

 

 

 

let me sense the chaos

   a semi-autobiography 

   (based on the mca jimi @ woodstock CD)

 

 

            And those who took away our Voice

                                    Are now surprised

            They couldn't take away our Song.

                                                 --Kofi Anyidoho

  

1.

 

in the news

            every

day

the blk world

 

gasping

 

fragmented / confused

 

trying

to grasp

itself

 

confused / fragmented

 

fresh murders

marbling the sidewalks

of our psyches

in an indelible redness

no future sun can bleach

 

            "in Rwanda

            ten thousand dead

            in one day"


 

2.

 

i know that bosnia is bad

but have you seen liberia

have you heard haiti

been seized by rio's preteen

street grown gangstas

or ingested the platinum

raps of inner city america

celebrating its own depravity

 

today's blkness

makes humpty dumpty look whole

 


3.

 

we are

the palsied palms

 

of ex-chattel

picking melodies

 

african black

& mulatto

 

intermixed with the eye tears

of murdered cherokee

 

& dappled

by the martial noise

 

from motley strains

of conquering caucasians

 

chortling praise

to their bellicose god

 

            this mixture is the indigo matrix

            of my muse's midnight hue

 

 


4.

 

have we survived the past

only to give up the present

 

the speedy spin

of integration

flings us

 

away from groundings

with our people

 

a chocolate despair consumes

our sweetness

leaving the dry bones

of neglected unity

disconnected & rotted

 

is the bottom line higher

than the common good

 


5.

 

i have a new cd

of ancestral soundz

previously unreleased

 

roaring strings timbred to a keening

juice of electric hurling through

           

akin to the incredible jism jerk

of groin muscles shooting off

 

i needed to make this hollering

this ghostly heart cry

 

loudly

leaping

through

the thick

of rhythms'

din

 

there is

always a need

to assert

humanness

 

to cry

to announce

            i am

 

 


6.

 

the road to life

is no gentle path

birth is a renting of flesh

a messy letting

of dangerous blood

rife with pain & promise

 

& ultimately

merely momentary existence

amidst the vastness

of eternity

 

 

 


7.


within the cruelty of this

avaricious modernity

 

life's mystery

is the capacity of color

to forge beauty

from the chaos

 

the simple courage

to shed

systemic chicness

& stand unshod

 

authoring the gospel

of musical creativity

 


8.

 

such singing

 

whether with others

with orchestra

with hand instruments

or single voice alone

 

such singing is answer

is signpost

 

signifying

we've found a sound

 

that turns the temporary

of today's tough earth

into a life long

spiritual home

 

 


9.

 

without dark sound sanctuary

nurturing imagination

 

my future is limited

to this tone deaf present

 

except within vibrant

hymnal shelter

 

how else can

my soul survive

 

 


10.

 

yes

 

let me sense the chaos

listen

to my blues resound

 

let me sense the chaos

i will respond

with a song

 

let me

sense the chaos

 

why else

 

was i

born

 

 —kalamu ya salaam

SHORT STORY: FORTY-FIVE IS NOT SO OLD

photo by Alex Lear

 

 

 

 

Forty-Five Is Not So Old

 

            It was 1:30 in the morning.  Lucinda was half a jigger away from inebriated as she held a double shot of Seagram's and 7-Up poised before her glossy, hot pink painted lips. Precisely at that moment, Lucinda made up her mind "since I'm going to die eventually, I might as well live tonight" which meant she didn’t want to go home alone tonight. In fact, she hoped she wasn't going home at all, at least not to her own home.

            Billy must of thought she was a fool. "Away on business" or so he had said with feinted casualness.  Lucinda knew.  Even as she had allowed herself to act like she believed him when he said he had to go to Portland for four days, she knew.  Maybe he really did have some business to do there, but for sure he was sleeping with Sandra with her little narrow ass. It didn't matter that Billy Jo had left Thursday during the day and that Sandra was at work on Friday, answering the phone when Lucinda called on some pretense or the other. "I know something is up," Lucinda mouthed right before the cool liquor crossed her lips.

            Lucinda was a public relations specialist, she knew how to make things look like what they weren’t. Who had said life was just an illusion? Wasn’t it true that illusions were part of life? The only question was do you believe? Do you believe in what’s not there? Damn, this liquor makes you think some funny thoughts. But no, Billy Jo’s disinterest was no illusion. Nor was Sandra an illusion.

            Just thinking of that little 96-and-three-quarter-pound strumpet made Lucinda angry because invariably it made Lucinda think of when she weighed 115 pounds and was good to go, but that was at least eight years ago. Her eyes growing increasingly glassy, Lucinda silently surveyed herself in the large mirror behind the bar. One hundred fifty-five pounds really wasn't that heavy, “besides I'm tall and have big breasts. How is it these little skinny wenches can get men so excited, what's to it?

            "Furthermore, the slut has buck teeth. What in the world could skinny Sandra possibly do for William James Brown that he likes better than what I do for him," Lucinda wondered as she took another slow sip of her mixed drink. "I don't look bad--for my age. Hell, in fact, it's not really age. It's experience. I look good to say I'm as experienced as I am."

            Lucinda smirked as she thought about how Sandra couldn't massage Billy Jo's feet like she did, then wash them in a little antique porcelain wash basin--I bet she doesn't even own any antiques--dry them with an ultra-fluffy, teal-colored towel, and then slowly suck his toes as her flawlessly-lacquered fingernails crawled up and down the soles of his size-eleven feet. And for sure, Sandra had no clue of some of the more stimulating thrills Billy Jo's big toe could arouse. Like when Lucinda felt really risqué, really felt like lighting up Billy Jo's little firecracker in her sexy night sky, after cutting his toe nails with a clipper and gently buffing the edges to a smooth evenness with an emery board, after washing them in warm water with a scented soap, after tenderly drying them and then sucking them as he lay back on their bed, and after massaging his feet with baby oil, and as it got good to him, after all of that, Lucinda would climb up on the bed and slowly stroke her pussy with his big toe, stroke it until she was wet. God, a woman didn't know what she was missing if she had never reached a climax with her lover's toe tapping on her clitoris. What did that inexperienced child know about sophisticated lovemaking? Lucinda took a long sip of her drink.

            Lucinda recalled how pleasantly surprised Billy Jo always seemed whenever she dropped in on him at work. With a toss of her luxuriously coiffured hair which had been crafted into a gleaming and glistening, jet black, lengthy, chemically-treated mane that languidly lay across her shoulders, Lucinda smiled slyly as she reminisced about how it had been, the last time she turned Billy Jo on at his office.

            "Billy, I was in the neighborhood, on my way to that little boutique I discovered, you know the one I told you specializes in silk batiks and as I crossed Poydras I felt this twinge like a little spark of lightening." He had looked at her partially annoyed but also partially pleased as she stroked his male ego. "I couldn't wait. So..." she slid seductively around his desk, "I decided to stop here."

            Lucinda reached down and slightly opened Billy Jo's bottom desk drawer. She propped her leg up on the edge of the drawer as she took his right hand and cunningly glided it beneath her skirt and up her thigh. Lucinda shuddered involuntarily as she expertly guided his fingers into the curly mass of pubic hair and the moist flesh of her mound. She tensed her thigh muscles when his fingers reached her clit. "Yes, yes, I needed that," she salaciously whimpered while throwing her head back and squeezing her eyes close with the same intensity as the forceful contractions caused by Billy Jo's fingertips tap dancing on the head of her clitoris. Lucinda savored the first trickles of what would soon become a flow. And then his phone rang. It was intrusive Sandra reminding "Mr. Brown" he had an appointment in ten minutes.

            "That's enough," Lucinda said pulling his hand away, "for now." And then she remembered his astonishment as she bent over to slowly suck her moisture off of his fingers. "We can't have you smelling like pussy when you shake hands with the movers and shakers of industry."

            When Lucinda completed tongue washing each finger, she reached into her mauve silk purse which hung by a silver metal shoulder strap dangling off her left hip. Moving aside her black satin panties which she had removed in the parking garage, she withdrew a pink linen handkerchief that was embroidered with her initials. Before she finished drying his fingers, there was a knock at the door.

            "Come in."

            As Sandra entered, Lucinda ostentatiously finished her task with a flourish, waving the handkerchief, "there, all clean, all dry."

            After daintily refolding her handkerchief and replacing it in her brightly beaded pouch, Lucinda slowly kissed her husband on his clean-shaved cheek, paused to close the bottom desk drawer and cheerfully called out to him over her shoulder as she sashayed past Sandra, "have a good meeting honey, we'll finish ours tonight."

            Pausing at the doorway, Lucinda pirouetted coyly, "and Sandra, you have a nice day. OK." That little narrow-ass secretary didn't know anything about how to administer sexual quickies, didn’t know that men liked sexually aggressive women who were otherwise the model of ladyhood.

 

 

While she was lost in the reverie of remembering the sexual games she often played with Billy Jo, an impeccably dressed young man sat on a stool one removed from Lucinda. Attracted by the resonance of his masculine baritone ordering a cognac, Lucinda turned to look directly at his massive profile. She sniffed and caught the faint whiff of an expensive cologne. He was ruggedly handsome.

            "Hi," she smiled at him.

            He looked at her, briefly. Lucinda saw the almost imperceptible survey flicker as his eyes started at her face, moved quickly down her body, strayed briefly to her behind--she sat up straight and slightly arched her back--and down her legs, and... and, nothing. He turned away without even responding.

            She wanted to throw her drink at him. Instead she decided to annoy him. "I said, hello."

            He grunted, turned his head and pretended he was ignoring her. Lucinda hated to be ignored.

            She got up, slid onto the stool next to him, and ignored his ignoring her. "My name is Lucinda."

            "OK."

            "And your name is?"

            "Jawon."

            Oh god, what a common name, Lucinda thought, he probably doesn't even have a college degree. Lucinda's liquor continued the conversation, "Jawon, that's nice." Pushing her purse aside, Lucinda leaned forward on the bar's leather lining. "Jawon, I'm conducting a survey. Would you mind if I asked you a couple of opinion questions?"

            Jawon grunted without looking at her.

            "I take that grunt to mean, 'oh god, why doesn't this old bag just leave me alone with her silly questions. I'll answer one or two, but she better make it quick'."

            Jawon was slightly taken aback by her boldness. He turned to get a second look at this woman. Lucinda leaned back slightly, crossed her legs, and did not bother to tug down her worsted wool dress. Noticing her broad, soft-calf leather, black belt with the bold, gold buckle, Jawon accessed she was probably some kind of leather freak who liked to tie down men or spank them with a black riding crop. Nah, it's not worth it, was his final appraisal. 

            "If our ages were reversed," Lucinda leaned forward again, bracing her flawlessly made-up face with the back of her exquisitely manicured hand, "If I was a mature man and you were a young attractive woman, would you be offended if I brushed you off without so much as a civil hello?" Sporting a self-assured smile, Lucinda looked directly at Jawon awaiting his answer.

            Acid cruelly dripped from Jawon's thickly mustached lips, "I think you ought to be at home baby-sitting your grandchildren instead of out here trying to rob the cradle."

            "Ah ha. Well, Jawon, ten years from now, I hope you're not sitting on the other end of this question, and if you are, I hope the lady whose attention you're trying to attract, is just a bit more understanding than you are now. That's all. You may go now."

            Jawon backed off the stool and walked away, leaving a dollar tip on the bar while offering no further acknowledgment of Lucinda.

 Lucinda turned to face the mirror behind the bar and in the reflection caught sight of Roderick, the genial bartender, standing discreetly to the side, dressed in black slacks, a crisply starched white shirt topped with a hand-tied black bow tie, and a black and white checkered vest highlighted by a metal name tag which mirrored the bar's multicolored neon-and-florescent-lit interior. There was neither smile nor smirk on Roderick's placid face, nor did his eyes give any indication that he had watched the drama unfold. Without bothering to look directly at him, Lucinda sat her drink on the dark wood of the bar and familially addressed Roderick, "Well, Rodney don't just stand there. Freshen my drink, please."

            As Roderick moved toward her, Lucinda glanced at her watch. It was almost midnight in Portland. Lucinda mischievously decided to call Billy Jo and disturb whatever little excitement in which he might be engaged. Before Roderick could pour the freshener, Lucinda waved him off, "Rodney, I've decided to go home instead of sitting here and getting my feelings hurt. Be the gentleman that you are and call a cab for me please."

            Lucinda never, never ever drove her white Lexus when she went alone to paint the town. A solitary woman cruising down the avenues late at night was like flashing a baked ham in front of hungry bulldogs. Any man that she might meet would pay more attention to her car than to her, and assume that where there was a Lexus there was a big bank account that they might access. Besides, it was safer this way. Not that she had ever done much more than flirt, just to see if she still had what it took to attract a man ten years younger than she. Most of the time... oh, why think about.

            Pulling two crisp, new twenties from her purse, Lucinda waved them at Roderick, "I assume this will cover my tab for three doubles and also adequately provide for your well being."

            Roderick nodded affirmatively as he received the bills with a smile. His clean-shaven head was oiled to a soft, attractive sheen and were it not for the gaucherie of two gold-capped teeth, Lucinda might have found him attractive as well as personable.

"Will there be anything else I can do for you?" he asked Lucinda in a charming tone that implied he was both a trustworthy listener and a resourceful procurer.

            Lucinda's liquor got the better of her normal disinterest in what other people did or didn't do. "Does diabetes run in your family, Rodney?"

            "Not that I know of. No, I don't believe so. A little arthritis is all I've ever heard about, but then my folks are from the country, out Vacherie way. Don't a day go by they don't walk at least a mile and all their food is fresh, home cooked."

            "You're fortunate, Rodney. Did you know the treatment for diabetes is deleterious to the libido?"

            "So, I've heard."

            "Watch your diet young man, we wouldn't want your libido going south before you're sixty-five."

            "Ah, no mam. We certainly wouldn't want that to happen." Roderick had been idly wondering if she were single or out for a fling, or both. Without her having to say anymore he knew that she was grieving for a husband or lover who was no longer sexually active. Someone called to him from the other end of the near empty bar. Roderick waved an acknowledgment to the customer while he was wrapping up with Lucinda. "Is there a particular company you prefer?"

            "Company?"

            "Cab Company."

            "No. How would I know, I don't usually take cabs."

            "OK. I'll be right back." Roderick walked briskly down to the waiting customer, served him, reached under the register, pulled out the bar’s phone and rotely punched in the White Fleet number as he walked back to where the matronly woman sat.

            "A cab is on the way. The dispatcher will ring me when they're outside."

            "Such an efficient young man you are."

            "Thank you," said Roderick with a graceful bow of his bald head.

            "Rodney, one more thing."

            "Yes. At your service."

            "Might, I use your phone to make a quick long distance call?" requested Lucinda while removing another crisp twenty from her purse along with the note page on which Billy Jo had written his hotel telephone number. "My husband would just love to hear from me at this particular moment." Roderick took the twenty with his right hand and handed the phone to her with his left.

            "Take your time," Roderick said over his shoulder as he moved to the far end of the bar.

            "Mr. William James Brown, please. He's a guest." Lucinda smirked at the thought of calling Billy Jo from a bar.

Although she felt her mood turning foul, when Lucinda heard Billy Jo answer the phone, she brightened her voice, "Hello, my lover. Where ever you are."

            "You know where I am. I gave you the number and you called it."

            "I miss you."

            "I miss you too, honey."

            Then there was an awkward hush as Lucinda waited for Billy Jo to indicate interest in her. And waited. And waited.

            "Other than missing you, I'm doing all right, thank you," Lucinda finally broke the stalemate, not bothering to mask her sarcasm.

            More silence.

            "I'll be home late Sunday night."

            "Should I wait up?"

            "You don't have to."

            "Billy Jo why do you..." her words trailed off into a strained silence. Something was in her eye, she paused to dab the edges of her left eye with the heel of her hand. "You know where I am now?"

            "No, I don't Lucinda. Where are you?"

            "I'm sitting in a bar, but I would rather be somewhere with you."

            Again, silence.

            Something else was in her eye now. "Billy, I just want to make you happy. Be good to you. Make it all good to you..." Lucinda abruptly stopped babbling. "You see you've got me babbling. Would it excite you if I told you I wanted you so much that we could make phone sex right now. And...," Lucinda paused. "I started to say something really naughty but this is a mobile phone and anyone could be listening."

            Silence.

The liquor kept her talking long after she normally would have stopped.

            "I'll be forty-nine next week and, in another four months or so, you'll be forty-six, and that's not so old. I was thinking maybe some other medication might help you, I mean, maybe, make you feel less, or, I mean, feel better, or...," his tight-lipped silence was not making it easy. "Are you sorry that I couldn't have children?" As Lucinda questioned Billy she instantly regretted saying anything and wished that he would say something. Anything. "Billy are you there?"

            "Yes, I'm here."

            "And I'm not."

            "Lucinda, I think you've had too much to drink."

            She had not realized she was slightly slurring her words.

            "It's all right. I'm catching a cab home."

            "See you Sunday night, honey."

            Lucinda held the phone to her ear long, long after the dial tone sounded following Billy Jo hanging up. As Lucinda lowered the phone from her ear, Roderick moved toward her. Before she could hand the phone back to him, it rang and startled her. She almost dropped it. Roderick grabbed it, also catching hold of her hand in the process of securing the phone.

            "It's OK, I've got it." She left her hand nestled in Roderick's as he used his free hand to expertly hit the talk button, shift the phone to his ear, and answer, "Hello." While he listened to whomever was talking, Lucinda tightened her fingers on Roderick's hand. "Thanks. She will be right out."

            Roderick hit the talk-off button and leaned on the bar without trying to pull his hand away. "Your cab is outside."

            "Is it?"

            "Yes, it is."

            "Rodney, you wouldn't be interested...?"

            "I don't get off until four and I've already promised..."

            "Just kidding." said Lucinda unconvincingly as she reluctantly released his hand. "Have a good night."

            Lucinda slowly descended from the stool, studiously attempting to maintain her balance and walk as straight as she could. Roderick shook his head. She didn’t have a ring on her finger and she was calling her husband from a bar at almost two in the morning; Roderick had seen so many like her, "the world is full of lonely people."

 

 

At the door Lucinda paused before heading out into the chilly dark. Who was she fooling, she had never cheated on Billy Jo. And never would; even if she did like to sometimes pretend she would enjoy being promiscuous. No, what Lucinda really enjoyed was being desired. Desired like Billy Jo used to do before his illness flared and… Lucinda didn’t want to think about it.

 So, why did she keep thinking about how unfair it was that she had been a virgin when she first married, stayed married for five miserable years, spent seven wasted years so-called “dating” until she found Billy Jo floundering in a marriage that was all but legally over; so terribly unfair that now that she have found the man she wanted he didn’t…

 Lucinda had salvaged Billy Jo from Betty’s neglect. That woman was so…beneath Billy Jo, so incapable of helping him achieve the finer things in life. Unfortunately, for Billy and Betty’s children, all three of them looked like their mother and, worse, acted like their mother. They were all parasites, they just wanted what little money Billy Jo had saved, which wasn’t much. What was a measly $78,000 anyway?

 It’s amazing what one can think of when opening a door.

 Betty didn’t understand Billy Jo, what he wanted in life, what a legal career could mean. She was uneducated and Billy Jo deserved more. Betty undoubtedly didn’t know how to do all it took to keep a man—Lucinda used to say to “keep a man happy.” These days she cynically just placed the period after man. Later for this happiness crap.

            But wasn’t she entitled to happiness? People admired her—she came from a good family, was well educated, took care of herself. That thing with her uterus didn’t stop her from being a woman. And my, my, my, wasn’t she some kind of woman? Exactly the woman Billy Jo needed as a helpmate to eventually become a judge.

            Lucinda loved Billy Jo. He would be a public success, and God knows he was privately terrific. Lucinda loved the way Billy Jo made love to her, even though she knew he was not as interested in loving her as she was in being loved by him… Oh, this was all too… Lucinda pushed against the burnished brass plate etched with the club name, Black Diamond.

 

 

As the door swung open, an early morning gust sent a shiver through Lucinda and she suddenly remembered asking Billy Jo to turn around. “I want to suck too,” she had said while he had been patiently slurping her wetness with an almost disinterested expertness.

            In her dating career, which seemed like another life time ago, she had had the opportunity to sexually examine maybe twelve dicks. Ah, the variety of the male sex organ, the little differences, particularly when aroused. She liked the feel of some, especially the way they throbbed when she squeezed or how they jumped as she teased the scrotum with her fingernails; for a couple of others it was how they looked, the veins pulsing on…what was his name, yes, Andre, light-skinned Andre, with the thick veins crisscrossing the surface of his thing, or the hooded darkness of Jerome’s uncircumcised penis; and then there had been the size of Harold’s tool. A  basketball player’s big dick, but he hadn’t known what to do with it, or without it, for that matter.

Love making with Billy Jo had been the biggest turn on, surprisingly so—oh, you could never tell just by how a man looked, or even how he danced, you could never tell if he knew how to make love without using his dick. Billy Jo knew. And Lucinda really, really liked that.

            Moreover Billy Jo wasn’t squeamish about her freaking him. He hardly moved the first time she inserted a forefinger in his rectum, while she was sucking him and he was busy down there giving her head. Why was she like that? What did it look like? She supine, he on top of her, his head bobbing between her quivering thighs, his knees astride her head, his member in her mouth, her nose just beneath his taunt testicles—Lucinda really liked that he was clean so the smell was never suffocating—and her hand spread across his bottom, one long finger deep inside him. What would a photograph of that look like?

 He never questioned her, or made her feel embarrassed or feel anything but happy to have her way with him—not even the time she reminded him to shower and have a bowel movement before they jumped to it when they had been out on that wonderful weekend at the spa in Nevada, and had had a big lunch, and a scrumptious dinner, and had been out all day and dancing half the night, and...her finger was all the way in him, plunging at him, and the more deliberately she pushed, the more he nibbled at her clitoris, and she sucked him so hard she was afraid she was going to hurt him, but it felt so good. Why? Why all of that? Why did it take all of that?

* * * 

At the curb, the cab driver held open the back door of his maroon Toyota Camry. Lucinda slid in, thanking the driver by flashing a wide smile and making no attempt to hide her thighs as, one by one, she slowly swung her legs into the sedan. She would have really given him a good peek but he was studiously not looking, and Lucinda was not sure whether he was just being a gentleman or if, for some unfathomable reason, he really didn’t want to catch sight of what lay between her legs.

 Lucinda slid all the way over to the driver’s side of the back seat so that she was directly behind him when he got in. After she gave him the address, Lucinda folded her arms, briefly; she made sure the door was locked and then pushed her body deeply into the corner of the back seat.

        Lucinda knew what she was going to do. Lucinda knew what she shouldn’t do.

 She scooted down, lay her head on the fabric of the backseat and pretended to sleep.

Her hand crept under her dress. She had not worn panties.

            “Any particular way you want to go?”

            “Oh, whatever. I’m sure you know how to do your job. Take whatever route. This time of the morning, what difference does it make? Are you…?” Lucinda stopped herself. She didn’t want to make small talk. She wasn’t even mildly interested in this young foreigner. She certainly didn’t want to know what country he was from with his African accent. What did that matter?

Yes. Her left hand was there.

            “Mam?”

            “Don’t mine me. I babble sometimes after a drink or two. I’m not used to drinking.”

Good, he was taking the expressway. No lights. No stops.

            If he turned around and saw her—God, I would be so embarrassed, Lucinda lied to herself, halfway hoping he would look at her, would… “Oh.” She scooted down further and gapped her legs wider. Forefinger in the hole, thumb on the button.

She was beginning to breathe heavily—is that why he turned the radio on? “Is OK I play radio?”

“Yes. Of course.” Their eyes met briefly in the rearview mirror. Could he imagine how smooth her thighs were? The treadmill and the exercise ball were really an effective way to keep her legs toned. What would he think if he turned and saw her, saw down there? The way she kept her private hair close cropped. How the dark of her looked in the shadows, the deep chestnut of her bulging labia major set off by the cream of her dress bunched up almost to her hips. Would he pull over and try… even on the expressway? What would he do if he could see the glistening sheen of the beginnings of a mildly musky flow dripping down there?

Lucinda smiled wanly. The guy looked away and pretended to be just driving a woman home. But Lucinda knew. Maybe he could smell her arousal. “Billy.” Barely audible, her utterance was more a release than a sounding. Lucinda wanted to touch her nipples, to rub them between her thumb and the side of her pointing finger. She could smell the driver, he reeked of Old Spice or was it one of those obscenely-colored (whoever heard of quality perfumes in those garish shades), one of those obnoxious body oils those unkempt street merchants hawked? Lucinda closed her eyes.

Lucinda imagined Billy Jo’s lips sucking her breasts. Could you call this sex? A short tremor shot through her. Lucinda’s legs jerked and she bumped against the back of the driver’s seat. She knew she should stop. Billy. Just thinking about him.

            She turned slightly sideways as though she was going to curl up on the seat or like she was trying to get comfortable, or look out the window. Or anything but… “Oh.” Why was she doing this to herself? She never usually made sounds during sex with Billy Jo because she usually had him in her mouth when she came. Lucinda wanted to stop, wanted to move her hand. But. “OH!”

            “You OK, lady?”

            “I’m OK.” Lucinda caught her breath and held the air inside her chest, tensing to enjoy the sweetness of the release that was just about to happen.

             Lucinda paused, turned and looked up at the rearview mirror; she was certain the man was leering at her. But he wasn’t. At least he was pretending he wasn’t. Lucinda was sure he was waiting for her to close her eyes and then he would stare. “OH,” a sudden contraction caused her to jerk. Her free hand flew to her mouth. She bit her fist.

Lucinda knew that men got off on watching women please themselves, however, she no longer cared whether he was furtively observing her. Lucinda squirmed as she continued and her thumb press hit just the right rhythm. “Oh-Ohhh.” She turned her head just as the driver adjusted his rearview mirror.

            Patrice Orobio saw the woman fling her head back and open her mouth, like she was, well, like she was… No, she couldn’t be. These crazy  American women. He didn’t like that they were so out of control.

            Meanwhile, in Portland, after replacing the receiver and pausing for a moment of silence, Billy Jo lay on his side in the dark, Sandra firmly massaging his back.

            "That was Lucinda."

            "What did she want?"

            "Nothing. She was drunk."

 

—kalamu ya salaam

INTERVIEW + VIDEO: Kalamu ya Salaam

photo by Alex Lear

 

 

Video:

Kalamu ya Salaam

 

Early on, when an English teacher introduced Kalamu ya Salaam to the poetry of Langston Hughes, he knew he wanted to be a writer. Today, he's much more: poet, author, radio producer, teacher, activist.

UNO film student Alexandra Jones (aka Alex Lear) interviews the well-known New Orleans writer, whose name means "pen of peace," in this short documentary.

The Film and Theatre Department of UNO and NolaVie present this series of short films produced by the students in Laszlo Fulop's documentary class. Read Renee Peck's column about the program here.

>via: http://nolavie.com/2012/08/video-kalamu-ya-salaam-32869.html 

 

SHORT STORY + AUDIO: MILES DAVIS

photo by Alex Lear

 


 

 

 

 

 

Miles Davis

(featuring Kenneth D. Ferdinand - trumpet) 

 

Greta Garbo is credited with saying "I want to be alone." Except I'm sure by "alone" she meant: away from you lames. I want to be where I can be me and this place is not it. Then she would blow some smoke, or pick her fingernails, or do something else nonchalantly to indicate her total boredom with the scene. Miles on the other hand never had to say it. He made a career of being alone and sending back notes from the other world, notes as piercing as his eyeballs dismissing a fan who was trying to tell him how pretty he played.

 

Here this man was: Miles Dewey Davis, a self made motherfucker, a total terror whose only evident tenderness is the limp in his smashed-up hip walk, like he can't stand touching the ground, the cement, the wooden floor, plush carpet, whatever he is walking on. This man who, considering all the abuse he has dished out to others as well as all the self abuse he has creatively consumed, this man who should have died a long, long time ago but who outlived a bunch of other people who tried to clean up their act. This pact with the devil incarnate. This choir boy from hell. This disaster whose only value is music, a value which is invaluable. If he hadn't given us his music there would have been no earthly reason to put up with Miles, but he gave on the stage and at the studio, he gave. If there is any redemption he deserves it.

 

As for me, I admit I don't have the music, but so what? Perhaps in time you will understand that I really don't want to be here. I don't want to be loved or to love. I...

 

Perhaps you will understand that once you don't care, nothing else matters. I don't need a reason why to hit you. Why I'm letting you pack and split without a word from me, without any "I'm sorry," or anything else that might indicate remorse or even just second thoughts about what I've done. Instead, I'm cool.

 

Just like Miles could climb on a stage after beating some broad in the mouth, I cross from the bedroom where I knocked you to the floor and go into the living room and put "Round Midnight" on. The unignorable sound of Miles chills the room. I stand cool. Listening with a drink of scotch in my hand, and a deadness in the center of me. Anesthetized emotions.

 

As you leave you look at me. Your eyes are crying "why, why, why do you treat me so badly?" I do not drop my gaze. I just look at you. Miles is playing his hip tortured shit. You will probably hate Miles all the rest of your life.

 

You linger at the door and ask me do I have anything I want to say. I take a sip nonchalantly, and with the studied unhurried motion of a journeyman hipster, I half smile and drop my words out of the corner of my mouth, "Yeah, I want to be alone. Thanks for leaving."

 

And I turn my back on you, trying my best to be like Miles: a motherfucker.

 

—kalamu ya salaam

ESSAY: NINA SIMONE

photo by Alex Lear

 

 

 

 

NINA SIMONE

 

Nina is song. Not just a vocalist or singer, but actual song. The physical vibration and the meaning too. A reflection and projection of a certain segment of our mesmerizing ethos. Culturally specific in attitude, in rhythm, in what she harmonizes with and what she clashes against, merges snugly into and hotly confronts in rage. All that she is. Especially the contradictions and contrarinesses. And why not. If Nina is song. Our song. She would have to be all that.

 

Nina is not her name. Nina is our name. Nina is how we call ourselves remade into an uprising. Eunice Waymon started out life as a precocious child prodigy -- amazingly gifted at piano. She went to church, sang, prayed and absorbed all the sweat of the saints: the sisters dropping like flies and rising like angels all around her. Big bosoms clad in white. Tambourine-playing, cotton-chopping, tobacco-picking, corn-shucking, floor-mopping, child-birthing, man-loving hands. The spray of sweat and other body secretions falling on young Eunice's face informing her music for decades to come with the fluid fire of quintessential Black musicking. But there was also the conservatory and the proper way to approach the high art of music. The curve of the hands above the keyboard. The ear to hear and mind to understand the modulations in and out of various keys. The notes contained in each chord. She aspired to be a concert pianist. But at root she was an obeah woman. With voice and drum she could hold court for days, dazzle multitudes, regale us with the splendor, enrapture us with the serpentine serendipity of her black magic womanistness articulated in improvised, conjured incantations. "My daughter said, mama, sometimes I don't understand these people. I told her I don't understand them either but I'm born of them, and I like it." Nina picked up Moses' writhing rod, swallowed it and now hisses back into us the stories of our souls on fire. Hear me now, on fire.

 

My first memory of Nina is twofold. One that music critics considered her ugly and openly said so. And two that she was on the Tonight show back in the late fifties/very early sixties singing "I Love You Porgy." Both those memories go hand in hand. Both those memories speak volumes about what a Black woman could and could not do in the Eisenhower era. They called her ugly because she was Black. Literally. Dark skinned. In the late fifties, somewhat like it is now, only a tad more adamant, couldn't no dark skinned woman be pretty. In commercial terms, the darker the uglier. Nina was dark. She sang "Porgy" darkly. Made you know that the love she sang about was the real sound of music, and that Julie Andrews didn't have a clue. Was something so deep, so strong that I as a teenager intuitively realized that Nina's sound was both way over my head and was also the water within which my soul was baptized. Which is probably why I liked it, and is certainly why my then just developing moth wings sent me shooting toward the brilliant flashes of diamond bright lightening which shot sparking cobalt blue and ferrous red out of the black well of her mouth. This was some elemental love. Some of the kind of stuff I would first read about in James Baldwin's Another Country, a book that America is still not ready to understand. Love like that is what Nina's sound is.

 

Her piano was always percussive. It hit you. Moved you. Socked it to you. She could hit one note and make you sit up straight. Do things to your anatomy. That was Nina. Made a lot of men wish their name was Porgy. That's the way she sang that song. I wanted to grow up and be Porgy. Really. Wanted to grow up and get loved like Nina was loving Porgy. For a long time, I never knew nobody else sang that song. Who else could possibly invest that song with such a serious message, serious meaning? Porgy was Nina's man. Nina's song. She loved him. And he was well loved.

 

In my youth, I didn't think she was ugly. Nor did I didn't think she was beautiful. She just looked like a dark Black woman. With a bunch of make-up on in the early days. Later, I realized what she really looked like was an African mask. Something to shock you into a realization that no matter how hard you tried, you would never ever master white beauty because that is not what you were. Fundamental Blackness. Severe lines. Severe, you hear me. I mean, you hear Nina. Dogonic, chiseled features. Bold eyes. Ancient eyes. Done seen and survived slavery eyes. A countenance so serious that only hand carved mahogany or ebony could convey the features.

 

The hip-notism of her. The powerful peer. Percussive piano. Pounding pelvis. The slow, unhurried sureness. An orgasm that starts in the toes and ends up zillions of long seconds later emanating as a wide-mouthed silent scream uttered in some sonic range between a sigh and a whimper. A coming so deep, you don't tremble, you quake. I feel Nina's song and think of snakes. Damballa undulations. Congolesian contractions. She is an ancient religion renewed. The starkness of resistance. And nothing Eurocentric civilization can totally contain. Dark scream. Be both the scream and the dark. A crusty fist shot straight up in the air, upraised head. Maroon. Runaway. No more auction block. The one who did not blink when their foot was cut off to keep them from running away. And they just left anyway. Could stand before the overseer and not be there. Could answer drunken requests to sing this or that love song and create a seance so strong you sobered up and afterwards reeled backward, pawing the air cause you needed a drink. You could not confuse Nina Simone with some moon/june, puritan love song. Nina was the sound that sent slave masters slipping out of four posted beds and roaming through slave quartered nights. Yes, Nina was. And was too the sound that sent them staggering back with faces and backs scratched, teeth marked cheeks, kneed groins, and other signs of resistance momentarily tattooed on their pale bodies. And despite her fighting spirit, or perhaps because of her fighting spirit, the strength and ultra high standard of femininity she established with her every breath, these men who would be her master would not sell her. Might whip her a little, but not maim her. Well, nothing beyond cutting the foot so she would stay. With Nina it could get ugly if you came at her wrong, and something in her song said any White man approaching with intentions of possessing me is wrong. Nina sounded like that. Which is why this anti-fascist German team wrote "Pirate Jenny" and it was a long, long time before I realized that the song wasn't even about Black people.

 

Nina Simone was/is something so potent, so fascinating. A fertile flame. A cobra stare. Once you heard her, you could not avoid her, avoid the implications of her sound, be ye Black, White or whatever. Her blackness embraced the humanity in all who heard her, who experienced being touched by her, whose eyes welled up with tears sometimes, feeling the panorama of sensations she routinely but not rotely evoked wherever, whenever she sat at the altar of her piano and proceeded to unfurl the spiritual history of her people. When Nina sang, sings, if you are alive, and hear her, really hear her, you become umbilicaled into the cosmic and primal soul of suffering and resurrection, despair and hope, slavery and freedom that all humans have, at one level or another, both individually and ethnically, experienced, even if only vicariously. After all, who knows better the range of reactions to the blade, than does the executioner who swings the axe?

 

Nina hit you in the head, in the heart, in the gut and in the groin. But she hit you with music, and thus her sonorous fusillades, even at their most furious, did you no harm. In fact, the resulting outpouring of passions was a healing. A lancing of sentimental sacs which held the poisons of oppressive tendencies, the biles of woe-filled self-pity. A draining from the body of those social toxicants which embitter one's soul. A removal of the excrescent warts of prejudice and chauvinism that blight one's civil make-up.

 

Sangoma Simone sang and her sound was salving and salubrious. Her concerts were healing circles. Her recordings medicinal potions. She gave so much. Partaking of her drained you of cloying mundanities. Poured loa-ed essentials into the life cup. You left her presence, filled to your capacity and aware of how much there was to achieve by being a communicative human being.

 

Nina Simone. Supper clubs could not hold her. Folk songs were not strong enough. Popular standards too inane. Even though she did them. Did them to death. Took plain soup, and when she finished adding her aural herbs, there you had gumbo. Nina hit her stride with the rebellious uprises of the sixties, and the fierce pride of the seventies. Became a Black queen, an African queen. Became beautiful. Remember, I am talking about a time when we really believed Black was beautiful. Not just ok, acceptable, nothing to be ashamed of, but beautiful. Proud. And out there. Not subdued. Not refined. Not well mannered. But out there. Way out. Like Four Women. Like Mississippi Goddamn. Like Young, Gifted And Black. Like Revolution. Like: "And I Mean Every Word Of It". This was Nina who did an album with only herself. Voice. Piano. And some songs that commented on the human condition in terms bolder than had ever been recorded in popular music before. Are we The Desperate Ones? Have We Lost The Human Touch?

 

My other memories of Nina have to do with the aftermath. I recall the aridness of counterrevolutionary America clamping down and shuttering the leading lights of the seventies. Nina's radiance was celestial, but oh my, how costly the burning. Seeking fuel she fled into exile. Who would be her well, where could she find a cool drink of water before she died?

 

Then, like indiscreet body odors, the rumors and gossip began floating back. The tempest. The turning in on the self. What happens when they catch you and bring you back. Reify and commodify you, relegate you back into slavery. You are forced to fight in little and sometimes strange ways. But the thrill is gone. Cause only freedom is thrilling, and ain't no thrill in being contained on anybody's plantation, chained to anybody's farm. Anybody's, be they man, woman or child. Nobody's. Nothing thrilling about not being liberated.

 

Nina, like most of us, went crazy so that she could stay sane. Just did it hard. Was a more purer crazy. Cause she had so much to be sane about. So much that leeches wanted to siphon, sip, suck.

 

How do you stay sane in America? You go crazy. In order to be.

 

To be proud. And beautiful. And woman. And dark. Black skinned. You have to go crazy to stay sane. You have to scream, just to make room for your whispers. You have to cry and cuss, so that you can kiss and love. You have to fight. Fight. Fight. Lord. Fight. I gets. Fight. So tired. Fight. Of. Fight. Fighting all the time. But ooohhh child things are gonna get easier.

 

Don't tell me about her deficiencies, or her screwed up business affairs, her temper tantrums, her lack of understanding, her bad luck with men, her walking off the stage on the audience. Don't tell me about nothing. None of that. Because all of that ain't Nina. Nina Simone is song. And all of that is just whatever she got to do. Like she said: Do What You Got To Do. Oh Lord, Please Don't Let Me Be Misunderstood.

 

I play Nina Simone. Yesterday. Today. Tomorrow. This morning. Tonight at noon. Under the hot sun of Amerikkka, merrily, merrily, merrily denigrating us. In those terrible midnights. I play Nina Simone. Just to stay sane. Stay Black. To remember that Black is beautiful, not pretty. Beautiful is more than pretty. Beautiful is deep. I play beautiful Nina Simone. Nina Song. I play Nina Simone. And whether Nina's song turns you off or Nina's song turns you on, whose problem, whose opportunity is that?

 

No. Let me correct the English. I don't play Nina Simone. I serious Nina Simone. Serious. Simone. Put on her recordings and Nzinga strut all night long. And even that is not long enough.

 

To be young, or ancient. Gifted, or ordinary. But definitely Black, definitely the terrible beauty of Blackness. Nina Simone. Nina Song. Nina. Nina. Nina.

 

Oh my god. I give thanx for Nina Simone.

 

—kalamu ya salaam

SHORT STORY: EMILIO SANTIAGO

photo by Alex Lear

 

 

 

 

 

Emilio Santiago

 

I woke up, slowly, or I thought I woke up. Maybe I was still dreaming. Next thing I knew I had quit my job at the factory, and at the office, and on the assembly line and I was sitting on the warm ground with my father fishing in City Park. We both had on freshly washed jeans and old shirts. His had a torn pocket and a hole in the left sleeve, mine had chocolate milk stains on it from that morning when I went to drink the milk and missed my mouth.

 

My dad was showing me things he never showed me when he was alive, or maybe it was things he showed me but things somehow I was unable to see then even though he tried to show me. I smile as I see myself learning stuff from my dad. I was 13 and I was learning how to smile like a man.

 

When the sun started going down we walked home. He walked slowly enough that I could keep up without rushing. I was holding the poles and the empty bucket, we had released all the fish we caught. Daddy had said there was no need to take what we didn't need, we had food at home. I asked him why had we come fishing then, and he put his arm around my shoulder, loosely around my shoulders, and kissed me on the nose.

 

Fully awake now, I look over at you. You are still sleeping. The windows in our room are shaded but the morning light is spread around the edges like the crust on bread. You make a very light whistling sound as you inhale while sleeping. I don't want to turn the TV on. I don't want to see anymore hostages. If I turn the tv on I will become a hostage too. What does your mother think of me now? I am in the middle of my life and there are no bells on my shoulders, no post graduate degrees on my wall.

 

I can hear the traffic in the street outside. Where do people think they are going? I wish everyday I could go somewhere I've never been before, touch the doors of houses I've never entered, walk in the wash of seas that have never wet me. I start to wake you and ask you the last time we walked along in the park wandering hand in hand through the flock of ducks or when was it I most recently kissed you in public. Over all I'm pretty satisfied with our furniture, it's just the nagging thought that we didn't really need a leather sofa and glass topped coffee table to be happy, but it's just a thought.

 

I see the shape of you beneath the thin sheet pulled up almost to your shoulders. The radio has come on automatically, and as the jazz filters into the room and into my consciousness I realize it's on WWOZ and someone is on the radio saying that this is a gorgeous Monday, that Mondays are the best days of the week. I look at him queerly. The music is nice.

 

Suddenly there is this sound, this song that doesn't quite sound like the average song, it sounds so, so, so I don't know, so lonely, no not lonely, so incomplete, unfinished. It sounds like he is in my head, or I mean that music is music that is inside me, and somehow he saw it. Did my father tell him to play this music? And then the track is over. I listen for who the artist is and the DJ calls my name, but I never made any music. I never made the music I wanted to, maybe he is trying to tell me something.

 

The next song that plays is a ballad in some language I don't recognize but I clearly see myself singing this foreign song on a red tiled patio early in the morning with five freshly cut yellow roses in my hand.

 

I stand up to listen to the music better. Both my hands are on top of my head with my fingers interlaced. I am nude. You wake up. I can feel you watching me. My eyes are closed.

 

When the song ends you ask me what am I thinking. I tell you I don't know and you kiss my hand, the hand with which I reached down to touch your thick dark brown hair.

 

Is this still a dream? No, my fingers are wet where you kissed me. The music is filling our bedroom. Maybe I am supposed to be an artist. Finally I tell you as much of the truth as I am able to understand at this moment, "I was just listening to that music and it made me think about a lot of things I've always wanted to do...."

 

—kalamu ya salaam

SHORT STORY: WHEN SUNNY GETS BLUE

photo by Alex Lear

 

 

 

 

 

When Sunny Gets Blue

 

“That’s who that was,” Jordan whispered to himself. Once again his mother's advice proved accurate. In time all things are revealed to those who are patient enough to wait, and wise enough to look and listen while doing so.

 

Mister voice stood next to Sonni, tilting toward the microphone, a tenor saxophone hanging around his neck. The guy seemed average. Nothing special. In fact, was a little gaunt. That wiry build distance runners display: slightly sunken cheeks, scrawny arms whose tight weave of skin, sinew, taunt muscle and bone resemble ropes used to rig sailboats. Undoubtedly his legs were equally skinny. Even though he appeared to be in his thirties, he probably could still wear his high school clothes.

 

“Indigo Sol, yall. Ms. Indigo Sol. Show her some love.”

 

The fourteen or so people in The Jazz Room clapped enthusiastically. Jordan raised his empty glass, motioning to the waitress for another drink. When she came over Jordan also ordered her to bring Sonni -- "ah, Ms. Sol, the singer -- bring her anything she wants to drink. Anything. Ok?" Jordan sat back, closed his eyes and debated with himself the wisdom of coming to see Sonni.

 

He shouldn’t have called her yesterday. He shouldn’t have come here tonight. He should have stayed in the hotel and looked at cable or gone to a movie. Or walked around Dupont Circle to Vertigo Books.

 

Jordan turned in his chair to see where Sonni had gone. She was talking with the pianist, looking at a book of charts, flipping pages. Jordan turned back around, took a sip of his second drink, closed his eyes again and let his mind drift into realms of free association. Jordan started thinking about names. He knew the singer as Sonni, Mr. Voice called her Indigo Sol. Did the new name make her a different person? What was a name?

 

People assume I’m named after Michael Jordan, but actually I’m named after the Biblical river Jordan. Mother said my birth was her Damascus journey, when she stopped being a sinner and crossed over into Jesus’ arms. She went from one absent man to another, I would sometimes joke once I became old enough to wonder why neither my father nor Jesus every appeared before me, ever put an arm around my shoulder. Ever played...

 

Indigo approached quietly from Jordan’s rear, bent over his right shoulder, kissed his cheek. “Thanks for coming.”

 

The quickness of her kiss, light as a moth fluttering against his arm, caught him by surprise. His eyes popped open. The vividness of Sonni’s scent startled him. She was still wearing China Rain. Temporarily tongue tied, Jordan couldn't say anything as Sonni sat next to him. In fact, caught off guard by the onrush of intimate memories that her scented kiss released, he actually momentarily lowered his gaze before looking up into the bright well of Sonni’s shining eyes.

 

Jordan put both hands on the table top. He gripped the edges of the table. Sonni had looked good standing at the microphone singing with her eyes closed, her head cocked to the side, and her hands frozen in front of her like she was holding an invisible newspaper or about to hug a lover.

 

“I’m glad to see you. I’m glad you came. You look good. How did your interview go? How long will you be in DC?”

 

Jordan blushed at Sonni’s bubbling enthusiasm. She smiled again. Leaning forward, eleven silver bangles jangled softly as she placed her arms on the table and waited for his response.

 

“I guess I’m ok. The interview is tomorrow morning.”

 

Jordan was slightly disoriented by her eagerness. She’s acting like we’re still friends. Like she saw me yesterday, or last night rather than... what has it been, fourteen months now?

 

“I know it will go well. You always make good impressions on people.”

 

***

 

The Book of Laughter and Forgetting opens with a story. Czech communist leaders on a balcony. Clementis places his fur cap on the head of Gottwald who is to give a speech in the cold and is bareheaded. Some years later Clementis was “charged with treason and hanged. The propaganda section immediately airbrushed him out of history and, obviously, out of all the photographs as well.”

 

Jordan had read many accounts of Stalinist visual revisionism, but none were as impactful as Kundera’s irony. “Where Clementis once stood, there is only bare palace wall. All that remains of Clementis is the cap on Gottwald’s head.”

 

Jordan was determined to get in the picture and stay in the picture.

 

“Jordan, if you were ordered to kill someone...”

 

“Mr. Johnson, I understand the question behind the question. You want to know if I am prepared to make history.”

 

Surgery and history, neither was for the squeamish. Only those who could look at things for what they were, only those who could sever flesh, wipe away blood, and get on with altering reality. Those were the history makers.

 

“Yes, I am prepared to make history.”

 

After five years of close observance and six years of participation in various corporate minority outreach programs, Jordan was pre-recruited for the service. A discreet dossier had been kept. Scholarships. Summer internships. Overseas programs.

 

He didn’t even respond to the female decoy in Germany. “Subject resisted advances.”

 

When the call came to come to DC for an entry interview Jordan was ready. Of course when one is recruited to become a company member -- one shouldn’t even think “spy” -- it has already been decided that one is fit to make history.

 

Jordan didn’t know precisely what he would be doing in the future, but he was sure that his doing would be significant. It was decided that he would become a success as a freelance journalist and travel writer. The necessary wheels were turned. That Jordan didn’t know he was already part of the team made him that much more effective a player.

 

***

 

On Friday afternoon around two-thirty in the afternoon they sat on the outside patio of UNO’s Chicago Style Pizzeria enjoying a late lunch. Jordan had taken a taxi over to the Cleveland Park area eatery. He got there early because the interview had gone faster than he expected and rather than go back to the hotel he would wait, hopefully she would be on time.

 

Indigo arrived thirty-some minutes after Jordan but right on time almost to the minute. She had taken half a day off, rushed home, tidied up the apartment, and lit an aroma candle in the front room and bathroom before walking two and one half blocks to meet Jordan. Indigo wished she had had time to change out of her work clothes, but there had been a delay on the metro and she knew it would have been, as they say at home, "nothing nice" if she kept Jordan waiting. For as long as she had known him, Jordan had been a stickler for punctuality.

 

The fall day was gorgeous, unseasonably, albeit very agreeably, warm. Jordan had removed his jacket and carefully draped it over the empty chair to his right. Once they ordered, and after a few cautious q&a's, the conversation picked up momentum. What was planned as a quick bite turned into a leisurely hour of catching up, mostly focusing on their respective fledgling careers.

 

“So when does your book come out?”

 

“In March...”

 

“Dag, they couldn’t push it up so you could make...”

 

“It was originally scheduled for January, but I thought that would look too much like a Black history event in the making. So I urged them to wait until March so the book can rise or fall on its own merits.”

 

“And you’re saying Black History Month has no merit?”

 

“No. You don’t understand.”

 

Jordan stared at Sonni and then suddenly looked away. He stabbed at the chicken breast and pasta dish, moving small pieces back and forth, and then set his fork aside. When he looked up she was smiling at him. He sat back and brought both hands up to his chin. There was no way to tell Sonni the truth.

 

“What?” she asked.

 

“What do you mean, ‘What’?”

 

“I mean the way you’re looking at me.”

 

“How am I looking at you?”

 

“Like I’m not here.”

 

Jordan reached out, covered her hand and then gently cupped her fingers between his open palms, like he was praying and she was god.

 

Sonni scooted closer to him and quickly kissed him very briefly on the lips. It feel like touching a dragonfly's quivering wing. “Let’s go.”

 

They got up. The bill was $16.45. Jordan left a twenty on the table. They started walking to her apartment, which she said wasn't far down the block on Connecticut Ave. Each was thinking about the other, but what was there to say?

 

He desired her. She was ok with that. It had been months since she had gotten it on with someone and getting with Jordan was convenient. There would be no worrying about what comes next. Who calls whom how often. Whether we’re getting serious or whatever. Tomorrow Jordan would be gone and there would be no complications and no entanglements.

 

“Wait here a minute. I’ll be right back.” Indigo dashed into the convenience store and was back out in less than four minutes.

 

As they strolled back to her apartment, she held his arm and mischievously bumped her hip against his. Just like she used to.

 

***

 

Q: Why did Indigo go into a convenience store?

 

A: To buy condoms.

 

Q: Why did she leave Jordan outside?

 

A: She didn’t want to embarrass him.

 

Q: Would Jordan have been embarrassed by Indigo unashamedly asking for a pack of condoms and paying for it like she were buying chewing gum or a daily newspaper?

 

A: What do you think?

 

Q: What would Jordan have thought had he been standing next to Indigo not knowing what to do with his hands while she handed the 22 year old, female clerk a ten dollar bill with one hand and, with the other hand, blithely slipped the condoms into the mudcloth tote bag on her shoulder?

 

A: Indigo, thought some bridges were best left uncrossed. This is another example of why the cliché “ignorance is bliss” remains relevant.

 

***

 

“It is better to light a candle

than to smell the darkness.”

 

Jordan smiled as he softly read aloud the hand lettered sign posted at eye level above the toilet tissue rack. On top of the toilet bowl a fat, lavender candle flickered in a porcelain dish. As he rinsed his hands Jordan observed that there was only one toothbrush in the holder beneath the mirror.

 

A small basket of potions was on the cold water side of the sink. On the floor next to the bathtub was a larger basket of shampoos and body washes. The tub was wider than most but also shorter than most. They had bathed together once. No, don’t go there.

 

As he dried his hands on a purple towel, a faint scent drifted upward. He brought the towel to his nose and sniffed. Whiffs of violets burst into his nostrils. Jordan stood ramrod straight and sneezed into the towel. That was when he caught sight of himself in the cabinet mirror.

 

He was trying to keep himself from thinking about being in bed with Sonni, but the candle, the towel and his olfactory memory conspired against him. When he and Sonni were seeing each other, she used to mist the pillows and sheets with violet water. And though Jordan could not identify the sensation with words, his nose knew, indeed, vividly remembered the particulars associated with violet.

 

As he turned to exit Jordan drew in the votive candle’s warm incense. He hesitated, then backed up, and despite the vow he had made not to meddle in Sonni's privacies, he felt impelled to investigate the trashcan. The wicker receptacle lined with plastic was empty -- no bulging sanitary napkins loosely wrapped in paper or plastic. Nothing.

 

As Jordan switched off the light and reached for the door handle, his nose pleasurably tingled again. Free floating molecules of flowered fragrances filled the air and Jordan's equilibrium was disturbed as he absorbed into the receptive solidity of his body the vivid personality of smells he associated with Indigo.

 

***

 

Jordan left the bathroom, passed the closet-sized, open space that masqueraded as a kitchen and walked into the tiny living room whose far wall contained three sets of large windows. The blinds were raised, the curtains tied back. Beneath the second window, a clear vase held a spray of pink carnations.

 

A missed opportunity.

 

When Jordan and Indigo were walking here they had passed a flower stand. Baskets full of roses were on sale. Big pink roses. Tightly curled yellow roses. And magnificent blood red roses. A brief giddiness had flitted over Jordan and he had even considered buying a dozen for Indigo. But he hadn’t.

 

The only females many young men have lived with are their mothers. No sisters. No daughters (on the premises). No extended stays with lovers. Families of two: mother and son. All such men feel close to women. But despite all their caring, most of these men don't understand women precisely because they see all women as mothers, a variation of the only woman whom they have ever intimately known. And, unfortunately, Jordan had never seen his mother in love and certainly never awash with sexual desire. He did not know.

 

Abbey Lincoln’s “A Turtle’s Dream” filled the apartment with sublime music. Jordan couldn't identify the singer by name but the sensual music impressed him.

 

He stood in front of a small table full of photos in wooden frames. The ingeniously carved and layered squares and rectangles of oak, pine, cypress, cherry, and birch were art pieces in themselves. A few were even more interesting than the photographs they contained.

 

Jordan bent over to more closely examine a group shot. There was the voice with his hands folded over the bell of his horn looking serious as a sixties free jazz musician. Sonni was standing next to him laughing and wearing a big leather African hat like the kind Pharaoh Sanders wore on the cover of Thembi, which was one of Sonni’s favorite albums.

 

“That’s Ogun. The music director of my band." Jordan stood up. "Well really, it’s ourband. We... what?”

 

“Nothing. I’m listening to you.”

 

“No, you’re not.”

 

“Yes, I am.”

 

“What did I say?”

“You said he was...”

 

“What’s his name?”

 

“O-something.”

 

“Jordan, you’re jealous.”

 

“Sonni...”

 

“My name is Indigo.”

 

Jordan hesitated. His mouth hung half open. She was right. He was jealous. And this was ridiculous. They weren’t a couple anymore, what right did he have to be jealous? But he was. He closed his mouth. And looked away.

 

“It’s hard for me to get used to calling you Indigo.”

 

“It's not that hard, you'll get used to it.” She smiled and started swaying to the rhythm.

 

“Give your love, live your life.” Indigo harmonized along with the music. Her voice was lighter than Lincoln's heavy contralto, but every bit as strong. Indigo raised her arms and twirled, flowing into the pre-evening glow streaming through the windows. As she spun her smock billowed about the leanness of her lanky legs. She swayed, haloed by butter-colored sunbeams. She angled her head, held her arms aloft and sang, “...you can never lose a thing if it belongs to you.”

 

The sun shimmered translucently through the thinness of African print. Indigo's legs and the little erotic arch, the intimate gap where her thighs did not quite come together, were etched in enticing relief. Beneath the x-ray of sunlight the thin fabric hid nothing, highlighted everything. Memory and imagination embraced. Indigo's thighs, Jordan's eyes.

 

The song ended. He clapped. She bowed. Delicately extended, her arms undulated unhurriedly. The curled toes of her right foot, canted slightly to the rear of her left foot, barely touched the floor. Balanced mostly on one leg, she descended with the delicacy of a butterfly kissing a rose. The neck of her top blossomed open and invited his stare. She was bare breasted. Had nothing on other than a diaphanous dress, soft sunlight and a sensual smile.

 

***

 

The harder the shell, the softer the insides. Like most young Black women Indigo had deep fault lines of insecurity that always threatened to erupt and disrupt her carefully cultivated surface of self-sufficiency.

 

One big inadequacy was her name. Sonni was a made up name. It didn’t mean anything. It sounded a little bit like “sunny” or sometimes, depending on who said it, sometimes it sounded like “sunni” as in Muslim. But it was none of that. It was just some made up sounds her parents hung on her.

 

And so, as soon as she got back from her trip, she changed that. Legally. Indigo Sol. Indigo because her great-great-grandmother had been an indigo worker in Louisiana when the French paid dearly for the imported dark blue dye. And Sol, well Sol meant “sun” in Portuguese.

 

Rifiki said her smile was a second sun. Sometimes he would joke with her. He would bound out of bed in the middle of the night. “You smiled at me and the sun was shinning so brightly I thought it was time to get up.”

 

Rifiki was silly. And gentle. And kind and loving. Three months in Brasil -- Indigo always spelled Brasil with an “s” now because that’s the way they spelled it in Brasil and she wanted to respect their choice -- three months in Brasil and then she returned home. Although she and Rifiki had been together for only a few weeks, if Rifiki had asked Indigo to stay she would have given it a shot. The sun may have set in Salvador for the rest of her life.

 

But he hadn't and this may have been her biggest fault: Indigo couldn’t keep a man.

 

If she wanted a man, really wanted a man, he didn’t really want her as much as she wanted him. Indigo decided part of the reason was because her breasts were so small. Her butt was ok, her backside wasn't really big but at least the fleshy cheeks were round and firm. She was shapely, her waist curved, her hips flared, her thighs were thin but blemishless and well formed. But her breasts. They weren’t even as large as the navel oranges the deacons used to give out in church at Christmas time. Her breasts were barely bigger than unripened peaches.

 

All through college she was the smallest. And now she was almost thirty and didn’t have breasts. Almost thirty. Breast-less. Man-less. Thirty.

 

And another thing was she was so smart. Four languages smart. An MFA and defense-of-her-dissertation-away-from-a-doctorate smart. Book smart and life stupid.

 

Maybe that, and not her inability to keep a man, was the big thing. Like her grandmother had said, “How can somebody so book smart be so life stupid. Girl, if you was gon sing your life away, why you stay up in them schools so long?”

 

Indigo came to DC to do research and found a job at the Library of Congress. So she worked with books and she sang. Books and music. What else was there?

 

Her books filled her head. Her singing filled her heart.

 

How come the men she really wanted didn’t want her? Was it because her head and heart were full? Or was it because her chest was flat? Somebody said any single woman who moved to DC was either stupid or desperate, and you got too much education to be stupid, so you must be desperate. That somebody was her brother.

 

Jordan wanted her to finish her Ph.D.

 

“It doesn’t make sense not to finish after you’ve fulfilled all the basic requirements. Even if you don’t do anything with it after you get it, it’s better to have it and not use it, then to need it and not have it.”

 

The old something-to-fall-back-on, petite-bourgeois crap.

 

Oh, Jordan.

 

***

 

One version of this story had Indigo and Jordan making love in the shower. The lubricant of boysenberry soap lather smoothing the slide of Jordan's hand across and around and in between Indigo's quivering cheeks. A cataract of warm water crashing onto his shoulders as he hugged her hugely and slid his fingers across the twitching tenderness of her rectum.

 

There was even a risquely intoxicating interlude of laughter as she shampooed her distinctive pheromone from the tangle of his beard. She had slapped the shower wall as he pressed his face into the curl of her delta and massaged her labia major with the brush of his close-cropped beard. The tang of her scent had been excitingly sharp, neither pleasant nor relaxing but instead a stimulant that caused him to grunt as he licked at her, which licking in turn caused her to emit long tones of low-pitch laughter that he could both hear as well as feel as her torso shook with each yes that leaped from her throat. And then she went down on him and sucked him until it seemed he could hold it no more and then somehow she stood up quickly, hoisted herself by wrapping her arms around his neck, placing one foot on the side of the tub and...

 

Another version was more conventional. They remained in the sunfilled room. He had crossed to her. Kissed her. Removed her dress. Touched her until a glistening thread of vagina effluence trickled down the inside of her thigh and then mounted her from the rear as she leaned over the side of the couch.

 

There were other scenarios, all of them involving unprotected vaginal penetration to the alleged delight of both parties, but what actually happened was more interesting than anything I or Jordan imagined. Both of us were thinking about a climax. But that’s not what happened.

 

The vicarious enjoyment of sex and the proliferation of public erotic expressions actually are the exact opposite of what they purport to represent. Could it be that an excess of public sex masks a paucity of private satisfaction? Will everyone who is happy with their sexual life please stand up -- just kidding; but I did notice not many people moved.

 

***

 

Jordan and Indigo stood across the room and looked at each other. Just quietly looked. Each with their own thoughts and emotional resonances. They had dated for almost two years and had lived together for seven months. Seven months, when Sonni left suddenly. She never actually told Jordan why she left. She claimed that she still loved him. And that she would be back even though she couldn't say how long she would stay in Bahia, Brazil. Nor what she hoped to accomplish by quitting the doctoral program after her thesis was complete. She had boxed a bound copy of the thesis along with her MFA-in-literature diploma and had mailed it off to her college professor father from whom she was irreparably estranged. When she wouldn't respond to Jordan's queries as to why she felt it necessary to hurt her father by refusing to accept a Ph.D., Jordan assumed Sonni was transferring sublimated feelings. Even though he understood what she was doing, his understanding did not make it any easier to deal with what he provocatively called "her irrationality." No matter how much they tried to talk it out, she refused to share with him her real motivations.

 

If there were two things in life Jordan couldn't understand, one was why Sonni had mailed that box to her father and the other was why Sonni had left him.

 

If there was one thing Indigo didn't understand it was why she even cared what any man thought.

 

Indigo perched on the arm of the couch.

 

Jordan turned and pretended he was interested in three pictures on the wall.

 

***

 

Her voice startled him.

 

"You want something to drink? Juice?" Jordan looked over his shoulder at Indigo. "Herbal tea? Water?" He shook his head from side to side. "Coffee?"

 

He turned to face her. He loved coffee. She knew that. When they had been together, even though she never drank coffee herself, she would always buy freshly ground coffee beans and brew small pots of exquisite dark roasted Jamaican coffee. "Yeah, I would love some coffee."

 

"What kind? Kenyan, Turkish, Colombian, Jamaican?"

 

"What kind you got?"

 

"What kind you want?"

 

"I want what you got."

 

Indigo jumped up. "I ain't got none, but I'll get whatever you want."

 

Jordan looked confused. Indigo walked to the door and slipped on the sandals she kept on a little red rug beside the front door.

 

"Where you going?"

 

"To get your coffee, silly." Indigo hoisted her tote bag to her left shoulder. "Now what kind do you want?"

 

"No, you don't have to do that."

 

"I know, but it's ok."

 

"I'll take some tea."

 

"Jordan, don't even try it. You know you don't like no tea."

 

Jordan smiled inwardly hearing her use the double negative that was a linguistic remnant of her New Orleans upbringing.

 

"It's ok. I don't need anything."

 

"The coffee shop is just one block down Connecticut."

 

"Indigo." She looked over to him. "It's ok. You don't have to go."

 

"But suppose I want to go. Suppose I want to go and get you some coffee."

 

"Suppose I want you to stay."

 

"Why?"

 

"Why what?"

 

"Why do you want me to stay? Why don't you want me to go get you some coffee."

 

"Probably for the same reason you want to go and get me some coffee. Probably because we're both trying too hard to make up for whatever went wrong before."

 

There was a long silence.

 

Then Indigo lowered her bag and turned so she was facing the wall. She slipped off the sandals and, with her bare foot, arranged the sandals side by side. The material at the back of her dress was bunched up slightly atop the protrusion of her behind. As minimal as it was, her steatopygia was nonetheless attractive.

 

When Indigo turned around her face was contorted in what Jordan perceived as an obvious effort to hold back tears.

 

If there was any moment to do something, to go to her and hold her, this was it. Jordan sensed that. Indigo had no idea how difficult this was for him. She stirred up all kinds of sediments in the stomach of his soul.

 

Damn it, he liked Sonni. And it hurt that Indigo wouldn't give him back the Sonni he knew and loved. Instead, she continuously stepped back one step, just out of his reach, like a giggling child playing a cruel game of you can't catch me.

 

Jordan grew more and more pessimistic. He should have left bygones be bygones. But there was still something there. All them damn candles. She must be working some voodoo on him or something.

 

No, that wasn't even funny. She was just being herself and he liked her. Go hug her, fool. Go ask her to get back together. Go do something. Don't just stand here like a bump on a log.

 

Jordan convinced himself to risk rejection.

 

But when he looked up, she was gone.

 

He had not heard her leave the room.

 

***

 

Stung by what he perceived as rejection, Jordan started to leave. He went back into the front room to retrieve his jacket. His eye was drawn again to the three pictures and to the poems inscribed on them. The first read:

 

at dawn the seed of

life enters -- at midnight the

fruit of life exits

 

The color palette for this picture was red, orange, gold and yellow with the haiku in blue-black lettering at the bottom and two near-identical color photos of Indigo in the middle (in one photo her eyes were open and she was looking up into a camera positioned above her, in the other photo her eyes were closed and her head was bent downward toward the camera positioned below her).

 

The second picture was in black and midnight blue with lettering in silver and with two black and white photos that seemed to be extreme close-ups of hair. Jordan assumed they were close ups of Indigo's head except that the texture of the hair in the photo on the right was visibly different from that of the photo on the left. This one read:

 

only our dark depths

ego empty can contain

the vastness of light

 

The third picture was green and gold with lettering in dark green and a trio of nude color photographs: Indigo sitting, shot from the back, the side, and the front, her legs drawn up to her chest, her arms wrapped around her knees and she looking straight ahead. This one read:

 

thinking is dry dust

feeling is moist mud -- we are

more water than dirt

 

All three of the pieces had some sort of abstract design across the top in a faint goldish color. They hung side by side, obviously meant to be viewed as component parts of a singular statement. As agitated as he was, Jordan was nevertheless mesmerized by the complexity and the mystery of the triptych.

 

Before he realized what he was doing he was studying the photographs, peering closely at the details in each shot, and also, in a hushed voice, unhurriedly reciting each word of the poems as though he was a non-typist searching for and painstakingly using a rigidly extended index finger to peck at the keys of an out-of-date but still functional manual typewriter.

 

He heard movement in the kitchen and what sounded like a microwave. A timer chirped and then, shortly after the mechanical beep, Indigo returned into the room and sat cross-legged on the couch. She was sipping from what Jordan assumed was a mug of herbal tea.

 

Jordan stood with his left arm folded across his chest and his right hand spread over his chin. "That's deep."

 

"Thank you."

 

"Who did the artwork?"

 

"I did."

 

"When did you start painting?"

 

"I don't paint. I mean those are mixed media collages over monoprints."

 

"What's a monoprint?"

 

"A one of a kind print. Most prints are run in batches, but a monoprint is just one of a kind, so I guess it is something like painting."

 

"So, how did you do that."

 

"I can't... ummm."

 

"Oh, it's a secret technique or something, huh?"

 

"No."

 

"Then tell me how you did it?"

 

"You really want to know?"

 

"Yes. I really want to know."

 

"OK. I'll give you a clue." Indigo unfolded her legs, placed the mug on the floor, and then walked over to a short bookcase next to where Jordan was standing. As she bend down to pull out a book from the bottom of the bookcase Jordan noticed that she was now wearing a bra.

 

"Page 130." Indigo handed a large hardback to Jordan. Featuring a nude study on the cover, the book had a one word title: Eros.

 

As he flipped the pages looking for 130, he saw that it was a book full of nudes. He gave Indigo a bemused glance. On 130 there was a short poem and on the facing page a woman's butt. The model seemed to be kneeling back on her heels and she had her hands between her buttocks and her feet, her fingers were spread open covering her rectum.

 

Jordan looked up at Indigo's artwork and back to the book. He read the poem on page 130. It was about a Chinese woman who won a best picture of a peach contest by sitting in pollen and then sitting on a piece of paper. "I don't get it."

 

"Look on page 151."

 

Another butt shot, a woman in bed, she must have been laying on her side in a fetal position or something, the fleshy folds of her vagina were exposed, bulging between the back of her thighs. It did look like it could have been a peach between her legs, not literally, but sort of. Jordan closed the book, looked up at Indigo's artwork one more time. Rubbed his jaw again.

 

"Ok, the monoprints at the top of each piece were made by me sitting on paper draped over the bathtub edge."

 

"You mean, that's..." Jordan's voice trailed off.

 

"Yeah, that's me. It's about the mystic power of the female. Power in the sense of birth and being the spirit gate humans pass through to begin life's journey.

 

Jordan didn't say anything. He didn't know what to say. A pussy monoprint. He wasn't sure whether it was clever or freaky. Or maybe a little, or a lot, of both.

 

Indigo removed the book from Jordan's hand.

 

"Now, you know."

 

***

 

"I’ll take you up on that juice you offered."

 

When Indigo went into the kitchen, Jordan closely examined the right-hand photo of the second picture. He wondered if that was a close up of her pubic hair. He tried to remember detailed specifics of how she looked down there; most likely it was. Damn, this was wild. He would never have thought of that. He...

 

"I've got apple-mango and carrot juice."

 

"Apple."

 

"I don't have just apple."

 

To keep from shouting over the music, Jordan walked around the partial wall into the kitchen area. "Well just water then."

 

"Try the apple-mango."

 

"I don't like carrots."

 

"There's no carrots in the apple-mango, silly."

 

"I thought you said apple, mango and carrot juice."

 

"Apple-mango is one choice. And carrot juice is another choice."

 

"Well, I'll try the apple-mango."

 

Indigo turned from the refrigerator, grabbed a heavy, very tall and narrow rectangular glass from a cabinet and poured it half full. "There's more if you like it."

 

Jordan took a sip. "It's good."

 

"Great." Indigo held up the carafe of juice silently asking if he wanted more. Jordan nodded yes, and held the glass out to her. She topped it off and then put the carafe back into the refrigerator. When she closed the door she noticed that Jordan was staring at her.

 

"What?"

 

“Umm. Nothing.”

 

“Jordan. What?”

 

He rubbed his jaw. “I wish you had come back to New Orleans when you returned from Brazil.”

 

“I wish you had come to DC when I came here.”

 

Jordan started to say, I wanted to but you told me not to come, remember? But he didn’t say anything. He wanted to kiss her. He took another sip of juice. Then he thought to say, "well, I’m here now," but he didn’t. Instead he took another sip of juice.

 

"Jordan."

 

He put the glass down on the counter top.

 

"Yes."

 

"Is your glass half empty or half full?"

 

This was typical Sonni. This was her way of getting inside his head.

 

"It's both. Half is half. Half empty, half full, that's just an abstract semantical argument. The glass is both half empty and half full."

 

"I don't believe it's both, I believe the answer lies in the context. It depends on whether you're drinking or pouring. If you're drinking it's half empty because you're in the process of emptying the contents down your throat. And if you pouring it's obviously just half full because you still have half a glass more to fill up."

 

"So what's the point?"

 

"The point is I believe this society is half empty and you believe it's half full."

 

"And..." Jordan made a circular motion with his hands, "help me here. You said that to say?"

 

“I have very strong feelings for you and I think you feel the same way, but we’re not good for each other.”

 

“What do you mean?”

 

“Maybe what I mean is that we want different things in life and we end up making each other unhappy.”

 

“Sonn... I mean, Indigo. You don’t really believe that.”

 

Indigo bristled visibly, her shoulders squared and she leaned back slightly as though preparing for a fight.

 

“I’m sorry, I didn’t mean to tell you what you believe.”

 

They looked at each other. Between them they were replaying old fights and old joys, misunderstandings and passionate moments. Indigo remembered how possessive Jordan was, how she felt trapped and had no way to explain to him what was up. Jordan was fixated on the satisfaction of holding her and the frustration of her leaving him. Finally, Jordan picked up the glass, chugged down the rest of the juice, put the glass down and drifted out of the kitchen.

 

Indigo bit down on her bottom lip. He was always afraid to confront her, and the more she confronted him, the more he backed away. She stopped thinking about it. This wasn’t healthy.

 

Indigo followed Jordan into the front room. “You know how much I pay for this apartment?”

 

Jordan looked around as though he was surveying the space. “It’s one bedroom, right?”

 

“Yeah.”

 

“Oh, I don’t know. What, five, six hundred a month?”

 

“Try seven-fifty a month and about to go up to eleven hundred.”

 

“Eleven!” Jordan whistled. “For this?”

 

“Yeah, now that Berry’s not running for reelection, the white folks are reclaiming the city.”

 

Indigo pushed her hand against the small of Jordan’s back as he backed toward the couch. He stopped and looked over at her. She picked up her mug of tea, held it up, and then flopped down onto the couch motioning for Jordan to sit.

 

“But they can’t just raise the rent like that.” Jordan sat down, “Don’t you have a lease?”

 

“It’s up in three months and they’ve told me either pay the new rates or leave. I can’t afford a fifty percent increase, I have to find something else.”

 

“I guess so.”

 

“And what about you?”

 

“What about me?”

 

“You’re moving to New York, that’s worst than DC.”

 

“Brooklyn, baby. Brooklyn, not Manhattan.”

 

“Good luck.”

 

“Thanks.”

 

Then they sat in awkward silence, each waiting for the other to say something.

 

“So how is it living in DC?”

 

“It’s good, in general. You know it’s a funny place because it’s so international but so stratified. It’s like you go from the absolute center of power to the absolute center of poverty in an eyeblink and everybody in one center pretends that everybody in the other center is not there. You know what I mean?”

 

“You mean the gap between the haves and the have nots?”

 

“No, it’s more than that. I’m talking about power, not money. I mean I understand that money is behind power, but there is a certain arrogance of power...”

 

“Marion Berry.”

 

"And Bill Clinton." Indigo smiled impishly, “But, it's systemic and not simply a matter of individual weaknesses. In DC we get to see the reality and the attitudes in their most concentrated forms.”

 

“And you don’t like it.”

 

“You can’t love power and love people at the same time.”

 

“Oh, whatever happened to ‘power to the people’.”

 

“That’s exactly what I’m talking about. Look at what happened to the Panthers.”

 

“Way a minute, I thought you believed that the government, cointelpro and all that stuff.”

 

“Yeah, they did but we also did some stuff to ourselves and that’s what I’m talking about.”

 

“Power corrupts and absolute power cor...”

 

“Jordan, it’s not that simple, not that one dimensional. “

 

“Ok.” He held his hands up in mock surrender. "We're about to start clashing again, aren't we?"

 

"But Jordan, this is where we're at. This is where the world is at. Look at us. College educated and can't figure out how to live a satisfying life."

 

“You know, you're right.”

 

“Don't patronize me.” Indigo glared at Jordan and then quickly turned her head. "I'm sorry. That wasn't fair. You weren't patronizing me you were just stating your opinion."

 

Jordan didn't respond. A foul silence sullied the air.

 

Just as Jordan glanced at his watch, Indigo looked over at him. “So what time is it?”

 

“Almost four. No, it’s almost five. I didn't change my watch, I’ve still got New Orleans time.”

 

More silence.

 

“You know you never told me how the interview went. Who was it with?”

 

“It went ok. I was just taking it to see how I would do. You know now that this book is coming out, well, I’m not really looking for a job.”

 

“Jordan...” Indigo started to tell him he didn’t tell her who the company was, but he knew that and she knew... Just let it go. Indigo looked away.

 

He read the agitation in the way she cocked her head and looked away. Jordan paused and then softly blurted, “It’s a State Department job.”

 

Indigo instantly turned to face him, “So, you’re not going to take it, are you?”

 

“Well they haven’t offered it yet, but even if they do... I don’t know. I'd really like to just write but you know, man can not live by books alone.” He smiled at his own joke.

 

She couldn't take it any longer. How could he even consider going into the State Department. Indigo drained her mug of tea and jumped up. “Excuse me a minute.”

 

Indigo went into the kitchen and then into the bathroom, as she closed the door, her phone rang. She shouted through the door, “Jordan, answer that please.”

 

The phone was in the kitchen.

 

“Sol residence. Hello.”

 

“Hotep. This is Ogun. Let me speak to Indigo.”

 

“Ah, she’s indisposed right now.”

 

“Well, tell her rehearsal is for seven. I’ll pick her up at six-thirty.”

 

“Rehearsal at seven, you’ll be here at six-thirty.”

 

“Right. So did you enjoy the show last night?”

 

“Yes. Sure. It was pretty good. Yall are a good band and you know Indigo can sing.”

 

“True that. Don't forget to tell Indigo I'm coming by. Have a safe trip back home, brother. Peace.”

 

Jordan hung up the phone. He would always remember that guy’s voice.

 

“Who was that?”

 

Jordan turned around to face Indigo.

 

“That was Ogun. Rehearsal at seven, he’ll pick you up at six thirty.”

 

“Thanks.” She moved to the sink and rinsed out her mug and then washed Jordan’s juice glass. He watched her dry her hands.

 

“Well, I guess, I should be going.”

 

“Ok. You have my number. Keep in touch.”

 

Jordan walked into the front room, picked up his jacket off the couch armrest and started slowly to the door. Indigo was waiting at the door.

 

“Thanks for lunch, Jordan.”

 

“Sure. Anytime.”

 

As they simultaneously reached for the door, their hands touched and quickly recoiled. Not knowing what else to do, Jordan held out his hand to shake. Indigo made a fist to exchange a pound. Jordan grinned as Indigo dapped him up.

 

Then she embraced him warmly. “May trouble never find it’s way to your door and may love never leave your heart. Stay black and you’re always welcomed back.” She kissed his cheek with a lingering intensity that warmed his jaw.

 

Indigo opened the door. He stepped through and that was the last time they saw each other.

 

***

 

Of course life goes on. After three years of checkered accomplishments as a singer and one independently produced cd, Indigo focused entirely on her research project on the role of women in Black music of the African diaspora. She also chose to remain single and childless. After her mother died, the last anyone in the States heard from Indigo she had hooked up with Susana Baca and was somewhere in Peru.

 

I wish I could tell you more details about Indigo’s life after DC, but I don’t know those details. Her story is still unfolding in inconspicuous ways, in remote places. Indigo is living a life of intimate contact with people whom most of us know of only as statistics. People whose histories are not minutely documented; no birth certificates or death certificates, no social security numbers and no driver's liscenses. Nothing we would recognize as I.D. Indigo has chosen to become one of the mysteries of life, an uncelebrated unknown whose work is done on the periphery, intentionally set far outside the withering purview of the power centers.

 

Jordan, on the other hand, became well known. His career soared. A book on Black American involvement in international voting rights campaigns won a Freedom's Foundation Award. His byline was sought by editors of respected journals. He drew assignments from the Sunday New York Times Magazine and was frequently commissioned to do overseas stories. Jordan Haydel was particularly good at profiles and interviews. He won a Pulitzer for a three-part series "What's Going On: Life In Exile For Black Radicals, 30 Years Later."

 

Things went swimmingly, as his British colleagues would say. In Germany he met a basketball star when he was working on an article on American athletes who were stars overseas. His twist was focusing on the careers of female athletes. Barbara "Flow" Collins was one of six interviewees for that feature.

 

Jordan never forgot his first interview with Flow in Barcelona, no it was in Munich. Technically, the Barcelona interview was the first but that had only been a short, making-contact, getting-acquainted phoner. Munich was the first face-to-face interview. One of Jordan's throw away questions had been what did she do with her free time. She said, "I go to museums." He asked could he watch her go through a museum. She said, "what?"

 

"I'd like to watch you watch art."

 

They went to a Max Beckmann, German Expressionism exhibit; Jordan was previously unaware of the sensitivity and accomplishments of German visual artists. They stayed in the museum for four hours, had dinner afterwards and stayed up all night talking about art. Jordan almost missed his early morning plane flight.

 

Before either of them could figure out what the attraction was, they found themselves rendezvousing in European capitals, visiting every museum they could find. Flow was captivated by Monet and Jordan was profoundly moved by the intensity of Van Gogh.

 

It didn't take Jordan long to realize that this was the relationship he needed, he wanted, and he wasn't going to let this one slip away. Indigo had taught him a valuable lesson and though he never saw Indigo again, he also never forgot her.

 

He used his contacts to get her gigs, even arranged for her to be invited to a festival in Barbados, which was partially underwritten by USIA. Indigo never knew about Jordan's intercessions on her behalf. But he knew and that gave Jordan a measure of quiet pleasure.

 

Only once did he try to reach Indigo. He wanted to tell her he was getting married. What made him think about calling was that Flow was from Baltimore and they were going to be married there and, well, it would probably be in the paper, especially since he had done a few features for the Washington Post and, well, you know, he didn't want Indigo to read about it in the paper and he not have said anything to her. Trying a long shot, Jordan called the old number but, predictably, it was no longer good. Then, hoping her mail would be forwarded, Jordan added Indigo's name and old address to the list for invitations. The invite was returned. He could have found her, there were ways, but he let it go.

 

Jordan and Flow lived, as the cliché goes, happily ever after, although Jordan never told Flow that he worked for the CIA. But then, that's how history is made.

 

 —kalamu ya salaam

PROSE POEM: WE DON'T ALWAYS HAVE A NAME FOR BEAUTY...

photo by Alex Lear

 

 

 

we don’t always have a name for beauty…


who can remember anything in its totality, in its full specificity? i can’t remember what i was thinking two minutes ago when i saw this young sister raise her hand. or what i thought was raising her hand. we were in class, but she was just smoothing her long black hair, gathered in the back with one of those elastic things with little balls on the end of it that girls know the name of and use to hold their hair in place, and this young woman-to-be who reminds me of another person who was in a class i visited last year, similar skin and body shape, round face and delightful way of smiling with her eyes, she has, the one who raised her hand, has pink balls in her hair, and i can remember that, remember how her eyes shone when we looked at her and asked her what did she have to say and she said “nothing, i was just…” and then she made that gesture, a gesture that feels like soft september rain, warm on my face….

 

—kalamu ya salaam