SHORT STORY: AIN'T GOING BACK NO MORE

photo by Alex Lear

 

 

 

 

AIN'T GOING BACK NO MORE

 

1.—The mountain village

 

     It was raining by the bucket-fulls. The door to Soulville, which is what we called our collectively rented hooch, was open and it was early afternoon. Rain softened daylight streaming in. And warm, a typical summer monsoon day.

 

     Em, which was the only name I knew her by, was near me. She was reading the paper. I had a Korean bootleg Motown record spinning on the cheap portable player plugged into the extension cord that snaked out the window to some generator source that supplied this small village with a modicum of juice. Did I say village? The place was erected for one reason, and one reason only, to service the service men stationed on the other side of the road, to supply the base with cheap labor and even cheaper pussy. I know it sounds crude, but that's the way occupying armies work.

 

     I had never fucked Em, and, as it turned out, never would. I remember one wrinkled old sergeant, a hold over from World War II, talking on the base one day about Em sucking his dick, but that was not the Em I knew. Somehow, the Em I knew, the woman reading the paper I couldn't read because I couldn't read as many languages as she could, somehow, the lady who put down the paper and, as the rain fell, calmly carried on a conversation with me, clearly that Em was not the same Em that the sergeant knew.

 

     It would be many, many years later before I realized that sarge never knew Em. How can one ever really know a person, if one buys that person?  If you buy someone, the very act of the sale cuts you off from thinking of that someone as a human equal. Sarge simply consumed the pleasure given by a female body to whom he paid money, a body which kneaded his flesh and opened her flesh to him, made him shudder as her thighs pulled him in or as she sucked him. A business transaction. Nobody buys pleasure in order to get to know the prostitute. In fact, the whole purpose of the deal is to remove the need for a human connection while satisfying a desire.

 

     I didn't think like that at that time, laying in the hooch with my boots off, day dreaming as I gazed out into the rain, my chin on my arm. In Soulville, just like in all the other hooches, which were usually little more than a large room that doubled as both a living room and a bedroom, we took our boots off upon entering. Even now I like to take my shoes off inside. At the time it was a new thing to me, a difficult thing to get used to, especially with combat boots rather than the slip-ons which most of the Koreans wore. But that's the good thing about going to a foreign country: learning something that you don't already know, something that you can use for the rest of your life.

 

     It's funny how stuff can catch up with you years later, and only after rounding a bunch of corners does the full impact of an experience become clear. I mean more than a delayed reaction, more like a delayed enlightenment. I remember one of the cats we used to hang out with. He was a real deep dude and sometimes he would sit on his bunk holding court while we played an all night game of tonk on a make shift card table constructed of two wooden footlockers stacked one atop the other and a big bath towel (to keep the cards from sliding when we slammed our winners down) serving as playing surface. Some argument or the other would come up and we'd all look to Unk to settle it — his name was Samuel, which naturally got shortened to Sam, and since we were in the army, Uncle Sam was almost inevitable, which in turn got transformed into "Unk” by one of them country dudes out of Alabama with a molasses slow drawl — early one morning when we was mustering up for roll call, Hezakiah came strolling up in a lean back amble, his fatigue cap rolled up in his back pocket (which he knew he should have had on his head the minute he stepped out doors), Hezakiah (whose named didn't get shortened) fell in next to Sam and, with a glee-filled slap on the back, greeted Sam with a loud, long, hearty, albeit southern-slow "what's happening Unk?" It was just the way Hezakiah said it, cracked everybody up and from that day ‘til Sam went back states-side, everybody called Sam by his new handle: "Unk."

 

     Anyway, I don't even remember what the particulars was that we were arguing about, but I do remember, just like it happened yesterday, that when we turned to Unk for his Solomonic judgment, he pulled a draw on his pipe and casually dropped a gem.

 

     "Don't neither one of you ignant motherfuckers know what the fuck you talking about.”  Unk looked to his left, "Billy, you just plain dumb‚ and country, and cause the only schooling you ever had was how to hitch up a mule and how to pick cotton, I wouldn't expect you to have no real learning.”  Unk looked over to the other combatant, "And, Jones, you from the big metropolis of southside Chicago, but you dumb‚ too.”  Then Unk inhaled a long draw on his pipe, took the pipe out of his mouth, studied his cards with feigned seriousness, casually blew the smoke through his nose, and continued just like he had never stopped talking.

 

     "Billy, he ain't never had the advantage of schooling but he got brains.” Then Unk turned his full attention to Jones, who was sitting to his right, "You had the advantage of schooling but you ain't got no brains, which is why you just dissed that deuce and let me go on out. Read um and weep gentlemen. Tonk!”

 

     As he collected his pot, Unk continued the lecture. "Let that be a lesson to all yalls. If you got to choose between an ignorant motherfucker and a stupid motherfucker, choose ignorance. Cause stupidity, just like ugliness and diamonds, is forever. Whose deal is it?”

 

     Billy picked up the cards and started shuffling. Unk was on a roll and, with a two beat paused punctuated by his cackling laughter, Unk just kept on talking right through Billy's fast shuffle which ended with the deck sitting in front of me for my cut. "You know what I mean,” Unk turns to me, "cause at least you can enlighten an ignorant dude, but a stupid motherfucker, huh, you wasting your goddamn time. Cut the cards, man.”

 

     Except I never could figure out how it was that Unk fell in love with Jenny, what with her being a prostitute and all. I mean like on the serious side. Got so, he paid her a $100 a month, and she wouldn't even much look at nobody else. I could understand her, cause Unk was her ticket to ride. Anybody in her position would want to get to the states.  But why would somebody like Unk want to bring Jenny back with him to the states?  It was deep, too deep for me to figure. I wasn't sure whether my inability to comprehend where Unk was coming from was cause I was ignorant or cause I was stupid, so I never did say no more to Unk about it.

 

     When Unk's time was up, the money was on him leaving Jenny behind, just like did ninety-nine percent of the GI's who fell in love in Korea. To no one's surprise, although there was some awfully sentimental moments, Unk went back and Jenny stayed behind.

 

     My reminiscence was broken by Em's hand on my arm. I looked over at her. This wasn't no sexual thing. We both knew and observed the one rule of Soulville, i.e. no fucking in Soulville. Soulville was a place to hang out and cool out. We put our money together and rented Soulville so as anytime day or night when you didn't feel like being around the white boys, if you was off you could come over to Soulville and just lay. And you didn't have to worry about interrupting nothing. It didn't take long for all the girls in the village to know Soulville was like that. So a lot of time was spent in here with Black GIs and Korean women just talking or listening to music. It was the place where we could relate to each other outside of the flesh connection.

 

     From time to time we had parties at Soulville. And of course, some one of us was always hitting on whoever we wanted for the night. But when it came to getting down to business, you had to vacate the premises. We had had some deep conversations in Soulville. One or two of the girls might cook up some rice or something, and we'd bring some beer or Jim Beam — although I personally liked Jack Daniels Black, Jim Beam was the big thing cause it was cheap, cheap, cheap — and, of course, we brought our most prized possessions, i.e. our personal collections of favorite music, and we'd eat, drink, dance and argue about whether the Impressions or the Temptations was the baddest group. As I remember it, there wasn't much to argue about among the girl groups, cause none of the others was anywhere near Martha and The Vandellas. Soulville, man, we had some good times there.

 

     Em was getting old. She had been talking about her childhood and stuff. And when she touched my arm and I looked over at her, I could see a bunch of lines showing up in her face. Most of the time, when you saw the girls it was at night or they had all kinds of make up on their face. But it was not unusual for some of us to sleep over at Soulville and if we were off duty we'd just loll around there all day. Early in the morning we would hear the village waking up and watch the day unfold. Invariably, one of the girls would stop by to chat for ten or fifteen minutes. Or sometimes, two or three of them would hang out for awhile.

 

     On days like this one, you'd get to see them as people. Talking and doing whatever they do, which is different from seeing them sitting around a table, dolled up with powder and lipstick, acting — or should I say, "trying to act” — coy or sexy, sipping watered down drinks through a straw and almost reeking of the cheap perfume they doused on themselves in an almost futile attempt to cover the pungent fragrance associated with the women of the night.

 

     Just like when we was in Soulville we was off duty, well it was the same way for them. And I guess without the stain and strain of a cash transaction clouding the picture, we all got a chance to see a different side of each other.

 

     I started wondering what it must have felt like to be a prostitute, a middle aged prostitute getting old and knowing you ain't had much of a future. A prostitute watching soldiers come and go, year after year. What it must have been like to have sex with all them different men, day in and day out and shit. Especially for somebody like Em who spoke Korean, English, Japanese and Chinese, and could read in Korean, English and Chinese. I mean, from the standpoint of knowing her part of the world, she was more intelligent than damn near all of us put together.

 

     Her touch was soft on my arm. I looked down at her small hand, the unpainted fingernails, the sort of dark cream color of her skin. I looked up into her face. Her eyes were somber but she was half smiling.

 

     "Same-o, same-o.”  She said, rubbing first my bare arm and then her bare arm. "Same-o, same-o.”

 

                               ###

 

     2.—The border town.

 

     There was no Soulville in Juarez, Mexico, which was the service town at my next duty station at Ft. Bliss in El Paso, Texas. Tay-has, as the Mexicans say it, actually North Mexico. The stolen land. Well, actually, all this land is stolen land, but that's another story, right now, I'm just telling you why I ain't going back in there no more.

 

     As clear as it was that the relationships between the indigenous women and us Black men was a business, the exchange of sex for cash, still, in Korea, there had been a human side to it, a side which had some of us falling in love, and most of us, to one degree or another, made aware that there was only a very thin line between us. But Juarez was different.

 

     Different in that it was brutal and inhuman. I remember my first and last trip to get laid. It was such a downer that I came close to making up my mind then and there, that I wasn't going back anymore. At first I thought my problem simply was that I wanted more than a quick fuck.

 

     Life is so funny. We be changing and growing up, but because it's us, and because it happens day to day, we don't notice it much. I hadn't noticed how Korea had helped me grow.

 

     I immediately noticed the obvious changes in some of the other guys who I had shipped out with to Korea. They had been assigned to different bases up and down the peninsula, and now it was like a whole year later. We was running into each other and swapping lies about our tour in the land of the rising sun.

 

     The growth process was most noticeable in the guys who came from the small southern towns. By the time we hooked back up, everybody was slick in their mannerisms and modes of dress. Shit, if Korea didn't do nothing else, it had us all dressing like hep cats. Even Roger, who I never saw hanging out much, had brought back a silver-gray, sharkskin, tailor-made suit from Korea.

 

     Within a year we were all either actual or aspirant pool sharks. We all drank like crazy and acted like today was our second to last day on earth. I saw it clearly in them. I don't know if they saw the same thing in me.

 

     I don't know how much I had changed or what I looked like, but I do know that there was some things I just couldn't deal with and at the top of the list was Juarez pussy.

 

     When you find yourself doing something you don't like doing even though you thought it was something you wanted to do, you get real philosophical. So standing in this dark, dimly lit room where the only light was shadows, an old hag, which is not an exaggeration, holding out her deformed hand for the money and then afterwards asking to see my dick to make sure it wasn't infected or something, and feeling it expertly for blemishes and sores, standing there under than short arm interrogation, Louis Jordan's song was beginning to sound in the back of my brain: "if I ever get out of here, I ain't never coming back no more.”  At least I think it was Louis Jordan who sang that, maybe it was me making it up and kind of attaching it to something that I half remembered Jordan singing. Whatever, the point was the same. This shit was awful.

 

     After I passed the test and made the requisite payment, I was led into a smoke drenched haze that set my nostrils to flaring under the sharp assault of musky odors in the room which was an even darker room than the dark room of shadows I was just in, a room so dark that til this day I can't tell you what the woman I fucked looked like, or, for that matter, whether she was really a woman, or for that matter whether I really fucked her, or him, or whatever or whoever it was in that lightless hole.

 

     Memory is never accurate. Memory is colored by feelings and limited by awareness, especially when you are dealing with an emotionally charged situation. I guess you can tell I been spending more time in the library than across the border, more time reading a book than drinking in a bar. I'm not ashamed to say that I never went back even if it do mean that I wasn't a man like the other men who went over to Juarez all the time.

 

     I still went over there, but for the most part all I bought was cheap liquor. Boy, one time it was so funny. Between four of us, we collected about twenty dollars, made a quick run and came back with two shopping bags full of rum and brandy. We sat in the deserted, Sunday evening barracks and drank, and drank, and drank until we literally couldn't drink no more.

 

     I never will forget the feeling. I mean we were so stoned that if you had made a movie of us, it would have been the perfect thing to show to kids to scare them off drinking. At first we were just drinking and telling tall tales, lies and what not. Then we was drinking and thinking that we was talking — you know like in that routine Richard Pryor does when first he's talking mucho shit, then he's mumbling, and then his mouth is moving but he ain't saying nothing, then he's nodding, and then all of a sudden his head snaps back and his eyes buck-wild wide open and he shouts "was I finished?", well, we was like that.

 

     The "high point” of that particular session happened towards the end when one of us, I forget who, I know it wasn't me, at least I don't think it was me, but one of us was sitting with our legs crossed and then, boom, just keeled over and fell on the floor. I remember thinking that who ever it was was on the floor. He had fell out. And nobody laughed or nothing. Nobody moved. He had fell out on the floor, the rest of us had fell out sitting up. I mean at that point we was so cool and so stoned that literally the only move any of us could make was to keel over.

 

     Eventually, I gave up that kind of drinking after I got puking drunk on wine one night. But all of that was something I learned over time, this Juarez pussy thing was instant.

 

     I don't know why I even went through with it. I mean even after I had paid my money I could have left. It wasn't nothing but five or six dollars or so, but you know, the thing about being a man is that once you start something you supposed to see it through. No, I'm lying, what the deal was is that I kept thinking that somewhere in the process there had to be some pleasure. After all it was like the old joke between the two privates who was arguing about whether fucking was fifty-fifty pleasure and work or whether it was more work than pleasure. A old master sergeant comes along and settles the argument by telling them, there wasn't no work involved in fucking, it was all pleasure, cause if there was any work involved in it, the officers would make the privates do it for them, and wasn't no officer asking no private to do his fucking for him.

 

     So, I believed that there had to be some pleasure somewhere and I was going to find it.

 

     But you can't find what ain't there. There was no pleasure, only a deeper and deeper disgust with myself. She said something. I don't remember whether it was in English, Spanish, Splanglish or what. I don't know what it was we did it on. It wasn't a bed.

 

     This wasn't anything but unadorned sex and the basic sex act itself. No petting. No caressing. No talking. Not even no real touching. I came as fast as I could to get it over with. And left in a hurry with my head down, truly ashamed of myself.

 

     I never went back.

 

                               ###

 

     3.—The desert shack.

 

     Masturbating was better than Juarez. I saved money, it was cleaner and I didn't feel guilty afterwards. Still, being that I was what we used to call a "cock-strong” twenty years old, there was the undeniable desire, indeed, there was almost a driving compulsion, to fuck. I found myself wishing for Korea sometimes.

 

     At that point, I really wasn't opposed in principle to participating in prostitution, just opposed to what I perceived to be the degradation of Juarez compared to the "enlightened” prostitution of Korea. Sometimes it takes us a while to get our ethics straight. I was ready to do it as long as it didn't repulse me, and I wasn't really thinking about the women.

 

     The women who were the "same-o, same-o” as me. In fact, the Mexican women were darker and often looked more like sisters than did the Korean women. But I wasn't ready yet to see women in the same way I saw men. So even if we were the same color and suffered the same racism, when it came to the particulars of their situations, I didn't really see and understand the particulars of the suffering of women.

 

     I remember Yoko Ono saying — I believe it was Yoko, or somebody associated with the Beetles — that women were the niggers of the world. To me that seemed like an over simplification of a complex condition, meaning the complexity of racism rather than the complexity of being a woman. I never even thought of how complex it must be to be a woman. But, like the song say, if you live, your time will come.

 

     Sometimes we have to learn the hard way.

 

     We were at a party somewhere in New Mexico. I don't even remember how we got there. By then I had wheels and one of the three of us that hung together had heard about this party and suggested that we ought to go, said there was going to be some sisters there.

 

     Now, you have to be in the army, stationed in a place where Black women (who would associate with soldiers) are few and far between, to understand what it meant to go to a party where there was going to be Black women there. I mean you'd drive to another state for a party like that. Which is what we did.

 

     The party was a small, house party and there were some women there — two in particular. One was plump and one was tall. Skee-zazz, whom we sometimes called "Lil Man,” cause he was short, decided to pair up with the plump girl and I went after the tall one.

 

     The rap on soldiers was all we wanted to do was fuck and after that forget it. Of course that's an over generalization, but it's not too far from the truth. But on this night whether we finally fucked or not, we were having a good time. The liquor was flowing. There was some food there. And whoever was responsible for the music, had a bunch of good jams.

 

     We drank, we danced, got sweaty, talked, slowed dragged and belly rubbed. As the night wore on, this tall sister got to looking more and more outrageously fine to me.

 

     My rap was kind of on the weak side and I hadn't really developed no game. I mean I did my share of bullshitting with the guys and stuff, but as far as talking a girl out of her drawers, you know like when you meet somebody cold at a party or dance or something, and then get them in bed four or five hours after you just met them, I had never done that.

 

     Skee-zaz˙ was in the corner laying down his line and giggling through his teeth, flashing his big dimples. Me and Tall Girl was talking about something, I don't know what. I think what was saving me was that I could dance. So, when a good jam came on, I would jump up and talk shit, clear out space on the floor, cut the fool and give everybody a good laugh. I think on that night nobody even came close to some of the moves I was laying down.

 

     There's something intoxicating about dancing when you get into the flow of the music. Everything I could think of, I was able to do with a panache that only, say, James Brown would have been able to match. I guess being in the army and being in good shape helped a whole lot. But I know the real deal was having this big, tall, fine, healthy Black woman smiling at me as I whirled and twirled, talked shit and popped my hips was the real spur to my confidence.

 

     That particular warm New Mexico night it was getting so I couldn't do no wrong. By about one a.m. when peoples started drifting off, I knew it was time to make a serious move. We was slow dragging on some number, my hands was crawling up and down Tall Girl's torso — I can't tell you her name cause I don't remember her name, besides, names ain't important on one night stands — I gave Skee-zaz˙ the eye and he winked back at me.

 

     Skee-zaz˙ had his bottom lip tucked into his mouth and was squeezing his eyes shut with exaggerated concentration while he rocked his head from side to side. Tall Girl was saying something in the general vicinity of my ear. I nibbled a reply on her neck. She kind of moaned a little. My left hand was resting on the top of her butt, rotating in synch with her rocking from side to side.

 

     "How you getting home?”

 

     Tall Girl answered me. I didn't hear her answer. I really wasn't listening to a word she was saying. My radar was locked in on the target and I was close enough that my heat seeking missile was about to explode with a direct hit. It didn't matter to me what she thought.

 

     "Say man, let's go,” Skee-zaz˙ commanded with the terse finality of a general ordering troops forward into battle. Our foursome stumbled out into the star encrusted desert night way out in lost-found New Mexico. Shit, I didn't know where I was and didn't care. I had this fox on my arm and I was about to get laid.

 

     I don't remember what Skee-zaz˙ and Plump Girl was saying. Knowing Skee-zazz, he probably had a drink in his hand and was laughing into his fist, his characteristic gesture when he was having a good time, bent over slightly at the waist and then abruptly rearing back hollering, "Stop, stop, stop” as he laughed full out, holding his balled up hand to his lips like he was drinking an imaginary bottle.

 

     I was cooler than that. I had Tall Girl on my arm and probably was asking her to stand still a minute, stepping back and framing a shot with my "air camera” and then waving the make believe picture back and forth until it dried Polaroid style and then looking at it with intent interest and pronouncing, "Just like I thought, this proves it, your smile put the moon to shame.”  And then Tall Girl would blush with her mouth of twenty-five or so gold capped teeth — she was missing a few but that wasn't no big deal to me, and she obviously didn't feel uncomfortable about it cause she laughed with her mouth open and didn't hide her smile with her hand or turn her head away the way people who are self-conscious about their bed teeth do. I liked that she was comfortable with her self.

 

     There was no question about where we was going. Skee-zaz˙ and his pick-up was in the back seat, I was driving, and Tall Girl was sitting there beside me with that tight green dress riding up those long, luscious legs. Skee-zaz˙ leaned forward and touched my shoulder in pretentious imitation of what he though a rich man did with his chauffeur, "Aug Jeeeeee-veeeesssss, take us...” and then he turned to the girl, "where you live baby?  Is it alright if we go to your place?”

 

     "I stay with my sister. Yeah, I guess it'll be ok. But I got to ask her when we get there, you know.”

 

     "Yeah, yeah. Yeah.”

 

     "Well,” I said.

 

     "Well what motherfucker,” Skee-zaz˙ said impatiently.

 

     "Well where the fuck am I going?”

 

     Skee-zaz˙ turned to the girl again, "Where we going baby, what's the address?”

 

     The plump girl said something. Skee-zaz˙ relayed the info, "yeah, that's where we going. Just drive motherfucker. We'll tell you where to go.”

 

     I pulled off.

 

     The plump girl said something. Skee-zaz˙ hollered a loud guffaw,  "Hey, Doc, you going the wrong way. You got to turn around.”

 

     After I dropped Skee-zaz˙ off and we had agreed that we would rendezvous in two hours or so, I turned to Tall Girl and just smiled.

 

     "What're you smiling at?”

 

     "You.”

 

     "Why.”

 

     "Cause you make me feel like smiling,” and I put my hand on her thigh above her knee. She didn't move it. "Come on, tell me how to get to your place.”

 

     Tall Girl lived way out in the desert. I'm sure it wasn't really that far out, but it was at least two or three miles away from where I had dropped off Skee-zazz. Fortunately, these one horse towns don't have too many streets to get lost on. It was mostly straight shot highway.

 

     When I pulled up to what looked in the dark like an adobe style blockhouse, the first thing I noticed was there was no lights on nowhere and it was deathly quiet. As I rolled my window up and stepped out the car, I heard my footsteps and Tall Girls footsteps making a real loud crunching sound in the sand of the walkway leading up to her door.

 

     Like a friend pulling my coat, I had an eerie intimation that perhaps this wasn't going to turn out like I thought it was going to. For some reason I just got the impression that this house was a one room hut and there was some kind of faint, familiar odor which I couldn't identify.

 

     Although it wasn't as dark walking up to her front door as it had been in that room back in Juarez, and although Tall Girl's crib‚ was far more substantial then the hooches back in Korea, still I had this strange, but brief, deja vu premonition that I had been through this scene before. Just then a coyote howled from not too far away. Tall Girl paused briefly when she heard the canine's call. On cue, my arms flew around her waist and pulled her to me. We kissed. Then she stepped back to dig her keys out of her jacket pocket, which was when I noticed that she didn't have a pocketbook with her.

 

     I imagined by now that Skee-zaz˙ was humping and pumping, and I intended to be doing the same in a few minutes. Tall Girl started talking some talk about having a good time and thanking me for bringing her home and shit. The missile had left the launcher. I didn't want to hear no stalling and side walling.

 

     Inside her place was a musty aroma really different from the night air we had been breathing. The house really wasn't hardly nothing more than a front room with a open kitchen behind it and what must be her bed room off to the side. I didn't see where the bathroom was. Maybe it was out back.

 

     I was trying to follow Tall Girl without bumping into anything. She was bending over something and then I saw she had a child laying on a cot. I said to myself, "Goddamn girl, you left that child here all by herself.”  Child didn't look like it could have been no more than three or four years old. Fortunately the child was sleeping.

 

     After pulling the cover up around the child's shoulder and passing a kiss with her hand from her lips to the child's head, Tall Girl said "Thanks.”  Again.

 

     Fuck that I thought. We was going to fuck or fight. I put my hand on Tall Girl's butt. Just wanted to make sure she understood where I was coming from.

 

     She squirmed away.

 

     I followed her into her bedroom. There was this big bed and another child sleeping in a crib.

 

     I started to hit myself with the heel of my hand upside my head. Wanted to make sure I wasn't dreaming.

 

     Tall Girl kicked her shoes off.

 

     She left her two kids sleeping to go partying. Goddamn what kind of mother was she?

 

     The sound of her zipper brought me back to my senses.

 

     She had on a black slip.

 

     What if the child woke up while we was doing it?

 

     She sat on the bed.

 

     I kissed her and felt up her right breast.

 

     She lay back on the bed. "I'm on my period.”

 

     Meaning what?, I started to ask. I was still thinking about those kids. How she could just leave them out here in the middle of nowhere. Then I thought, if that's bad, then how is it you can be here trying to fuck this woman, why you want to fuck her if you think she's so trifling?

 

     Ignoring both my question and her statement, I kissed her again. Maybe she was just saying she was on her period to get out of fucking. I reached my hand under her slip, up between her legs, and felt the lump of a sanitary pad sitting like a stop sign at the fork in the road.

 

     "Please...” and she just looked at me, didn't try to move my hand away from between her legs, didn't even try to turn away or nothing. She just looked at me.

 

     I was rubbing her thigh and at the same time I could see her eyes searching my face. Her brown pupils moving back and forth in the moonlight. Didn't say nothing else. Nothing more.

 

     I didn't know which of us was more pathetic.

 

     My eyes were growing accustomed to the surroundings. I couldn't help not see that baby in the crib. I couldn't help not think about it. I was close to getting some pussy. But at what cost?

 

     We stayed like that for almost a minute. It got so quiet I could hear the child's light snore of contented sleep. It was clear Tall Girl wasn't going to stop me if I really wanted to do it, yet the more I thought about it the madder I got with myself. What was I doing laying next to this menstruating woman, a woman whose name I couldn't remember, a woman I never wanted to see in life again. It was too much. I couldn't do it.

 

     I got up.

 

     Stood over her for a few awkward seconds.

 

     "Thanks.”  She sat up. I didn't say nothing. As I started to turn to leave, Tall Girl said, "I really did had a good time.”

 

     I realized just then that she was thanking me for not forcing myself on her. "I would offer you a drink or something, but I don't have nothing,” she said matter of factly without a trace of self pity. That's just the way it was.

 

     "Yeah, that's ok.”  Then there was another anguished pause. I didn't know what to say, "well, see you around.”  I took my keys out of my pocket. We both knew that we would never see each other again.

 

     I walked out, or rather, to tell the truth, I stumbled out. I don't even remember what else I said, or even if I said anything else to Tall Girl. When I got to the car, I realized that I had been almost holding my breath on the way out. The smell was the same smell I had smelled in Juarez, in Korea, the smell of poor women at the mercy of men, men like me, men like Skee-zazz, like old sarge, like any of us, no matter whether we was a private or a general, poor women at the mercy of men.

 

     Tall Girl, I thought to myself, you sure got a hard row to hoe, and you can't even afford to get your head bad and forget about it. There she was, lying on that bed, not wanting to fuck but resigned to the rules of the game. I wondered what I would be like if I had to let somebody fuck me every time I just wanted to have a good time.

 

     I turned around in the middle of the deserted street. I took my time driving back to retrieve Skee-zazz. A lot of thoughts was tying up in my head. Although I probably did the right thing, I felt bad because I had come so close to not doing the right thing.

 

     It looked like it took me twice as long to get back to where Skee-za˙ was at then I remembered it taking when I had dropped him off, and even so, I still had to wait outside til almost 5:30 before he came out.

 

     Although I had rolled the windows up, locked the door, let the seat back, slouched down deep and pulled my black leather lambskin cap over my eyes, I didn't really sleep. I kept hearing Tall Girl saying "Thanks” and seeing her large eyes looking at me.

 

     Later, on the ride back to the base, Skee-zaz˙ told me how he had "got them drawers. She kept saying, no, no, no. But I just pulled them drawers off her and got me some. I told her, I said, baby, if you didn't want to fuck, you shouldn't fucked with me. Them bitches know how the game go.”

 

     I told him about Tall Girl being on the rag.

 

     He said that wasn't nothing, I should have just pulled that rag out of there and gone ahead and got that pussy. "You should have got that pussy, man. That was your pussy. Yours for the taking. Betcha, if I would have been there, rag or no rag, she would have been fucked.”

 

     I was confused for a moment. Skee-zaz˙ was from Newark and could be cold blooded as a knife in the back. Sometimes he didn't have no respect for nothing or nobody.

 

     I kept vacillating between being satisfied with the decision I made not to fuck Tall Girl and the desire to be more like Skee-zazz. To young men there's something attractive about being a barbarian, something manly about being a ruthless hunter and a stone killer, just taking whatever you want regardless of what it is or who it belong to, which is why, I guess, "to Bogart” was a major verb in our everyday vocabulary. Skee-zaz˙ and Humphrey Bogart would have fucked Tall Girl, maybe I was being too southern, too soft. I don't know.

 

     When you're growing up, sometimes the hardest decision to make is the decision to be yourself, especially when being yourself causes you to have to put principle above pleasure.

 

     So here we are, driving through the New Mexico night back to El Paso discussing whether to fuck or not to fuck. I didn't say nothing about how the place looked. I didn't say nothing about the kids. I was just mad with myself cause I was in the middle of some trifling shit that I finally decided I had no business being mixed up in.

 

     That was it. As we crossed the state line I made a pact with myself. I wasn't going to buy no more pussy in Juarez, or no place else for that matter, for the rest of my life. And I wasn't going to be taking advantage of no women who were so poor they didn't have nothing but they bodies.

 

     For the rest of my natural born life, as much as I could help it, I wasn't never going to take advantage of a poor woman just for some pussy, and it wouldn't make no difference if she was yellow, black, brown or white.

 

     It would be over seven months later, not until I returned home and had been mustered out the army, before I made love to a woman, but that's a nother story, for another time.

 

     I guess I must have been thinking real hard to myself and ignoring Skee-zaz˙ cause the next thing I knew, Skee-zaz˙ was sitting with his head thrown back, snoring loudly as I drove back to the base.

 

     Directly in front of me, in the east, the sun was coming up. A new day was on the way.

 

—kalamu ya salaam

 

SHORT STORY: "I DON'T WANT TO GO THERE"

photo by Alex Lear

 

 

 

 

"I Don't Want To Go There"

 

A man was lost. Everywhere he went, no matter whom he met, he remained lost. He grew tired of not finding his way but everyone he asked where was the way would tell him something different. One said, it is far away, over the mountains, across the seas. Another said, no way exists, we are all lost. A third, smiled and said I am searching too, do you want to come with me. And so on. The search was frustrating.

 

Finally, he asked a child where was the way? The child asked where do you want to go? The man said to a better place, a place where there is no hunger, no war, no greed; everybody shares and lives together in peace and harmony. The child replied that sounds like heaven but I don’t want to go there. The man was stunned. And why not, he asked the child. Because you have to die to get there and I’ve just started to live.

 

—kalamu ya salaam

SHORT STORY: WHERE DO DREAMS COME FROM?

photo by Alex Lear

 

 

WHERE DO DREAMS COME FROM?

 

1.

Henry Jackson, Jr., BKA "Rabbit," Does What He Got To Do.

Death Dance.

Early Evening. 

 

            Some people say that there is nothing you can do and some people are afraid to do what they know needs to be done. Others don't even think about life at all, just wallow along, bearing the pains of survival as best they can and snatching, as often as they can, whatever little pleasures the circumstances of their life offers them.

            Joyce and I were about to walk out the door of convention onto paths of our own choosing. As my hand was steady on the emotional chains of my past ready to rip them off, as I stepped firmly pass whatever fears were tugging at me like the scent of danger silently but abruptly jerking a startled deer's head out of the water, as we moved slowly toward the river of experience through which we would splash our runaway, I suddenly felt heady. I mean I felt good about what I had resolved to do.

            It was not like voting and getting the wrong man in office even after the politician you voted for has won. It was not like joining a pick-up-the-gun organization only to find plenty of guns and no organization. It was not like none of that. This was like fucking, it felt good, it was real and it meant something.

            "Rabbit, did you hear me? What are you thinking?"

            "What am I thinking? What does it matter what I'm thinking? What I'm doing, that's what counts right now."

            "What makes you think, what you feel, that determines what you do and some times the only way you can understand what someone does is to know what they think and how they feel."

            "You're afraid for me or something, huh?"

            Joyce looked away from me, but, at the same time, drew closer to me, holding my arm. I tried to explain, "It's like once you really decide on something and then discipline yourself to do it, then like, there's nothing anyone can do to you, ya know? All they can do is kill me now." I felt her body involuntarily stiffen, "but that's nothing cause they can't reach me."

            We were near the park now, crossing the street. The dark here was deep because the lights were infrequent and there weren't many cars passing this way. A white boy was coming our way. Now was the time. Joyce saw him and turned to me, pleading with the pressure of her body.

            "Rabbit, no. You don't have to. I believe in yo..."

            "Joyce," I whispered, almost in a rage. Her emotions, her perceptions, her fears were not going to mess this up. "You wanted to come, remember? You wanted to see, remember? You wanted to be with me. Now remember your promise."

            The white boy was closer. Joyce looked at me and started to blank out. Started to make this moment disappear if she could. Started talking nonsense. Started to cry. Started to try to convince me to stop. Shook her hands, rubbed her dark brown hair. Looked at the approaching Caucasian. Looked at me. Balled her small fists. Bit her lower lip. Looked away like a frightened thrush desperately fighting to avoid the deadly hypnotism of a snake's gaze. Sniffled. Let a brief hurt whelp break from her throat. Felt her bladder full and wanted to make urine to release the tension of this confrontation. Thought about my hand under her butt when we made love, an action as sharp as this second but far less dangerous, far more pleasurable. Silently prayed for some god to understand, to save us, us who were not now in need of salvation from without because salvation was about to come from within.

            I smiled. I knew that finding freedom is dangerous. Only those who conquer the restraint of the fear of dying can ever really live.

            Just as the white boy was about ten feet from us she kissed me, kissed me with her whole body, her arms around my arms, her heart pounding so hard I felt it through the elastic of her brassiere, the nylon of her purple blouse, the orlon of her black sweater. She kissed as if this were the last kiss, but her eyes, shiny with a thin film of tears, were wide open looking at me.

            I kept my lips closed and smiled. Absolutely nothing was going to stop me. I had tasted her love before. This was destiny.

            I went for my gun but her hold was harder than I thought it ever could be. The white boy was past us now. I pulled my head back and looked at her. Sensing my resolve and the futility of opposing me, Joyce dropped her arms. I pulled the gun out.

            There is nothing like being in control. No matter the reality, there is nothing like this. As I pointed the weapon at the enemy's back I was conscious of every breath I took. I could see everything: the arc of light flashing off the gun's barrel as I brought it up. The white boy's shadow stair-stepping off the curb in the vague early night moonlight. The steadiness of my hand holding this piece. A bird flying toward a tree out of my line of sight. God's eye watching me, waiting to see how much man I was. My brilliant uncle, who had janitored all his life, laughing at last from deep in his bowels without having to stifle the satisfaction, his hand covering his mouth. My mother who domestically worked and worked and worked for so many, too many, other people's families and never complaining to or around us, never told us children or even my old man about being forced in the den on the couch of one of those houses on one of those Christmas Eves. My drunken old man rolling home with empty pockets. I could see me up against the wall one time and this cop looking me in the eye and putting his revolver between my legs and jiggling it up and down and asking me how hot was my sister's pussy. I could see all the things that people stereotypically saw about us without seeing what such scenes mean to us, all the things kind of hard to look at when you looking at them from the inside, from the perspective of having lived it. I was a seer about to fulfill prophesy.

            I even saw Joyce move in back of me, about to try and stop me. But the squeeze had already started.

            "Rabbit, aw baby, Rabbit , it's alright."

            I raised my free hand and swung it slowly back around me, touched Joyce and pushed her gently back. I could see a mosquito dancing around the barrel. "Joyce, don't touch me!"

            I knew instantly that shooting him in the back would have been wrong. He had to know. "Hey!" I hollered. He turned. I advanced with my arm extended in front of me. Soon I was close to him. All of my steps were echoed by Joyce's just behind me. The white boy waited. I stopped. Joyce stopped. We stood there a human chain strung out along a sidewalk.

            "What... what are you going to do? I don't have any money. See." He pitifully pulled his pockets inside out and had his wallet in his hand offering it to me.

            I said nothing. I could hear Joyce breathing behind me. I could hear him breathing in front of me. I held my breath. He came tentatively closer, fascinated with fear, looking at my face. "I've seen you before."

            Joyce came up to my side. He looked at her. He talked at her. "Is he crazy? Why me? Why you want to pick on me? You don't even know me, do you? I've never done you anything. Why me?" He was about to run but the explosion had happened half a second ago as my finger had pulled the final fraction of an inch.

            The pistol had jumped this early evening as three people stood knotted on a sidewalk waiting. He had become so very pale even before the bullet shattered the bone above his left eye. I had concentrated my aim and was exhaling slowly as the blood pushed out in a great spurt. I think, as his hands flew up, his head snapped back, his balance was knocked askew and he twisted and fell, I think it was then that we all knew that this was the moment. This was everything. This was all those yesterdays that I had been thinking on that I think I don't have to think about anymore.

            The shot's sound rang out. The white boy crashed to the sidewalk, crumpled and dead. "I didn't have to know you." I went to the corpse, squatted beside him. "Not too long ago I would be scared and running now." I stood up, calmly put the gun in my pocket and walked away.

            Everything was louder now, I could see better. The gun felt warm in my pocket. Joyce felt warm on my arm. I smiled. Back there, after carefully exhaling, I had calmly drawn my first free breath. I felt good.

 

2.

After Killing

After Making Love

Joyce Jones Sleeps Beside Rabbit And Dreams.

She Sees The Other Side Of The Slaughter

And Wakes Up Screaming. 

 

            Sweat was popping off his forehead, pouring out of his pores, but he handled the rusty machete with a deft precision, lopping the heads off with only two or three whacks, four at the most on a particularly stubborn redneck. At another station Rabbit and himself hung the white men up, slipping a noose around the left leg and pulling the lever which operated the crane that hoisted the carcasses which then moved slowly from station to station. Further down at the next station Rabbit stood with a butcher knife slitting the stomach open, severing the testicles, halfing the penis. At another station he came pushing a big cart. He had an old hammer in his right hand, picked up a head, plunk, plunk, knocked out the eyes and tossed the heads into the cart. He had a black apron on and was splattered with blood, flying bone fragments and pieces of cadaverous flesh.

            Outside on the sidewalk a dancing Rabbit tommed and shuffled, hat in hand, inviting them in. He had paint on his face to look harmless and dumb, and he had pictures of me, naked, posed in gapped leg ways, my genitals pulsing and painted red, my face always covered, white hands pasted on my breasts. Pictures of me bigger than life size, and little pictures on cards in his hand. On one I lay on my back upside down and a big white dick was coming from the top of the picture showering me, and Rabbit was dancing, barking promises of more and more to come inside for only five bucks.

            Inside the first room was dark. The second room lit with church candles and fifteen Joyces dressed in white lace smocks that barely covered our waists, our behinds sticking out inviting, we stood bent over, slashing smiles at the men who sat in the pews choosing us. Rabbit was in the pulpit collecting money.

            Rabbit was pimping me.

            I was putting on my clothes and walking quickly away from all of that. I was driving down the street. I was running on the expressway. Fast. I wasn't hitch-hiking. I was leaving. Against the traffic. My lights were on. I didn't mind being seen. I knew where I was going. I had to leave.

            You know I want a man and to be married. I want to make love, have babies. I want to cook sweet food and have music in my house. I want to be in love and share my love. But I don't need this kind of action. I can't deal with this weird shit.

            Rabbit kept pushing at me with his dick in his hand, talking about being a man. Rabbit would hit me when I didn't cry about our conditions, when I wasn't ashamed or something, when I didn't act weak nor innocent. He busted what he thought was my virginity and laughed every chance he could. His eyes turned blue.

            I didn't want to kill nobody just cause of what done happened. I wanted to love someone, to be able to live.

            He'd be throwing his money at me, money from the slaughterhouse, ten dollar bills, twenties, fifties, loudly floating downward toward my feet cause I wouldn't grab at that. I'd just let it drop.

            He pushed me out his bed. A thousand white men were standing on the spread. There was no more sunlight in our house. And he wouldn't mop up or nothing.

            "So what that prove, man?" Now he was fucking me. Now he was kicking the shit out of one of them thousand white men. And every time he would shoot one, another one would laugh. Another one would rise up. And he was fucking me, he was hurting me. "Rabbit, what's happening? This shit isn't real. We real. What about us?"

            One of our children came running into the room. Rabbit hit the child and told it to shut up. Everybody had a gun now. So what?

            "What killing a white man gon prove? Anybody can kill. What that gon win us? The past is gone."

            "The past is here," he snarled.

            I could see myself visiting him in jail for the rest of my days. My youth gone. After you cook for them and sleep with them, what is left? They don't listen to nothing you say. They treat you like a woman. I wasn't crying anymore.

            My mother was slowly rocking in a chair in the front room. My daddy was cutting her hair off. He went round bald head and said she did that to him. "I'm dat man's strength and he too fool to know it. I'm his blood."

            Suddenly there I sat. I saw that I was my mama. All us Black women are somebody mama. Somebody strength even when they too fool to know it. I was rocking and tired. Tired niggers telling me how hard it is. Tired being so soft with them, so hard with the world. Tired standing stone-eyed dry. Tired crying. Tired giving my love away. Tired being raped. Tired talking. Tired being silent in the face of some obviously false shit.

            "Nigger, pleeze!" Rabbit and I stood face to face at the leaving station, my packed bags standing between us, a sentinel of my seriousness to resolve this conflict or book up. I wasn't going for the okee-doke no more.

            "Alright, we've been slaves together. Together. Not just you, but both us. And the hurt to your manhood ain't no worse than what I feel. But doing the crazy don't change nothing.

            "We don't need to be hurting nobody. But Rabbit, you be coming home everyday now from that slaughterhouse smiling and whistling. You like that job.

            "And it don't never get us no where. Don't even get to own the slaughterhouse." Rabbit hadn't said nothing. I wasn't screaming or nothing, just stone calmly for real.

            Now a crowd had gathered and it was all men and they were all looking at me strange. Laughing at me. Telling me to can it. Telling me to stop thinking. To stop stopping Rabbit from doing all his weird shit. To let the man be a man.

            At that moment I heard the long moan of the train whistle blowing. I told the conductor, "But being a man ain't got nothing to do with being the way most men be. Rabbit don't understand that although we might have to kill to survive, killing is no way to live."

            "Joyce, watch me do this. Watch the white man die."

            Rabbit put the gun to his head and pulled the trigger. Everytime his head came off, he'd put it back on again. But blood was coming out of the little holes. And he was laughing. "Joyce, watch me save us." Ka-bamn. Blood and bone.

            "Rabbit, Rabbit!" I was shaking him. "Stop!"

            When I woke up screaming, he held me close. "Hey, baby, come on. Come on. It's alright. I'm here. It's cool. Joyce."

            I was shaking, not with fright but rage. He pressed close to me trying to be protective. "You must have had a bad dream, a nightmare or something."

            "I dreamed that I could not stop you from killing."

            He looked at me.

            "But either we'll be strong together, or I'll be strong alone..."

            "Joyce, baby, what're you talking...?"

            Outside, it was already beginning to be morning.

 

###

 —kalamu ya salaam


SHORT STORY: THE END OF THE WORLD, AS WE KNOW IT

photo by Alex Lear

 

 

The End of the World, As We Know It 

 

"Little Zutie asked me, what is god?"

 

"And you said?"

 

"I don't know."

 

"Zutie, please, I'm sure you know what you said."

 

"That's what I said: I don't know." Big Zutie's eyes twinkled as she raised a wrinkled digit to the crown of her hairless head. "Little Zutie piped back at me, you an elder Ank, you know the answer. Then I said, I told you the answer to your question."

 

Big Zutie dropped to the floor. I brought her a bowl of gumba. Zutie thumped her foot in an excited 6/8 rhythm. "Oohh weee, you killing me."

 

"Good.  Die happy," I laughed as she finished the bowl in two quick gulps. I grabbed the empty ceramic container and glided back to the stove, refilled it halfway, and then returned to where Big Zutie was lying on her side and humming to himself. I knelt before her. As I offered her the bowl she shook her head and pulled at my penduta. "Wait, tell me about Little Zutie," I asked. There must have been a reason Zutie even brought this up. She doesn't usually make small talk with me.

 

"What is there to tell? I told Little Zutie, whenever someone says 'god,' all they're saying is, 'I don't know'. God is the mystery of life. Whatever we don't know, that becomes god." While Big Zutie is talking she is rubbing me and my penduta firms up beneath her touch.

 

"Look how pretty and long it is."

 

She embarrasses me whenever she talks like that even though it is true that my penduta is longer than average. Zutie always said she picked me because of that, "You know, the thicker the penduta, the sweeter the nectar." I turned my head away. My penduta was sensitive now. I moaned.

 

"Come  here, I want a mouthful."

 

I tried ignoring Zutie. Most Ank's would slap you silly if you ignored them, but Zutie and I were different. I pushed her hand away with my left hand as I picked up the bowl in my right hand and slowly sipped from it.

 

I felt Zutie listening to me as I noisily smacked my lips. I started to move to place the bowl in the corner but Zutie pulled me by my left arm and tightly grasped my penduta in the pudgy softness of her left hand. Sometimes, when their cycle comes around, I think Anks would rather nurse than eat.

 

Zutie and I have been together almost a whole rotation, and despite my age I was beginning to feel a certain tenderness for Zutie, and I know that's crazy. Separating love from need is very difficult. When you don't need someone and then you love them, then it's easy to know that what you're feeling is genuine and not just survival masking itself as some self-deluding emotion…

 

"Deimos, you think I don't know that you are afraid to die."

 

"Death is nothing." My back stiffened as I stood up while backing away from where Zutie lay on the floor. Anks always think we penda are obsessed with dying. Even Zutie, who is so open in how she thinks, even she does not understand—but how can she? She is a womb. She lives to suck nectar and to give birth, and I survive by supplying nectar and by working hard.

 

As I turned to remove the bowl, I tried to sound nonchalant in contradicting Zutie. "No, Zutie, I do not fear death. I fear living without love." There I had said it, admitted it.

 

"Death is real. Love is nothing," Zutie spat the words out like fruit pits. When I returned Zutie was standing, reared up to her full height. Zutie fixed a withering stare on me. "Love… ask me… look at me!" Zutie sternly commanded, her voice dropping to a hiss. I kept my head slightly bowed as I looked up at her. "You are a penda, I am an Ank, and love has nothing to do with any of it. Nothing."

 

I was trembling, now. Both brave and afraid. "Some times, Zutie…"

 

"Some times what?"

 

"Some times love makes life livable and death bearable."

 

"Oh, what a load of crap." Zutie slapped me so quickly I did not see it coming. The blow staggered me. I would have fallen but she caught me and steadied me. My head was ringing. Her breath was rancid on my face as she embraced me.

 

Blood rushed to my fingers. I hid my pulsing hands behind my back. But Zutie heard. She hears everything. Zutie grabbed one of my hands.

 

"Your pulse is screaming. You are really upset. I understand that." There was a long silence. "Deimos what am I to do with you?" I said nothing.

 

Zutie dropped my hand. "I like the taste of you. We both know I could have as many other penda as I want. I have had many penda in my long life. So many, I have forgotten…" Zutie turned from me and spoke with her back turned. "Do you think the fact that I happen to really like the taste of you is love? That I keep you safe, is that love? That I talk with you?"

 

There was an awkward moment of stillness. Waving her hand just above her shoulder although not turning to face me, Zutie beckoned for me to come near her. I stood so close to her, the hairs on her back swayed in time to my exhales.

 

 "What I love…" Zutie turned, stared at me briefly, patted my penduta and chortled a short, cynical laugh, "…is the taste of your sweet nectar." Then she lay down on her side, leaning against the wall.

 

A tear formed in my eye. Was providing nectar all I meant to Zutie?

 

"Stop being so sentimental. Old as I am, you may even outlive me. Now that Little Zutie is matured, and…" Zutie quickly turned melancholy. Neither of us said anything for a minute as we both knew that the rise of Little Zutie, who was both Big Zutie's offspring and her successor, meant that death was near for Zutie whose body could produce no more Anks and that death was also near for me simply because time was catching up with me. Besides, I was sure that Little Zutie had her choice of penda in mind.

 

Though they both said my nectar was still the sweetest, I felt like the well was almost dry. My reverie was broken by Zutie’s hoarse but subdued revelation.

 

"Deimos, my transition date has been set." Zutie gathered up the bulk of herself and slowly sat up. "It will be soon. Sooner than you know…"

 

Zutie pulled me close to her. I didn't resist her touch, but inside I stiffened. I felt depressed, overcome by a sudden weight of guilt for not taking better care of her in her last days. I wondered how long she had known her time.

 

"Deimos, stop crying. We all die, eventually. The world will go on." I didn't know I was crying. Zutie pulled me close and licked the tears on my face. "Mmmm…"

 

Her hand was on my penduta again. Stroking. It hurt so much the last time. They say when the pain gets to be almost unbearable is when it happens.

 

I have known this conversation was coming and had tried to prepare myself, but obviously I had failed because I couldn't stop crying. And the more I cried, the more Zutie's tongue lapped at my tears. Then she pushed me flat on my back and moved her mouth onto my penduta. It felt good, but I knew the pain was coming. It felt really good. Really. And then her hands were on my nipples. Pinching. Hard. The pleasure was almost too much.

 

Suddenly she stopped sucking… I opened my eyes. Someone else was here. It was Little Zutie. Little? She was almost the equal of Big Zutie's massive weight. I didn't like Little Zutie. She never talked to me other than to give me instructions. I turned away from the sight of Little Zutie lumbering towards us and found myself looking at the cool stare of Big Zutie who drew back a bit and continued earnestly stroking my penduta with one hand while leaning on her side and staring blankly at me. Little Zutie started making that wheezing sound of anticipation that was normal for her when she was about to eat. I didn't want to, but Zutie's touch was arousing.

 

Emitting deep grunts of satisfaction, Big Zutie roused herself, rolled slowly beside me, bent over and resolutely started kissing my face and sucking my teardrops, which I was vainly trying to staunch now that I understood that Big Zutie was preparing me for Little Zutie to drink my nectar. There were so many other penda available. Zutie could have gotten one just for Little Zutie.

 

"Stop thinking so much, your thoughts will sour your nectar." Zutie pinched my nipples again and then moved aside as Little Zutie scooted over to us. Little Zutie took my penduta into her mouth. This was my first time nursing Little Zutie.

 

Even though I able to will myself to stop crying, Zutie's rough tongue kept lapping around the edges of my eyes. Meanwhile I tried to hold back, tried to stem my arousal by concentrating on the pungency of Big Zutie's breath, but I could not help myself. I moaned as I felt the nectar stirring in my penduta, ready to geyser forth. And at the same time there was a stinging pain building in my groin. I moaned louder.

 

"Suck harder," Zutie instructed and Little Zutie complied. My toes clinched as I screamed. The pain grew so quickly. I started thrashing. Zutie pressed down with her full weight to hold me still. The pain was so great my eyes hurt. Zutie clamped down on my face, my screams muffled by her body. I tried to buck, to turn my head to breath, but my nectar was about to erupt.

 

"Now."

 

Little Zutie stuck a finger into my rectum. Spasms shot through my body and two long streams of nectar erupted. Little Zutie sucked harder after each spurt.

 

I must have blanked out for a few seconds. My penduta was soft. Little Zutie had rolled over onto her back, her tongue lolling out of her open mouth. Big Zutie was down between my legs. She gently squeezed my gonads and took a soft suck on my penduta. Pain shot through me, but I was too weak to do anything but utter a feeble yelp.

 

"There is always a little bit left in there after they erupt." Zutie smacked her lips. I guess she was talking to Little Zutie, instructing her on the art of sucking nectar. "And it's all good, so don't let any of it go to waste." When Zutie finished, I crawled into her waiting embrace and fell fast asleep.

 

***

 

"I knew of only two penda who lived to be older than thirty, and both of them never nursed," Phobos said to me as we walked back to the shelters. The atmosphere was wonderfully chilly for this time of rotation.

 

"How did they manage that?"

 

"They were the ones who discovered Eroz rocks."

 

"Eroz rocks?"

 

"Yeah, you know Eroz, the planet."

 

"I don't get it. Eroz rocks, so what?"

 

Before Phobos could answer, we heard the tinkling of bells. An Ank transition procession was coming. Phobos and I stepped aside and bowed to the Ank who was being carried by four penda, each of whom was much younger than us. They were headed down the mountain to Dry Lake. You didn't usually see Anks on the surface unless they were like that group, headed for the last go round. It must be hard knowing for a long time before it happens exactly when you are going to be carried away. Much harder than just dying in an orgasm like we do.

 

"They say it's painless," Phobos whispered when the palanquin rounded a bend in the road and was gone from sight.

 

"Yes, I’ve heard that too."

 

Almost as though he read my thoughts, Phobos added, "I heard that when a penda participates in an Ank transition, they give you this medication that dulls all the pain. You erupt and then you die but you don't feel anything."

 

I tried not to dwell on those morbid thoughts, but before I knew it, I was adding my own concerns to the mental image I had of dying, adrift on the floating pyre of a burning raft. I had never seen the ceremony, but we all knew about the disposal of Ank's too old to breed… like Zutie. "Zutie's time is almost here. She has not told me when, but from the way she is acting, I think it is soon."

 

Phobos looked at me with the longing of one moon for another. I tried to smile to reassure Phobos, "But it's ok. Zutie says she is going to get four new penda for her transition."

 

I didn't tell Phobos how much I disliked Little Zutie, nor did I mention anything about how much pain I had felt when I nursed Little Zutie because I knew it would make Phobos sad to know that my time was also near. But then, Phobos had to know. Just like I knew that his time was near. We were penda born of the same Ank.

 

Phobos put his arm around my shoulder. I looked at him. He briefly touched his forehead to my forehead. "Soon this old life will…"

 

I put a finger to Phobos' lips to silence him. I loved him so much.

 

As far back as anyone could remember, we penda had short life spans and did all the hard work. Although the pain of nursing eventually killed you, at least life was both easier and longer if you serviced an Ank than if you worked the interior. But only a few of us were lucky enough to be chosen by an Ank.

 

There was no way to know what attracted an Ank to a penda except seemed like all Ank's were crazy about nectar, and who could know why one pend's nectar tasted sweeter than another? Maybe it was chromosome 13. Who knew?

 

I adjusted the straps of my water sack, hoisting the load a little higher. "Come, let's get back before night light." One moon was already barely visible, and the second was not far behind.

 

Phobos leaned in to touch foreheads again but I drew back, afraid that we would not be able to control ourselves. Phobos responded with a tight embrace. I closed my eyes but tears still squeezed out. My pulse raced against my will. Phobos began drinking my tears, greedily licking up and down each cheek beneath my eyes. As soon as he swallowed his knees buckled.

 

"No, not here." I tried to hold him up, but I was not strong enough and he sat down clumsily, pulling me down with him. "No." I stared at him. But he ignored me and his face became wet with tears. I could not resist him any longer. I leaned into him, kissing every wet spot I could find on his face.

 

We both knew the potency of our tears. We both knew how weak we would be and that we would be knocked out and might not awaken in time enough to get back to the shelters before night light.

 

I don't know how long I was blissed out, but the next thing I knew Phobus was pulling me up. For a short while I did not know where I was, and then I remembered. Phobus just smiled at me and then started humming. I forced myself to get up but I really felt like sleeping.

 

I looked up into the emerald sky. We still had time. Phobus handed me my pouch, which I didn't remember removing, and then he turned back onto the path. I pushed my arms through the straps and caught up with Phobus.

 

Although we walked hand in hand, we were both loss in our own thoughts. I glanced over at him. He looked straight ahead, almost as if I were not beside him. We hiked in silence, except for the barely audible sound of our breathing and the distinct swoosh of our footfalls on the ochre-colored, dusty slope.

 

Finally, I remembered to ask him about the Eroz rocks.

 

"Oh, it's this theory that life started on Eroz and came here through the rocks."

 

"That's religious."

 

"No, no. There is this zone that supports life as we know it…"

 

"What do you mean, as we know it?"

 

"The theory is life didn't start here. The bang force of the universe zoomed the nine planets away from the sun and there is a certain distance from the sun that supports life, and Eroz passed through the zone before us and now it's our turn and next…"

 

"Next will be Gaia, the third one from the sun."

 

"Yes, and life goes from planet to planet carried by rocks."

 

"So, you believe that life exists on Eroz?"

 

"Existed—long, long ago, but we're it now. And, of course, every manifestation is different. There is no way for us to know what life was like on Eroz or even to guess what form it will be on Gaia."

 

There was a distinct note of pride in Phobus' voice as he shared his deepest musings with me. As attractive as he was, he could have made it on looks alone without thinking one original thought, but rather than his body, it was his beautiful brain that he was most proud of. His intelligence was breathtaking.

 

"You know so much…" I intoned admiringly and he responded to my complement by squeezing my hand a little. My voice stumbled slowly over the syllables as I offered up my self-depreciating assessment, "…and I know so little." I looked down as I talked. The dust felt cool on the soles of my bare feet as we walked. When I took a quick, shy peep at Phobus I was startled by the concerned look on his face. I tried to joke away my embarrassment by referring to my other attractive asset, "I guess I just have sexy tears."

 

Phobus stopped and yanked me around with a tender tug. "I told you many, many times, I love…"

 

"I love your spirit," I finished his oft-repeated declaration. He grinned. But I fell into the funk that only the homely and the ordinary know. If anyone likes us, it is always for our intangibles. But the truth was I wanted to be beautiful, I wanted more than a big penduta, I wanted a body like Phobos', I wanted to be able to think like Phobos. Who doesn't…

 

"Deimos, the Anks got you believing that tears and nectar are all you are good for, but the way life is is not the way life has to be. That's why knowing about Eroz rocks is important. Eroz rocks prove that the world can be different than it is."

 

Phobus' sincerity was energizing. I smiled despite the feeling of futility gnawing at what little confidence was inside me. I diverted my gaze to the road ahead. When I peeked back out of the edges of my peripheral vision, Phobus was steady smiling at me. I held my head up and after a few more steps, Phobus continued, "They say there are at least ten Eroz rocks in one of the secret Ank chambers."

 

"Yes, but a rock is not life."

 

"Aha, but that is what Nef and Amo discovered. Inside the rocks are spoors that are the seeds of life."

 

"Seeds of life, that is what some Anks called our nectar."

 

Phobus looked over at me and smiled sadly, "Yes, except rocks don't have feelings."

 

***

 

"Zutie, have you heard of Eroz rocks?"

 

She looked at me over the rim of her bowl of gumba. Licked her lips, took a long sip which emptied the bowl and then lay supine placing the bowl beside her, "Yes. They exist."

 

Zutie said nothing else and simply stared at me as if to say, Deimos, where did you get this knowledge. I looked away. Who was I to question an Ank?

 

"To me, Eroz rocks prove god exists."

 

"What did you say?"

 

I could not bring myself to look at Zutie as I repeated my words.

 

"Deimos, there are two big challenges in life: one is to be satisfied with the life you are given and the other is to always reach for more." The vein that ran back down the middle of her head bulged as she stared at me. I waited dutifully for her to explain but, instead, Zutie intentionally changed the subject. "The gumba was excellent."

 

"Cave water instead of synthetic wet. Makes a big difference." I picked up the bowl and gestured to ask did she want more. Zutie shook her head no.

 

"I'll take a little more," Little Zutie said.

 

I moved to get her bowl but Big Zutie stopped me with her voice, "No, Deimos. I want you to eat the rest. Little Zutie and I are full enough. Besides gumba makes the nectar sweeter."

 

I said nothing but my head was spinning. I was getting too old to keep on giving nectar. Nursing was going to be the death of me. Would there ever be a time when penda were more than simply a source of something sweet to suck? Maybe in the next world…

 

—kalamu ya salaam

                                                                                                                                                                                                      

SHORT STORY: WHAT TOOK YOU SO LONG?

photo by Alex Lear

 

 

What Took You So Long?

 

 

We've Got To Have A Video For This. Meaningless As They Be, Here Are The Images--All We Did Was Round Up All The Usual Suspects: For these young-stars, while the weather never was cold, the "forties" always were. Plus seems there was always this one cutie who could blow smoke rings out her thing. Toke a big blunt with her labia major, and puff a thick blue cloud of chronic. No shit. The first time she did it in front of Eazy all he said was "whoa, now dat some bomb ass pussy!" (I'm telling yall all this shit so you will know the context. This is the expository part of this story where I do the detailing. Wax and shine the ride and grease down the cow hide. Gas it up to full and bump the tapes up past ten on the 14-inch speakers in the Alpine system.)

 

OK? Got it? Are You Suitably Distracted? Confused? What Did That Naked Woman Have To Do With The Story? Oh, I See You're Getting The Picture. You Were Looking At The Picture With The Sound Sense Off. OK, Now Cut The Tee-Vee. Ignore The Video. Listen.

 

So Eazy and Tupac sayz to each other:

 

EAZY: Yo bitch, how I know I'm alive?

 

TUPAC: You don't, unless you die.

 

EAZY: You mean I got to die to live?

 

TUPAC: No, I mean you can't prove you lived unless you die.

 

EAZY: And so what happens when I die? 

TUPAC: One of three things. One. You meet God and the Devil and they decide which one of them two mothafuckaz is your old man and who is going to own up to you for eternity.

 

EAZY: You mean my mama don't get no say so about this shit?

 

TUPAC: Eazy, man, you always was slow. Your mama deal with you when you alive. Your daddy deal with you when you dead.

 

EAZY: Oh, I see, what you sayin'.

 

TUPAC: No, that's the whole point. You don't see. You don't see shit while you alive. You don't get to see nothing til you dead. While you alive, you just live. Do whatever the fuck you want and then when you dead...

EAZY: You get to see what you did?

 

TUPAC: Yeah! That's one option.

 

EAZY: Oh, I get muthafuckin options?

 

TUPAC: I don't know, I'm just speculating on how a nigga be making it after he done passed on. 

EAZY: This some of that Panther shit?

 

TUPAC: Nigga talking to you is like talking to a brick except you ain't even solid enough to build nothing with.

 

EAZY: I know this bitch-ass momma's boy ain't tryin' to bag on a man. Yo shit so weak til the last bitch you fucked charged you with sexual harrasment AND YOU GOT CONVICTED, motherfucka! 

TUPAC: Alright, whatever. At least I know how to count my money, instead of slaving for a white man, "let's see, one for me, and one for you, and one for me, and one for him, and one for me, and one for Cube, now we all got an even cut." Eazy, you like the clown in class cracking jokes so nobody notice how dumb he is. 

EAZY: This ain't school. You ain't no teacher. You just mad cause I know how to read ya. 

TUPAC: Alright, alright. Option two is that after this shit play out, that's all she wrote. You had your little fifteen minutes of fame and now it's all over.

 

EAZY: That's wack. If this is all there is, I want my money back cause I been jipped. 

TUPAC: Option three is that this shit is a cycle and we come back over again.

 

EAZY: What you mean come back?

 

TUPAC: You get born again but instead of being a gangsta, you come back as a bitch.

 

EAZY: I know you trippin'. 

TUPAC: I'm just saying it's an option.

 

EAZY: But Pac, if you come back as somethin' else, then it ain't really comin' back. It be a whole new thing. Like if you fuckin' this cutie and the shit is bangin', but then when you go back the next night, she don't be there. Her sista be there. Then you ain't comin' back. It's a whole new thing. 

TUPAC: Nigga, why you got to reference everything with your dick.

 

EAZY: I ain't got to. It just feel better when I do.

 

TUPAC: Yeah, whatever. 

EAZY: So how you goin' out?

 

TUPAC: Like a man, mothafucka. However it come, I'm going out like a man. My boots on, looking the bullet dead in the mothafuckin eyez. You know what I mean?

 

EAZY: OK, like I got to bounce. I got some beats and shit to put down in the studio. 

TUPAC: Nigga, I heard some of that shit. That shit sound...

 

EAZY: It don't matter to me how my shit smell to you, what matter is that muthafuckaz buy the shit I do.

 

TUPAC: Represent and get paid.

 

EAZY: I'm gon do that. What you gon do?

TUPAC: I been thinking about getting out of the being real biz and getting into some real fake ass shit. That way I get to play hard on the screen and then live soft on the titty for a long ass time. Instead of making five records and then having niggaz saying "Tupac who?" I'm thinking of jumping off into film and shit. I can make movies til I'm sixty-two and people will still dig my shit. Kind of like that muthafucka John Wayne. 

EAZY: Fuck John Wayne.

 

TUPAC: Not even with your dick. I'm just saying homey, I been thinking...

EAZY: Yeah, you done got philosophical as a muthafucka since you took them bullets in yo ass and done a lil time in the clink. Tell me, you ain't got but one nut left.

 

TUPAC: My one weights a ton, and it's twice as heavy as both your pebbles put togetha. By the way, howz your boyfriend?

EAZY: Nah, there you go. You know you got that shit assbackwardz as usual. That's yo boyfriend and my ho...

 

TUPAC: Blahzy, blahzy. Whatever. Say Eazy?

 

EAZY: What?

 

TUPAC: After we gone, what do you think they'll say about us?

EAZY: Who?

 

TUPAC: You know, all them magazines that be writing about what color toilet paper we use and when was the last time yo mama sucked my dick on the beach.

 

EAZY: Nigga, I know you don't believe none of that shit. 

TUPAC: I ain't asking about what I believe, I'm asking about how people be pimping us.

 

EAZY: Pimpin' you! Ain't nobody pimpin' me. I ain't no ho.

 

TUPAC: Well bitch, I hate to be the one to tell you, you got the claps cause you done been fucked so much, but all you got to do is look around and it's plain enough to see how these muthafuckaz are profiting off of you and me. If we go straight they picture us in white. If we be real they picture us in black. No matter what we do, they sell our picture. 

EAZY: I still ain't no ho!

 

TUPAC: No, Eazy, what you mean is you still don't want to be no whore, but as long as you selling to make a living, you tricking and whoring. Why you think we making all this money?

 

EAZY: Nigga, you talkin' some bitch shit. I'm gettin' paid cause my shit is the rage and everybody like the way Eazzzzyyyy does it.

TUPAC: Eazy, you dumb as they come, but you still my nigga. After you gone, I ain't never going to forget you.

 

EAZY: Pour a sip on the curb, shout out a good word for the gangstaz like me and you that stayed all the way true to the real of gettin' fucked, gettin' ducs, and doin' whatever the fuck we wanna do. Peace out, muthafucka. And besides who gives a fuck what happens after I'm gone?

TUPAC: Word. And Eazy, if I get to the otherside before you do, I'ma keep a warm seat at the welcome table, a cold forty in the box, and a light on the front porch so your sorry ass can find your way back home. 

EAZY: Yeah, you do that. Meanwhile, I'm outta here. 

***

So Eazy slid into a coma, and even before he eased out of here, his peeps was fighting over his shit. Who would get what? They couldn't hardly bury him straight behind all the lawsuits.

 

For a minute the magazines talked about AIDS and the radio advised safe sex when getting laid. But only for a minute and then the 24-7-365 was on again. Because in the muzak biz, the death of a star only makes more room for the wanna beez. And the hungry ones just keep on coming, keep on scheming, keep on dreaming.

The seduction of glamour and gangsterism is real. The high of being invincible, of dodging death and indulging every desire. Living large enough to make a cartoon out of life is the bomb, until it explodes.

 

Tupac was no fool. Undisciplined--maybe, self-indulgent--surely, and even ocassionally willfully crazy, but nobody's fool. He could see the moving light headed his way from the far end of the tunnel, and though, every now and then, he couldn't help thinking aloud about turning around, he just kept on trucking. He had shook hands with death before and still had all five fingers to prove he knew what he was doing. He was a fighter and a survivor and real men don't cry. So he sucked up any regrets and kept on stepping. 

Everytime the light inched closer towards him, some other kind of good shit would happen to make Tupac disregard the upcoming collision. 

God, he loved Iron Mike. The way Mike never let nothing keep him down. And Suge, that nigga is so for real. He covered Tupac's back and had a limo waiting out front when he made the bail. 

Inside of Tupac's head the party was in full effect: Did you see how Mike smoked that dude in the first round? And look whose driving me around, the president and me. Two multimillionaires... the light blinded him this time as death took a firmer grip. When four bullets said hello, there was no place for Mr. Tupac to go except to step off into the void of the great beyond. 

So when Tupac got to the other side, the first person he saw was Eazy-E and Eazy said to Tupac: "What took you so long?"

And Tupac, still a little dazed from the suddeness of the trip, haltingly replied, "I was having second thoughts about living."

 

—kalamu ya salaam


 

SHORT STORY: WHO WOULD YOU BE, IF YOU WEREN'T WHO YOU ARE?

photo by Alex Lear

 

 

 

who would you be,

if you weren’t who you are?

 

“most people want younger,” he eyed me with bemusement, but i did not respond to his provocation. “but then you are not like most of our clients.”

 

i knew what he meant. one, i was african american. two, although on the cusp, i was not yet in my fifties. three, i wasn’t looking to be exotic, or trans-race, or exceptionally gifted physicially--well, actually, in a way, i did want to be a bit more exciting. average is ok, but, you know shorter or taller than normal might be better. but then, i don’t know, and i guess that’s what it is, i want to know something else. my new self doesn’t have to be a special something else…

 

“your tests results were excellent. you’ve fulfilled all the requirements and then some.” bob was chattering on. i took another sip from the room temperature goblet of wine. it was an excellent sherry. “may i call you arthur?” i started to say something that might vaguely sound smart like, “sure, bob, arthur or art, is fine,” but really it wasn’t fine, or i mean it would have been fine but i have never been an “art” or even “arthur” for that matter. so i said nothing.

 

my recollections reeled back to my ex-wife. even at our most intimate moments sandra called me by a contraction of my surname; i will always remember: “kenny my legs are wide open and my coochie’s dripping wet, just for you, baby.” but she never screamed nor got wild; i think she was making up that thing about being so wet just to con me, especially after that tryst with royce, which, as hurtful as the affair was, didn’t really lead to our break up because basically we were broke up before she started stepping out…

 

“frankly, i’m intrigued by your high verbal scores that indicate a philosophical bent. most of the people i see are so average it’s almost boring--please, disregard that last statement. i’m afraid this wine has clouded my judgment. it is entirely unprofessional for me to say anything about any of our other clients, even to generalize. nevertheless, i am intrigued. your undergraduate degree was in theological studies but you went on to earn an mba, top of your class and have spent seventeen years at the bureau of labor statistics. it’s unusual for a person to score higher on these verbal tests if they are not in a field that requires, well, you understand, i don’t mean to make you uncomfortable, i’m just admiring your test results. theology and philosophy are siblings, but add in business and statistics. frankly, arthur, you are an unusual man.”

 

bob’s steely blue-grey eyes focused on me with an unwavering gaze as though i were a picasso he was trying to decipher. i remember peeping at him while we were auditioning bodies. he didn’t flinched when i wondered aloud: “why would these people volunteer to… ummm, to trade-in their bodies.”

 

i wondered whether the models were aware they were on view. “self sacrifice is not unusual for the benefit of one’s family. were it not for our generosity to these donors, we could offer this service at much more affordable price point, but frankly, i think it is better to charge those with disposable income than to exploit those who are financially challenged.”

 

i could have chosen to be any one of them, or so i was told, “but,” and i had surprised myself by boldly offering an opinion in the form of a question, “why would any man want to become a female?” i choose not to be personally offended that there were women sprinkled among my candidates.

 

without even a hint of sarcasm, bob quietly retorted, “there are many of us who feel trapped in the body of the wrong gender. we at nu-life advancement  don’t judge the etiology of desire, we serve to help our clients achieve life lived to the fullest. over and above our commitment to our clients, philosophically,” at that moment bob had paused and softly rested a hand on my shoulder before intoning, “one could ask a fundamental question: what is wrong with becoming whomever we want to be?”

 

bob’s expertly manicured nails gleamed in the candle light as he waved away the waitress who was holding a water pitcher to top off his glass. “art, i sense you have a question.”

 

a non-refundable, hundred fifty thousand tab was not so expensive considering that one got a whole new life, except... “suppose, once i’ve made the switch, if i’m dissatisfied, can i obtain a second switch?”

 

bob smiled cryptically, well, not fully smiled, just sort of barely opened his mouth and clasped his hands with forefingers extended, brought them up to his lips, and then rested the tips of his fingers on the tip of his nose before clearing his throat. “nu-life advancement has a policy of non-serial transfers, meaning, second transfer are prohibited. this is why our selection process is so strenuous. we don’t accept everyone who wants a life transfer, nor do we always perform a client’s initial choice. we once had…” bob inexplicably paused and looked away.

 

“you once had…?”

 

bob cleared his throat a second time. “actually, i’m not supposed to engage this line of questioning. our policy pro…” bob abruptly halted. folding his arms as he leaned back in the booth. “i can’t…” he sat up straight.

 

i could tell he was stalling, waiting for me to interrupt him, but i had read the book on negotiating. i knew to say nothing. absolutely nothing. let him work it out. even if he said he couldn’t, i would say nothing and just wait. i didn’t look down or away, i stared him in the eyes, besides in this dimly lit lounge, neither of us could clearly see the other person across the table.

 

“you understand what i’m saying?”

 

i waited. didn’t move a muscle, no lick of the lips, no nod of the head. nothing. i just looked and waited.

 

bob reached into his coat jacket and took out his fountain pen—the pen he called his “contract” pen. i remember his ritual: “a signing should be done with an instrument befitting the seriousness of the occasion, hence i use a monteblanc. you know there are not that many of these in general circulation anymore.” bob tapped the pen lightly against his palm.

 

“mr. kennedy we once had an african american female who wanted to transfer into a white male. although she was otherwise fully qualified we declined. after we declined she threatened to sue. bottom line, he/she now works for us.”

 

was he saying what i thought he was saying, which was that bob had once been a black woman? i mean that’s not what he said but that was just the feeling i was getting, especially from the way he doodled on the pad with the ink pen. drawing a circle and then slowly filling it in. i wanted to ask a plethora of questions, but, holding to my plan, said nothing. didn’t even act like i heard him.

 

bob slowly screwed the cap back on his pen and gently lay the pen down next to the small notepad on which he had been noodling. “mr. kennedy do you have any other questions?”

 

i just looked at him. and then he folded his hands atop the table and stared back at me.

 

“hearing no further questions, once you sign…” bob reached into his brief and pulled out a paper. “this is a release form. remember, the contract you signed previously gave you a two week wavier period during which, for any reason whatsoever, you could change your mind and be fully released from your contract with nu-life advancement with no penalty whatsoever.”

 

bob placed the single sheet of paper before me. there was only one short paragraph printed on the nu-life advancement stationary.

 

“this is your acknowledgement that you have not changed your mind and that you hold nu-life advancement harmless should the procedure turn out other than you expect.”

 

bob proffered me his pen.

 

“i didn’t know i would have to… i mean i thought this was basically a follow-up session and…”

 

“take this home with you and read it at your leisure. if, for any reason whatsoever, you do not wish to sign, simply return this release to us unsigned and we will refund your payments. we at nu-life advancement understand that this is the single most important decision you will make in a lifetime. we want you to make this decision without any compulsion or pressure. if you have any questions, please ask them. if you feel any hesitancy, we understand. do not. i repeat, do not feel you must sign this release. if you do not want to proceed, if you feel uneasy, or just have a premonition that this is not what you should do. please do not sign this release.”

 

bob’s steely eyes were boring into me the whole time he mechanically unreeled his spiel. it was almost like he was challenging me to stand down. i looked at the paper. who was i kidding. i’d come too far to turn around now. i took the pen from bob and signed.

 

“thank you, mr. kennedy.”

 

bob gently retrieved the signed release, spun it around, extended his hand asking for the pen. after i gave it to him, bob signed the release in my presence.

 

“we will mail you a copy of this release.” and then bob put the paper back in his case, screwed the top back on his pen and smoothly replaced the pen into his inside breastpocket.

 

“we’ll see you on the 25th. good luck mr. kennedy.”

 

bob rose, extended his hand to shake. i firmly clasped his hand. “thank you, bob.”

 

* * *

 

“how did it go?”

 

“how does it always go? here’s the release.”

 

“robert, this is unbelievable. that’s what, the third one this week? one hundred fifty thousand a pop. what people won’t pay for physical enhancement.”

 

“it’s advancement, not enhancement. we are not some hollywood surgeon firming up tits and lipo-sucking stomachs. we are personal development specialists who help our clients achieve a higher state of life through physical and mental advancement. we are selling dreams, fulfilling desires, everybody wants to be more than they are. we’re just offering a process for our clients to achieve…”

 

“everybody has a right to be the person they desire to be. robert, that was great ad copy you wrote.”

 

“i didn’t write it, i stole it. mind you wants because someone wants your mind.”

 

“what?”

 

“george clinton.”

 

“who?”

 

“i grew up in d.c. used to be one of the few whites at clinton’s p-funk concerts. one day my father pulled me aside: robert, son, you are attracted to all those eccentric people—how many of those whom you follow live a good life after they reach fifty? i couldn’t think of one of my musical heroes who was over fifty—even clinton has lost most of his music publishing, so in that sense i no longer admire him. i can hear my father now: ‘son, it’s ok to enjoy yourself, but please think about your future. don’t end up penniless in your senior years. there’s nothing hip, as you call it, about being old, poor and uncared for’.”

 

“for sure you’re not poor.”

 

“poverty is boring—i have no intentions of ever being poor. simon, send mr. kennedy to barbados for his procedure. he’ll die happy.”

 

“robert, you are a genius.”

 

“no. i’m not a genius. it’s just that so many people are dissatisfied with who they are. for a fee, we help them out of their misery. they think they’re getting a new life, and in a way they are. it’s just not in this life. after all, who knows, there may indeed be life after death.”

 

—kalamu ya salaam

 

SHORT STORY: THE ROSES ARE BEAUTIFUL, BUT THE THORNS ARE SO SHARP

photo by Alex Lear

 

 

 

THE ROSES ARE BEAUTIFUL,

 

BUT THE THORNS ARE SO SHARP 

 

1.

 

         Blood didn't know why he wanted to kiss her private lips.  Didn't know why the sharp energy of her smell made the large muscles on the inside of his thigh twitch.  Didn't smell like sex.  Didn't even smell human.  Undomesticated, wild, maybe a pine-needle bed where a deer had rested.  A fragrance born by the wind from whence only the wind knows where.  Didn't know why, but he liked the memory of his slow kiss-rub-lick-suck of the cleaved dark of her.  And he liked that she liked it.

         Theodore sucked the caramel colored coke through a straw, drawing out gurgling sounds as the last of the liquid, mixed with air, cascaded upward through the crushed ice.  He shook the cup once, tore the plastic top off with the straw still in it and threw it into the litter receptacle; swirled the cup, tilted it upward shaking shards of ice into his mouth, sucked on the ice and thought of her moan as he nodded hello to a co-worker on his way back to his desk from his ten minute break.

 

***

 

         I close my eyes.  I am crazy.  I open my eyes.  I am crazy.  I do my work and when I finish working, every time, I am crazy.  Obsession.  The need for every day to be night.  I tape the evening news using the timer on my VCR and later look at her over and over.  Her eyes.  I know looks that the tv camera never sees.  Sometimes I watch with the sound turned down.  Read her body language.  The motion of her jaw as she talks.  Count how many times I see her tongue on screen.  How often they show her hands.  The feel of her nails on my neck.  The rhythm of her voice reciting my three syllables: "The-o-dore" except she enunciates "Thee-I-ADORE."  "That's the news.  This is Ann Turner.  See you tomorrow."  SEE YOU TONIGHT.  BABY.  TONIGHT!

 

***

 

         The bronze point of her breast cutting a curvature in his consciousness.  Why continue, he thought as he continued.  A man shouldn't be consumed by desire.  His imagination saw the inside of her thigh flash quick as the picture of the contents of a darkened room momentarily lit by five milliseconds of lightening flashing during a summer night storm when you are standing near the window sipping something mildly intoxicating and a "Quiet Storm" format radio station unfurls aural ribbons.

         He drank her features even when only his computer was in front of his eyes.  Drank and drank, and was never quenched.

         One day he refused to call her.  The whole day.  Concentrated on not calling her.

***

 

         She doesn't own my fingers.  My feet are my feet.  I have business.  I wear a suit and tie.  I drive a car -- red, sleek. Here is my off-ramp. I like the feel of taking it at 40mph, leaning into the curve. It's like when I ease into her. I'm gripping the wheel firmly but lightly like I do her breasts, and I brake a little, back off the clutch, let the engine slow us down, and hit the accelerator slightly at the top of the curve, pushing through faster now. Through the steering wheel I can feel the car's power surging and responsive to my every expert move, like Ann.

         I smoke cigarettes.  I urinate at break time and wish, in the middle of the men's room, Joey to the right of me, Harold on my left, Amos at the sink talking shit about what he made his bitches do, I urinate and as I shake myself, wish it were her fingers shaking me.  I will not call.  The boys see me zipping my pants.  They don't sense her.  I look into the mirror at my reflection, scratch my jaw, dry my hands, and, leaning forward, balancing my weight between the sink ledge and the balls of my feet, careful to pretend I am examining my razor bumps, I search deep into my eyes: her profile.

         "The roses are very nice."

         Thirty-eight dollars is more than very nice.  Forty-one dollars, forty-two cents.

         "But, I can't accept them."

         I've bought corsages for proms.  I've bought flowers on mother's day.  I've even given my aunt a plant for her anniversary.  This is the first time, the first time I've ever bought roses.  And they are only "very nice."     

         What about when you kissed me?  What about that great dinner we cooked together in your kitchen trading culinary tips, and ate in the after glow; I fed you desert.  A fruit salad first from my fork, then the grapes from my hand, and that last strawberry we shared lip to lip as I kissed you with the succulent deep red meat poised between my teeth and letting it fall into your mouth as you sucked my lips and you slipped your fingers into the bowl and one by one inserted your fingers into my mouth and l sucked the juice off, cleaned each finger with the sweep of my tongue.  And the night we spent the night drinking coffee in the French Quarter, walking around waiting on the sun, delirious, delicious and crazy in each other's eyes?  The first time.  The second time.  That Saturday evening in the thunder storm with all the lights out and a very good bottle of moderately expensive wine.  My comforter on the carpeted floor, the sound of rain on the pane accompanied our rhythms.  The third, fourth.  Damn it, last Monday, two days ago.  "My legs are wide open," you said.  I almost cried in your arms I felt so happy.  I pick you up just about every day from work -- every day you allow me to.  We even sometimes make groceries together.  That linen jacket, the pink one.  The surprise manicure and facial treatment certificate.  The health spa six month membership.  "My legs are wide open."  That's more than nice.

 

***

 

         "I said, I can't accept them. I... No, don't come in.  Please."

 

***

 

         Then I forced myself past the three-quarters-opened door. I didn't mean to knock her down when I pushed my way inside. But she fell. And then something happened. Looking down at her I saw the shock on her face. "You see it doesn't feel good getting pushed around, does it?" is what I thought to myself. "Now you know how I feel sometimes the way you treat me," I continued thinking while silently observing her. The beginnings of a smirk unconsciously edging itself onto my face. It was as if I rose up above myself and was outside of my body watching myself stand there.  I could see everything.  I knew everything.  I knew she was surprised by how hard I shoved the door. Even so, I could see she wasn't hurt sprawled there on the floor.  Embarrassed but not hurt. And afterwards when I left I knew when I slammed the door shut hard behind me, I knew the sound cut the silence.  She didn't know I had it in me. I knew.  The way she looked up at me.

 

***

 

         As she fell backward, slammed into the way and fell, he closed the door quickly. And then, as though she had misunderstood him the first time, he held out the roses to her again.  She had one knee slightly up. Her straight, woolen, beige skirt with the deep split in the front had ridden up high on her legs, falling away from above her knees.

         Anger and the beginnings of fear overpowered her perfume. She didn't smell pleasant anymore.

         The red, red roses swinging before her face.

         Nothing.

         "I am more than nice," he thought to himself.

         The phone rang.

         She covered her face with both hands. Then lowered one hand to the floor. Began pushing up, to stand.  Theodore stepped forward and planted himself, blocking what would have been her path of ascendancy.  She stopped.  He saw that she knew she would never make the phone.  Let her machine answer the intruding call. Four rings and the noisy interruption stopped.

         After the chirp of the phone stopped, he bent slightly and pushed the roses at her again.

         She batted them away. She does not want to be distracted. He pushed them forward again.

         Her hand moved slowly.  She pushed gently, tried to move the flowers out of her face.  Why was he insisting?  Why were the flowers thrust at her like a gun?

         What?

         He had unbuttoned his trousers. They slid down at his feet.  He stepped out of them. "My legs are wide open," she had said just two days ago. The goodness of his dick hadn't changed any in the time between the last time and now.  She wanted it then.  She gave it up then.  Now was then.  In his mind.  He eased his jockey briefs off.  Now, he still had his shirt and tie on. And his jacket.  And the roses in his hand.

         What?

         That was her only real reaction.  What?

         Sometimes shit be happening to you and it be so far out the box you can't believe it be happening. 

         Theodore was standing there with his penis erect.  His jacket on the floor now behind his trousers.  He knelt slowly.  Placed the flowers down beside him.  Pushed her skirt up.  She closed her eyes.  Her flesh was cool beneath the nylon of the panty hose.  Then she moved, slightly.  Her head shook slowly from side to side.  She covered his hand with her left hand.  A momentary halt.

         She tried reasoning with an unreasonable man, "Are you going to use something?  I'm ovulating now."

         Theodore ignored her.  She saw him ignore her.  Theodore began pulling at her panty hose.

         "I'm not going to let you do this." 

         She started to struggle silently.  She surprised him with her strength as she tussled with him. The thrust of her arms rocked him backward. He admired that she didn't hit like a girl. Now she was on one knee. He pushed her again.  Harder.  She sprawled backward. Her shoe slipped and her legs flew from beneath her. As she lay disheveled on the floor trying to decide whether to kick him or to try and run from him, he pushed the roses aside and knelt resolutely in front of her. He looked between her legs which were awkwardly gapped open.  What was it "there" that had him crazed on the floor.  The reddest rose.  The petals of her vagina flower.  The thorns of her refusal to receive him. 

         Then suddenly she pushed him harder than he had pushed her.  He fell back on the flowers.  The thorns bit deeply into the palm of his left hand.

         He picked the flowers up and threw them at her.  Hurled them into her face.  Hard.  A thorn cut her cheek.  She felt a faint sting.  When her hand came down from her jaw, a long bloody smear had creased the light hand side like a crimson life line burnt into her palm.

         He expected her to cry. But she made no sound. Did not even whimper. But stared at him with an undisguised hatred. The force of her stare stunned him. He stood up. She bolted up without hesitation. Balled her fist and stood rigidly upright, silently daring him to touch her again. He backed off slowly. Retrieved his clothing. Dressed. Every time he glanced at her she was still glaring unblinking at him. Her blouse rose and fell as she took deep, soundless breathes. He turned and walked briskly out of the door, slamming it behind him. She stepped over the flowers and quickly locked the door behind him.

 

2.

 

         They were in a movie and he cheered when the hero smacked the actress portraying the wife.  Ann froze, intuitively knew for sure that Theodore Roosevelt Stevens, III was wrong for her.  All the little signs she had ignored because she was tired of searching for someone with whom to share her life and had settled for someone with whom to have a little fun.  After applauding the hero's response to his wife's cinematic betrayal with a short clap -- actually Theodore was celebrating the hero's refusal to be suckered more than applauding the guy for hitting the woman, it's much harder to see through how a woman is using you than it is to smack her once you figure out that you've been used, and Theodore admired anyone with insight into the feminine species -- his right hand had pawed the air seeking Ann's hand to hold again, but her arms were folded.

         "What's wrong?"

         "What's right?"

         "What you mean?"

         He caught the tone, the cut, the coldness.  The sharp point contained within all her soft curves.  Theodore knew this was fire he could not walk through with his bare feet.

         "What?"

         She bit her bottom lip but not to keep from talking, the biting was just a habit of preparation when she had to fight a battle which she did not choose, but which she would wage without quarter.

         Walking up the aisle after the movie's over, "Let's go for a drink; we need to talk."

         "Sure.  Where?"

         "Anywhere."  Clipped tone.  The claws were still showing.

         Anywhere was near by, but the silence riding over was long.  "What's up?"

         "This is the last, I mean I don't think..."  She swung her head quickly.  They were at a stop light.  Right before the turn onto Causeway Blvd.  He looked over during the pause for the light.  Her unblinking eyes focused directly on him.  She read him the news -- that's how it felt, all the emotion was calculated although unforced and rendered in well modulated tones, "I thought about your question about us living together, and the answer is no.  And I think we ought to break this off."

         The light was green.  Theodore pulled through the moment.  Said nothing.  While moving through the traffic.  He said nothing.  Circled onto the expressway.  She hates games.  He heard her.  Into the expressway traffic.  Then he pulled over to the side.  Slowed.  Emergency lights flashing.  He looked over at her as the car coasted to an easy stop.  He turned the tape deck off.  He turned the key.  The engine stopped.  The stick shift loose in neutral, rocked back and forth beneath the easy side to side push of his hand.  Then he pulled the emergency brake handle.  She has not stopped looking at him.  This was Tuesday.

         Wednesday morning into the third mile her breathing is even and her stride is smooth.  She will kick the fourth mile.  She is ready.  Suddenly she stops.  A crow caws, breaking the silence of the morning cool.  Two cars pass along the generally deserted stretch of road.  The light is soft.  Her face is soft.  Her eyes are hard.  She begins walking and in a few seconds builds up to a trot and then is running again. 

         Thursday he will bring roses and apologize.

 

***

 

         Everybody thinks it's easy to be me.  To be the model of charm and poise on the weekday evening news.  A face recognized.  Gwendolyn Ann Turner.  Actually, Gwendolyn Ann Turner is me, and most of the world -- I shouldn't exaggerate, most of the city -- knows: "This is Ann Turner, your evening anchor, sharing the news of New Orleans with you."  Most of the world knows so small a part of my real persona and yet people think because they see a small part of me so frequently, they think they know "me."

         I was so fat as a child, so "Gwenie."  Overweight, intelligent, gifted with a lean, hard mind -- too hard.  Up to the middle of college I was always the "brain," never the beauty and even when my birthright beauty began to exert itself in college -- it's like it's hard to judge just how beautiful the flower will be when all you see is the beginning bud.  I had to run in P.E. and found myself liking the loneliness and the challenge of the long runs, figuring out how to run without wearing myself out, how to swing my arms, how to set my pace, how to breath, how to use my body, yes, how to use "my body" and I pushed it and enjoyed pushing it. The more I ran, the more the physical side of me came out, but it was all because I enjoyed the meditation part of running. At the same time I was trying to figure out how to meet the physical challenges rather than because I wanted to become "fine" or "thin" or something, but the more I ran and enjoyed running, the more I found beauty came within my reach and required just a little work to enhance it.  But the thorn on the flower was that becoming attractive just made being me more difficult, more demanding.  I split in two.  It became so easy to be pretty, to be wined and dined because my body shape was what it had become, or more accurately was what I had made it become, my skin color was what it was, my voice, my hair, my eyes, my slender fingers, my beige bottom firm, round and protruding.

 

***

 

         The thought stopped her: "I hated being fat and I'll never be fat again."  She stopped at the road side, put her hands atop her head, fingers interlaced, breathed deeply, looked up into the dawning sky and summoned strength -- she was beginning to resent the deference given to her for all the wrong reasons.  Well not so much "wrong reasons," for all the "Ann Turner reasons" and none of the Gwendolyn Ann Turner reasons.

 

***

 

         Here I am 28 years old, sexually active, so far away from any kind of serious relationship that it doesn't even hurt anymore. I'm never alone unless I want to be and I've never met anyone with whom I always want to be. Being so popular as a media personality just makes being alone as a private person inevitable.

 

***

 

         Ann took a deep breath.  She had volunteered the decision to drop "Gwendolyn" because Ann is so much easier to articulate cleanly into a lapel microphone or an overhead boom, no consonant blend obstacles to negotiate.

 

***

 

         If I hate being beautiful, why do I run everyday, stick to my diet, groom myself immaculately?  Wear complementary colors.  Procures pedicures.  Manicures.  Facials.  Ann runs everyday and Gwen waits. Waits for what?

         Huh.

 

***

 

         Gwen waits in a desk drawer, in a diary, in five completed stories, 79 completed poems, and 34 incomplete sketches, outlines and ideas for stories.  And in the drawing pad.  The monthly self portraits drawn with soft lead pencil while looking into the dressing table mirror.  That had started in college.  During the first week of every month Gwen sketched Ann, and afterwards Ann would stare at the drawing, looking for Gwen.  Gwendolyn had gone to college certain that writing was her destiny but the motion of circumstances had sidetracked her.  The path from Gwen to Ann had started not from her own volition but rather began because of her physical presence and personality; the transfiguration wasn't the result of will, but rather it was physiological and sociological chance. 

         As the new Gwen started to blossom, Gwen "hated" the attention even though some small part of her loved it, fed off it and grew more confident, stronger week after week.  That's how she had eased into broadcasting.  In college journalism even those who only wanted to write were "counseled" into taking at least two broadcast courses "in order to be well rounded," and, of course, even though she never sought the behind the mike position, of course once she was there, once people saw how effective she was (even if she was a little overweight), then her instructors steered her that way: "the camera loves you / your voice soothes and exudes sincerity / I know you want to write but I think it's apparent your future is in announcing."  Meanwhile, Gwen the writer patiently waited for release.  Now, years later, a professional broadcasting career confidently established, writing as a career option is not possible, not to mention being economically unfeasible.  Gwen rarely spoke but when she did...

         "Ann you do television because it's easy for you.  There's no challenge staying in shape.  Reading news copy is so easy.  We always liked to read.  Ann, you like to read, and I have to read; that's one of the only ways I can even exist.  All other times I'm shoved deep into the background."

 

***

 

         These two people in me.  Gwen wants to be a writer, a deep thinker, and Ann, well, Ann pays all the bills and acquires all the frills.  Or something.  What does Ann want?  Ann is not a want, Ann is a thing, a procurer.  Ann's ultimate job really ought to be to create a space for Gwen.

         Huh.

 

***

 

         She begins walking and in a few seconds builds up to a trot and then is running again.

 

3.

 

         I was already in the shower.  Theodore was behind me at the toilet, urinating and the "morning deep yellow" of his streaming urine refracting early daylight made it easy for me to see the splashes flying out of the bowl.  I hate it.  I hate the sloppiness of the way men piss.  I hate it.  I step out of the shower.

         "Theodore."

         "What?"

 

***

 

         He swung his head, tremendously pleased with himself.  Happy about his manliness.  His sexiness and skill as a lover.  His good fortune: he was fucking Ann Turner and she was liking it.  Everything was in order.  At the office his commissions were bounding upward.  When a client saw him, they were impressed by the smooth, articulate, fastidiously groomed, intelligent, business savvy, young Black man fashionably attired in tastefully muted burgundy suspenders over ice blue crisply starched dress shirt with a white collar -- these days Theodore was always impressive, so impressive that clients flocked to him the way those chickens used to do at his grandmother's farm in the summertimes when he was sent to spend a few weeks and would wake early, jump out of bed, get dress quickly and run into the back yard with a cap full of feed, throwing the kernels on the ground and calling out in his young baritone (he remembered that even as a teen-ager he had a heavy voice): "cluck-cluck cluckity-cluck, come here chickens, yall in luck, cluck-cluck cluckity cluck."  Because he was looking at himself, his external eyes focused on the stream of piss, the splash of water, the diffuse light from the skylight as well as the rainbow shimmering in the toilet bowl cast there by the prismed light of the cut glass mobile hanging from the skylight latch, in his head the beauty of her big round booty moved beneath the knead of his firm hands, because of all of that he neither saw the seriousness in her eyes nor heard the coldness in her voice as he perfunctorily answered, "What?"

         "I realize this might sound a bit strange to you but I've got a thing about hygiene.  When you use the toilet, please sit."

         "What?"

         "Put the seat down and sit.  Urinate sitting down.  When you stand, your urine splashes, and it's unhygenic."

 

***

 

         Much head as she gives, she's worried about a little urine on the toilet seat.  She swallows.  She loves it.  She licks me clean.  And she's worried about me standing up pissing.

 

***

 

         Theodore stood there, naked, his member held nimbly in his left hand.  He was just about to shake the drops off the tip with a vigorous motion.  How would he shake it if he were sitting on the toilet seat?  This was a trip.

 

***

 

         I knew he wouldn't understand.

 

***

 

         Theodore didn't understand what was going on.

         Ann turned back into the shower, almost regretting that she had brought it up.  Almost.  Gwen had decided long ago that Theodore was just a momentary thing, even before he overestimated himself and made the major faux pas of popping the question about living together.

         Ann was slower to decide.  There was a lot she liked about Theodore.  The lovemaking for one.  And, well, the lovemaking for two.  His humor, he was sort of witty.  No, really he was convenient.  Although right for a fling, he definitely was not living together material.  And unhygenic and far too possessive.

         "Theodore, I don't need you to pick me up after work.  Yes, I know it's late when I get off, and I know I could save the cab fare, but it's easier.  I have two cab drivers who are regulars.  I call when I'm close to ready and they're outside the door waiting for me.  I get in, we come straight here, they wait until I'm inside and everything is safe.  Theo, I know you don't mind but you don't have to wait around for me.

         "I'm staying late.  ...  No.  I'm not sure exactly what time I'll be finished.  ...  I'll just catch a cab.  No, Theo, I won't call you.  I'll catch a cab, and I'll talk to you in the morning.  ...  You'll be sleeping when I get in.  I'll call you in the morning.   ...  Theodore don't call me at one a.m.  ...  What do you mean where will I be?  ...  What do you mean what do I mean?  I mean I can take care of myself.  ...  Obviously, you don't know it.

         Gwen had peeped all of that weeks ago.  The shower door opened.  Theodore stepped in.

         "You mean when I urinate, you want me to sit down like when I uh, defecate?"

 

4.

 

         "When I saw you bleeding, I knew I had messed up real bad.  I don't know what got into me.  I mean you know me, I'm not really like that.  I mean, I was crazy or something.  Ann?  I'm sorry.  I'm sorry.  You want me to beg?  You want me to crawl?  What?  I've sent you letters, I've called every day.  This hurts me too.  I don't know what else to say.  I mean I know I did something really, really wrong.  And I know it will be hard for you to ever trust me again, but I love you.  I really love you.  I mean I'm serious.  You make me feel like a man..."

 

5.

 

         Ann didn't even listen to the whole tape.  He talked to her machine for twenty, sometimes thirty minutes or more, sometimes.  Sometimes he just said, "I'm gon keep calling until you talk to me."  This went on for over two weeks.

         Fortunately, the erase mechanism was fast.

 

6.

 

         This is about a year and a half later.  Theodore is married (yes, he sent Ann an invitation—she didn't go; he wasn't surprised).

         When Ann got the invitation she felt sad for Theodore's intended. He had wanted a wife but he wasn't prepared to deal with a woman.  She left the invitation in the hallway, on the table, the table that held the telephone / answering machine, beneath the mirror.  The invitation pushed half way back into the envelope.  Ann did not even wonder why it had been sent.  Gwen didn't care.  A casual toss and the invitation landed with a slight rustle atop a small stack of junk mail.  Ann didn't mean Theodore's invitation was junk mail, but she knew she wasn't going.

         Later that day she sat sketching herself. Clarity.  In the mirror was Gwendolyn Ann Turner, a thirty-year old, unmarried Black woman.  Ann didn't frown.  Ann didn't cry.  She knew, she knew she would never marry.  And she could live with that, was content to live with that. But Gwen smiled, she smiled because she appreciated that Ann Turner was becoming increasingly less interested in Ann Turner and more interested in developing Gwendolyn Ann Turner.

         Never marry.  God, what a thought.  But not really.  Even though she had been raised to marry. Even though it seemed like the whole world was wondering when she would marry. And have children. In a flash both Ann and Gwen realized -- neither one of them had every really wanted to be married--not once they were mature enough to honestly face themselves.  Ann just didn't want to be alone.  Although sharing board was just about out of the question, Ann could and would always find someone with whom to share bed.  Ann accepted the cost.  She could pay the bills.  No problem.  An inconvenience sometimes, but no problem.  And Gwen.  Gwen was happy, she gave thanks to be alive and thriving. And writing -- her new novel was almost finished.

         A spray of roses sat elangantly arranged in a bright black vase. "Our vase" -- Gwen had found it while wondering through the French Quarter. She was drawn to the pear-shaped container without even knowing why or how she would use it. As she walked along with the trendy shopping bag which held the vase swaddled in newspaper, she passed a florist. Roses were on sale: $9.99 a dozen, and thus began the floral addition to the sketching ritual. The fragrance of the flowers would radiate through the room while the young woman deftly drew her monthly self portrait. And as was usually the case within the last few months, Gwen would be smiling a generous smile. To her beautiful self. Clearer than she had ever been and glad that she understood the necessity of thorns on roses--everything beautiful must protect itself.

 

—kalamu ya salaam


SHORT STORY: AND THEN THEY LAUGHED

photo by Ales Lear

 

 

AND THEN THEY LAUGHED

 

SCENE ONE.

 

 —Places, everybody.

 

  A somber, chartreuse funk deftly settles expectantly into the cushions of the wicker sofa right between John and Angela.  Scooting its ass back deep into the throw pillows with the oriental scenes embroidered on them, looking from left to right, back and forth, checking out first the woman and then the man, the woman, the man, and greedily anticipating a rousing good fight, funk's emerald eyes were shinning with a scintillating brilliance.

 

 —Rolling.

 

(If you were John right now you would be wondering why this woman was being so hard on you, calling your cards marked, your dealing cheat, throwing her hand to the floor, turning the table over and screaming about the sins of gambling.

(If you were Angela right now you would be wondering why do men make you treat them so hard, why do they take a woman who sleeps by herself for some kind of rainbow trout to be caught with hook words, split open, gutted, fried, seasoned with dollops of hot sauce, and eaten with relish leaving only bones and a shriveled head on the otherwise bare plate.

(If you were John you would be tired of this shit.)

(If you were Angela you would be tired of this shit.)

 

 —Action!

 

Funk knows that the fun part about this prime time drama is that an argument doesn't have to be about anything real to make a good show, it just has to be emotional.

 

Once (a year to the day after their first date—she reminded him she had to remind him!) Angela wanted to talk about their future in the third quarter of a close game. 

Another time (about six months after he moved in) she wanted to discuss bills, 11:38 at night. 

Then there was the time they had just finished eating (at that time they hadn't even discussed living together) and John had even volunteered to wash dishes and Angela wanted to stand next to him rinsing the dishes and asking him questions about what he did with his dick.  With suds half way up to his elbows, John couldn't care less about what she put between her legs when he wasn't there so why, as he washed dirty dishes, did she care about who all he saw or why he wanted to sleep with a woman who wasn't her, shit, maybe the bitch was fine.  He even wiped the beige enamel top of the stove clean and wrung out the well used (three holes and frayed edges) dishrag.

But though he cleaned the kitchen well, John had neither clue nor key to unlocking the deep concern he had for Angela which was incarcerated inside his size 47 1/2" expanded chest.  John's maturity, but a seed yearning for spring, was winter blocked by acquired emotions and ignorantly assumed stances that always seemed to missile guide the first words out his mouth -- maximum overkill syllables designed to destroy all vestiges of life.  John sincerely believed you had to be finger quick on the button push or else the other person's ICBMs would blow you away.

Angela, on the other hand was visibly shaken, quietly close to crying.  Though she knew without a doubt when she was being fucked with, Angela was completely ignorant of what was happening inside of John, and, based on her ignorance and the stupid things John said and seemed to do with periodic regularity, Angela assumed the worst.  When the ground moves rapidly you don't have to be a seismologist to know it's an earthquake.

It wasn't personal, there were many different Angelas and Johns tussling with this same bear.  Is there something in the air that makes it so hard now a days?

"I don't know, maybe we, maybe I should be alone." Self-rejection didn't even sound like her voice. John was well enough equipped to interpret the no trespass termination inherent in the dangerous-colored, slicing sharp, concertina barbed wire gradually unraveling out of the cotton softness of her sound.

 "I don't understand what you want out of this." A torrent of cold, quick darting lizards fell into his lap. Well, he didn't want to always be on trial, that was for sure. She was smelling up the air. Wasn't she woman enough to say it straight out if she really didn't want him anymore? Every inch of her body was covered. After loosening the reptiles, Angela looked like she was headed underground. John flinched and moved back an inch or two in distaste, although he didn't know he was moving back.

Angela saw the small movements of his flesh which portended major emotional shifts. She foresaw his big feet walking out the door. His green shirt turning sundown forest dark as he slammed the door behind him without speaking or saying any kind of goodbye other than the finality of his olive drab silence.

Angela saw John's muscular back hovering over Crystal's nakedness and sensed his delight in being inside of Crystal. He had someone else (even though he swore that "it" was over, Angela had seen:

(how Crystal eyed John when they had gone to the mayor's inaugural reception and Crystal was allegedly working the room for the mayor and had shook John's hand two beats too long and had barely, limp-wrist offered Angela only the top half of her fingers in a half-hearted gesture that was supposed to pass for a sisterly greeting,

(and, besides, Angela was neither blind nor vain, there was no way Angela's lanky leanness could even come close to any one of Crystal's eye-popping curves—not that John ever publicly gave Angela any reason to feel jealous but still every woman knows when a former girlfriend and potential lifetime rival is the kind of fine that every man wants to fuck,

(and besides Crystal looked like she always got her man, plus anybody else's man she wanted,

(and Angela, even though she hated herself for hating Crystal, well not really hating Crystal but rather hating Crystal's body, hating that Crystal had that kind of body that other women can't help hating because it made a woman feel, well, feel inadeq… ah, uncomfortable, especially if one was a little overweight, or a lot, or a little underweight, or a lot, or just a little skinny—like Angela was—or whatever,

(Angela really didn't want to dwell on how thin her thighs were,

(Angela must have been the only woman in the world who "loss" weight after having a baby,

(and Angela never could find a really pretty hairstyle to complement the long oval shape of her face—what shade of lipstick was that Crystal was wearing?—shit,

(Angela could understand why former-collegiate-all star quarterback John was attracted to Crystal who, even at thirty something, looked preppy as a goddamn college cheerleader,

(well, at least I'm taller—not quite up to John's 6'3" but at least 6" taller—than she is, is what Angela rationalized to console herself when Crystal brushed pass John for the third time in less than two hours,

(Angela was tired, if John wanted that—and there was no doubt in Angela's mind that "that" was waiting by the phone to call John the minute John walked out of Angela's door and was fully able to avail himself of the various female options lined up waiting for a chance to do what Angela had not been able to do,

(oh la-dee-dah, if it was going to be all this then let him go to Crystal, men always had someone else…) to be inside of and she had no one else she wanted inside of her.

Angela wanted to want John, but considering how everything was turning out, at that moment she didn't want him inside of her again ever, no matter how good it felt and it did feel good most of the time, but, so what, no matter, she could handle missing him, missing it. It would be hard but the way to deal with a snake is to cut its head off, don't delay, don't play, don't hesitate.

"John, please leave."

 

—Cut!

 

Funk lay back exhausted but utterly thrilled, marveling at the depth of Angela's self-depreciating workout. Even thought that thing with Crystal had been over two years ago, Angela made that stale episode live again. God, she was good. The crying bit in the next scene was going to be a snap.

Angela was glumly biting her lower lip, which she always did when the stress became a bit much. And John had just dummied all the way down, had not said a word as he did a mental inventory of what were the downsides to cutting his losses and booking up soon as this next scene was through—damn, she had said "please leave" just like she meant it, all soft and shit and with just enough resolve to make it razor sharp, soft but sharp, how did she do that?

Funk could hardly wait for scene two.

 

 

SCENE TWO.

 

—Take it from the dialogue. Speed?

 

—Speed.

 

—Action.

"John, please leave."        

 John had his directions backwards.  When he should have been moving forward he had backed up, now he was reaching out for her with his snakes outstretched. Like he was trying to capture something.

He noticed that she was wearing the silver earrings he had bought her. She could keep them. He wouldn't ask her for them back.  Nor the red suede shoes or the orangish Kenyan woven handbag. Or the three hundred twenty-five he had "loaned" her. "This is a loan, not a gift," spouting mixed signals. He knew when he wrote that check that he wasn't going to see that money again. He never meant to see it. John only meant for Angela to be in his debt.

She stood up.

Vultures were on the roof. Patient.

Angela knew nothing stays fresh forever but must all flesh rot so quickly? Was this cancer or murder? 

She looked up and the jury was glumly filing in.

Wes had beat her twice. The first time he just knocked her down

and if they had not been living in Houston

and if she had not had a baby who was five months old

and if she had not been so young

and if she hadn't just made up her mind to make it work

and if her Honda didn't have thirty-seven more payments

and if Wes hadn't been tearfully pleading, his knees scraping the mauve, stain-resistant Dupont carpet on the floor of their three bedroom dream/nightmare house, his pale blue linen-shirted arms encircling her thighs, not caring about how he must have looked, singing an Al Green beg about how sorry he was

and we're going to make it

and I'll never ever hit you again,

and if her mother had not just gone back home after staying five weeks helping with the baby,

and if she were not up for a promotion at Xerox,

maybe she would have left then and there,

and thus, never would have gotten slapped a second time and ended up going off on his ass, pouring a whole pot of just cooked spaghetti down his back and grabbing a long, long kitchen knife when he started to move at her, remembering the way her jaw had hurt for five and a half days after he had knocked her down that first time and then promising herself, like a Jew viewing relics of the holocaust for the first time, "Never again. Never again."

She had told John this story. He knew not to hit her.

 

Look at her she thinks I'm going to hit her. John couldn't help his thought process; his Negro male ego, having successfully gnawed through the rope holding the door, was now fully uncaged and roaming the streets of John's emotions. A well chewed human dove's feathers warmly covered the bellicose, blood stained jowls of John's unfettered ego.

This was a strange ass woman.

This was an ordinary male.

Nothing prepared him for living with something he couldn't control. All his examples were wrong. He had never seen any of his peers treat a woman like their new car and really take care of her. From what all he knew about women John would bet the farm that if you didn't watch out they had a secret way to make a man cry, and what man wanted to cry?

 

"John, please leave."

"John, please leave."

"John, please leave."

If she didn't stop saying that he was going to have to punch her out.

"John, please leave."

 

Regardless of what John thought he was hearing, after saying it the first time, Angela had not said another word.

At a moment when it would have taken a whole lot of understanding or at least the image of some man John respected advising John on the manliness of admitting confused emotions and admitting to being lost on the relationships frontier, John pushed on confident as Custer that he could cope with whatever Angela had in mind. On the wide screen Eddie Murphy (whom John mistook for an experienced navigator/scout) was acting the fool, his manic guffaws misdirecting John. It made sense to John.

John had watched tv football.  He knew what was happening. A fatal loop of instant replay was stuck in John's head. Angela was standing over John's quarterback, pointing an outstretched finger into the poor boy's face. Actually she was standing astraddle him doing the Cabbage Patch over his prostrate body. How did that look on Monday night television, a sack on his fifteen, and she jumping up, standing one foot on each side of his hip, "take that motherfucker, take that motherfucker!"?

"On who?  On you!" that finger with the blood red fingernail kept saying.  About thirty-six million people was watching her knock him flat on his ass and then gloating with a long red finger in his face!

"John, please leave."

Where were his blockers?

"John, please leave."

Five minutes passed like that.

"John, please leave."

Although there was always another game, who wanted to lose like this?

Angela didn't want to repeat herself. Once was enough. What she really wanted was to disappear. She also wanted her little girl Harriet to grow up in another kind of country where she wouldn't be expected to be some man's woman. If there was such a country, Angela's daughter Harriet could be happy. She could have children if she wanted to. Could have a lover, if she found one she wanted, but she wouldn't have to be "his" woman. That's what she wanted.

John was leaning against the podium wondering what he was supposed to be doing. He didn't know how to talk his way out of this one. Worse than that, he didn't even know he was not trapped in something that he had to escape. The microphone was on, the tape recorders were documenting, the reporters had their pens ready to scribble down every word of the post-game, wrap up.

John was almost forty. He had seen a lot of shit. He had been with a lot of women -- well, without really counting closely, he had been with seven, uh eight women in some kind of serious, well, almost serious, well like he had lived with (more or less) four different women in the last seven years and almost got married twice. He was tired.

He was also unreconstructed. He didn't know how to disarm. How to divest of the need to own. John was afraid to let go and afraid to hold on to a woman's inquiry into his guts. John's EWAD (Early Warning Defensive Radar System) went bonkers -- Angela was set to launch fifty questions. His ego was asking him why did it have to go back in the cage. There was no logical answer.

And Angela, his sweet, sweet angel, had her own pack of troubles to tote, she couldn't help him with his. Besides she was no expert on safe cracking, there was no way for her to reach into his head or even if she could, how could she know his head was not what most needed reprogramming.

How does it happen that you can get to someplace but you can't go back to where you came from? How does it happen that you long for something you ain't never had? Something dim but very valuable was in the distance and they both were reaching for it, but it was far off, far off. Very far off.

John decided he was too tired to talk but really his problem was he couldn't read the script. All he knew was English, albeit at a first year college reading level, thank you; English, a language severly limited in conjunctions and in nouns denoting inner realities. John had fifty-seven ways to express anger and only two words that he knew of that seemed to fit this puzzle. He didn't even know sign language. He had his arms folded.

Angela was deeply hurt by John's refusal to unknot himself, but she was determined. She had journeyed to the crossroads at midnight many times before. Sometimes confused, perplexed and in a quandary, Angela had simply sat on her rump and stoically greeted the dawn. He never met her there; one usual lie was that you had to go to the crossroads alone, but if two was one then being together was alone, right? Sometimes, just marching on down the highway, she would catch a reflection of her moon-shadow on the roadside and realize how doofus she was being by courting the devil behind the particular simpleton in whose hands she was considering placing her life, and invariably on such occasions when even a little sliver of a moon would throw a sharply defined shadow sprawling across the gravel, invariably those would be the times when she knew that the particular man was not worth the particular effort, so even before getting to the crossroads she would back down and return home, would tell Alfred, or whatever his name happened to be in this particular incarnation, "This is not going to make it."

Angela had become strong enough to resist jumping in the water just because a swimming pool was conveniently near, clean and available. Once she had gone right, got married to Westley Richardson, II, Esquire. Blood turned out to be an excellent lawyer, the natural profession of liars. And once she had gone left and not married Julius James Johnson, the man all his friends and acquaintances affectionately called J.J., even though returning the rings and canceling everything damn near broke his heart, Angela knew that was better than going through with getting hooked up to a plow she was not prepared to pull. By then Angela had learned to listen to her stomach which invariably got upset at the way J.J. treated women, and Angela didn't take it personally because the fool was even hard on his mama which was a sign clearer than that storm God dropped on Noah that things wasn't going to work out. Yes Lord, Angela had been to the crossroads.

At the crossroads anything you did had its ups and downs but, based on the lessons life had smacked hard into her head, for sure it was better to walk than wait, "Let's just end this now before one of us hurts the other."

 

—Cut.

 

Of the three, predictably, Funk was the only one not hurting: Don't stop now. Keep the action going while it's flowing. (You know Funk is a midget and likes to drag everybody down to its level.)

Angela was so into the scene she didn't hear the director yell "cut." Even though there was this tremble in her voice, somehow, she was still holding her head up and keeping her face dry, even though a floodtide was raging just behind the brown damn of her determined-not-to-cry eyes.

Funk knew it would be a waste of tears if Angela didn't cry until after John booked up. Funk decided to take matters in hand and started whispering the name of every man who had ever fucked and left Angela. Wait a minute, Funk thought, that's a redundancy of the first order. Everybody Angela ever slept with was gone—well, of course, she had put a couple of them out, but they were gone, and hence, had left. It wouldn't be long now before she jumped to the grand conclusion that going to bed with a dude wasn't nothing but a prelude to the man leaving her. Funk liked the symmetry of that: getting laid was a prelude to getting left—how they said it? Wham, bam…

 

 

SCENE THREE.

 

(Do a slow-mo, three sixty shot.)

 

—Action.

 

John stood up. Turned slowly to walk out the room. And then, inexplicably paused. His back was to Angela. She wasn't looking. His voice stopped his feet from moving. He was shaken by what he heard himself uttering. He couldn't even look at her and say it. The words had thorns and ripped his lips as they poured out. Deep inside him he faintly heard something cursing at him. The mumble was the muffled indignation of his ego protesting confinement.

But there was also a warm light beckoning through the fog. John could hear its slow blinking, an E major seventh chord with a husky Ben Webster whisper, only John didn't consciously know Ben Webster's sound so he could only recognize it in his subconscious having stored it deep in his memory cells when he was a child and his parents were playing Duke Ellington's "In A Mellowtone" RCA album with the 1940 Ellington orchestra's rendition of "All Too Soon" or the 1942 "What Am I Here For," both of which featured Ben in all his majestic glory. Although John could not have called Ben Webster's name to save his life, Ben Webster's sound was the singular touchstone that kept John from making a total fool out of himself and walking out the door.

When John had first heard Ben Webster his mama and daddy were dancing in the front room and he was hanging over the side of a tub they had put him in to keep him from crawling around, and they were speaking some funny language that John did not remember sounding like the language he later learned to speak by mimicking them. That sound that was blinking like a beacon inside of him. He wanted to be his daddy dancing. He wanted Angela in his arms. He wanted to hear Ben Webster again. But he felt awful stupid. He had hugged a lot of women before. But none of the others made music in him and suddenly like a baby, all he wanted was what he wanted, nothing more, nothing less, don't give him no other arms, he wanted his mama, he wanted Angela to be his mama and he wanted to be his daddy.

But just like John didn't consciously know Ben Webster, he also didn't consciously know what he wanted. Which didn't make John feel better; actually, not knowing what he wanted made him feel worse. Meanwhile John's feet stayed rooted to the carpet. E major 7th. He could hear it but he couldn't think it. John didn't think his inability to leave was right, in fact he felt down right weak. If Angela had been hugging him at that moment and had had her head resting on his chest, she would have heard a faint grunt, an involuntary exclamation that acknowledged that at least John knew exactly what Stevie Wonder meant when he sang "There's something 'bout your love..." da-da-da something "...that makes me weak, and knocks me off (pause) my feet."  Even though Stevie was blind, Stevie had peeped this, so maybe, John having all his faculties of sight intact, just maybe, this was the right thing to do. Or something. Maybe being weak was right. John was barely passing his first lesson in submission to human love.

But Angela wasn't looking. When John had stood up, she thought that was it, blood was about to do the famous fifty yard dash right on out of the danger of relating to a female other than his mama.

Angela was deeply hurt by what she interpreted as John's refusal to speak in the mother tongue rather than growl in the colonial language. His silence handcuffed her, and him. She started to nickname him Cortez. Made love with his boots on. Saw her indigenous femininity as virgin territory to be mounted, surmounted, claimed and controlled, a phallic flag stuck into with its nuts waving in the wind. Thinking of love like a business: what he could gain, what he stood to lose. Angela was really tired, at that moment, so she didn't hear him stop, desert the armed forces, and of course she didn't hear that E major 7th, nor the Ben Webster buzz. But what she did hear, she didn't believe at first, even though she had been wanting to believe.

"Angela. I don't know what to do. I'm scared of you. But, I love you."

 

—Cut.

 

Funk was furious. What a revolting development this was. Funk was sure that shit wasn't in the script.

After checking the newly revised script, Funk was even further dismayed to find out that Funk was eliminated entirely from the last scene.

Don't tell me you're going to shoot some lame-ass, happily-ever-after bullcrap Hollywood ending. Naw, couldn't be. This stuff just doesn't happen in real life. Not to Negroes; and weren't we supposed to be keeping this one real?

Funk's bad breath was all up in Kalamu's face, but you know how  Big Mu can get when his mind is made up. Funk and Kalamu stood toe to toe for a minute, psychically parrying and thrusting retorts back and forth. Just looking at them, it didn't look like nothing was going on, but Kalamu was arguing with Funk the way authors do with their fictional characters, telling Funk, you don't like it you can just go head and write and direct your own story. But this is my project.

Funk, of course, shot back, naw, this ain't your story, this some bullshit trying to appeal to the women by putting men down cause a brother wasn't going to put up with somebody telling him it was wrong to feel the way he felt. Besides, Kalamu, you know good and well there ain't no happy endings for 99 out of a 100 Black couples.

Well, Funk, just call this: the one after ninety-nine. And with that Kalamu turned his back on Funk and called out: Make sure everybody has the revised script. The one with the Black ending.

Kalamu knew that no matter how consistently acquainted with sadness this society forced our people to be, love and laughter was what we intimately craved and would risk everything to achieve. Fourth and inches. The safe play was to punt. But without a second thought, they lined up with two wide receivers and everybody else blocking.

Funk reluctantly split behind the cameras, but staying nearby just in case one of them muffed it and Funk would be able to slip back in and put a real-ass ending on this bad boy.

 

 

 

SCENE FOUR.

 

—Is the crane ready for the overhead? This is the last scene, let's do it in one take. One smooth take. Tilt down as the crane goes up, zooming in as you rise. And Funk, back up, we're catching a bit of your shadow in the shot and we don't need that.

 

—Action.

 

Angela jumps up quickly but very quietly, she doesn't want to frighten him. Angela takes John's hand. Turns him around. He isn't crying. But his hand is shaking. She doesn't have to look in his eyes. She doesn't have to look period. Everything is bright, red bright, makes her close her eyes. She glances furtively at him before shutting her eyes.

John's eyes are open but he isn't observing anything outside of himself. During this brief moment, John's eyes are a double mirror: he is looking inward at himself (even though he appears to be standing with his eyes wide open staring straight ahead at the hanging ivy in the ceramic pot with the macramé tie that Angela had labored on during the four and three quarter month period the last time she wasn't "seeing" anybody) and at the same time, Angela catches her own reflection in the opaque blankness of John's stare.

Angela knows, with the unprovable certainty that those who believe in god possess, she just knows that at last, and also for the first time, somehow, John is deeply inspecting himself instead of questioning her motives when there is something he can't figure out. A pheasant, feathered the most dazzling green, flies across Angela's line of vision. She knows it has sprung from John's chest, free to fly the friendly skyways of her dream visions.

Angela instinctively starts chanting prayers of thanksgiving. Cognizant that she is near a threshold and wanting to remain on the path, Angela humbly and silently asks the creator for guidance. There is no sound and she thinks the silence is the answer.

"Don't do anything. Don't say anything. Just hold me."

After he held her, they talk for thirty-nine straight minutes. It is a start.

 

***

 

Today, it's one thousand, two hundred and forty-five days later. John and Angela are still together.

They laugh about this now.

 

—Cut! Ok, that's a wrap!

 

By then Funk, in a truly foul mood, had angrily put on his wrap-around shades and silently slithered off the set into the urban shadows.

 

###

—kalamu ya salaam

 

SHORT STORY: WORTH MORE THAN A DOLLAR

photo by Alex Lear

 

 

WORTH MORE THAN A DOLLAR

 

          Otis Johnson was sweating. The concrete was griddle hot. Otis' scuffed, black leather shoes were clean although unshined. The plastic, hot sausage bucket he used as a kitty had twelve coins in it: three quarters, five nickels, two dimes and two pennies. He'd been hoofing on the sidewalk a long time, too long for just a dollar and twenty-two cents, thirty cents of which he had used as startup money in the kitty.

          He stopped dancing. None of the passing tourists seemed to notice the sad stillness of Otis. People flowed around him without breaking stride and without even the slightest modulation or hesitation in their conversation. Otis could have been litter on the banquette: a candy wrapper, an empty plastic beer go-cup, anything someone no longer wanted; that's how he felt as people stepped around him.

          For a moment Otis had been so absorbed in his inner turmoil that all he heard was the replay of Hickey's effective pitch from when they had danced as a team.

          "Thank ya, thank ya, ladies and gentlemen, boys and girls. You are enjoying the best tap trio in the world. Him is June-boy, I'm Hickey and that's Otis. We can out dance anybody on this here street. We is called the New Orleans Flying Feet. For our next number we gon show you how good we is and we would appreciate it if you would let us know how much you like what you see. When we finish our show, just drop in a few coins before you go. All we ask, as we dance so pretty, is that you reach into yo pockets and (all three of them would join in together, execute a spin and end with their arms outstretched and their fingers pointing to the bucket Otis' mama had given them) FEED THE KITTY!"

          Then they would go into another routine Otis had choreographed for them. It was full of hesitations, hops, spins, shuffles and jumps. Since June-boy was fastest he always went in the middle. Otis went first, he'd get the people clapping. Then June-boy would have them goin' "oooohhhhh" and "aaaahhhhhh." Then Hickey would step in with his feet beating like drums. Nobody on the street could tap out rhythms as powerfully as could Hickey, whose short, stocky frame was surprisingly agile.

          When they stopped, everybody would be clapping and then would come the show-stopper. Otis' cousin Marsha had told him: always save your best stuff for last. Otis thought what would be best was a dance that didn't use no singing or hand-clapping, only the music they had inside themselves. So Otis had worked up a secondline routine that the "Flying Feet" executed flawlessly.

          They would start off dancing as a team, every move the same, right down to their finger movements, bugging the eyes and sticking out their tongues, shaking their heads and going "aaaAAAHHHHH."  Then they would go into the solo part. Two of them would break and stand back to back, except they stood about two feet away from each other and leaned back so that it was really shoulder to shoulder, and they would have their arms folded across their chests. They would be looking up like they was searching for airplanes, and of course they would be smiling. The third person would be doing a solo, any solo he wanted to do, except that it had to be short. Then after all three had done their solo, they would link arms and high kick, end with some spins and jump up clapping. Then Otis would dance with his mother's umbrella that June-boy had artistically decorated in the same way he had painted the kitty-bucket. June-boy would go through the audience with the kitty bucket silently soliciting gratuities. And, of course, Hickey worked the audience asking them to give what they could to "keep the Flying Feet flying."

          Afterwards, they would divide up the money and they would sit in the shade to rest. Hickey always said, "divide the money up on the spot and ain't nobody got nothing to say about how much they got."

          Usually they did pretty good. Ten or fifteen dollars a piece, twenty on a really good day. Once they had made twenty-seven dollars a piece with eighty some cents left over which Otis gave to June-boy and Hickey since June-boy, who was good with numbers, kept excellent count of their profits and Hickey did all the talkin' that encouraged the people to give.

 

***

 

    They had worked that way for six Saturdays and, even though it was hard work dancing for five or more hours, they had made good money. Then Hickey's old man left his mama, and his mama decided to move to Houston by her cousin.

          Otis knew how badly Hickey must have felt. Otis had never known his father. His mama said that the man who was his lil' sister Shaleeta's father and who came around all the time, frequently staying the night, wasn't Otis' father.

          Anyway, without Hickey it just wasn't the same. June-boy couldn't talk hardly at all and Otis couldn't talk like Hickey, so the money fell off drastically. Nobody could hustle the crowd like Hickey.

          "Don't be fraid to give a dollar, don't be shame to give a dime. If you can't give nuthin' but a smile and say thanks, we 'preciate that too, cause we out here dancin' just for you. Now if you could spare a quarter that sho would be right swell, and if you could give a bill instead of silver that would really ring the bell. But whatever you give we appreciate it each and all, all we ask is that you FEED THE KITTY YALL."

          When Hickey did it, it didn't sound like begging. It made people laugh and they would give. And of course it also helped a lot the way June-boy, who was real small and reed thin with big eyes and a bigger smile, carried the kitty bucket around staring up into the faces of strangers, silently pleading for their financial support. So when June-boy got sick and Otis tried going out on his own, he would be lucky to make four or five dollars a Saturday.

     Dancing on the street used to be fun when all three of them were together, but now it was neither fun nor profitable. In the middle of his dance, Otis abruptly stopped, turned away from the street, stood stone still for two whole minutes, and then brusquely snatched up the kitty bucket with the $1.22 in it and started walking away.

     He didn't know why, but today when he was dancing for tips he felt like he was doing something he shouldn't be doing. In fact he felt almost as bad as "that dollar day" which is how Otis always referred to the incident.

 

***

 

     "Look at them lil' niggers. They sho can dance." The man laughed as he jovially poked an elbow into the arm of the guy standing next to him. It was a raspy, albeit almost silent, mouth wide open laugh of amusement.

     June-boy had heard what the man said and was sheepishly walking away from him. With a familial pat on the shoulder, the laughing man stopped June-boy. In one fluid motion, the man went into his pocket and pulled out a small wad of bills held together by a gold money clip which had "R.E.T." floridly engraved on its face. Rhett, as he was affectionately known by both friend and foe, peeled off a dollar bill and dropped it in the bucket, "here you go, young fella. Yall dance real good."

     June-boy looked at Rhett's mouth. Rhett was smiling. It looked like a smirk to June-boy. June-boy looked away, first at the dollar in the bucket, then at the other people standing around.

     Otis reached into the bucket, pulled out the dollar, crumpled it in his small fist, and threw it at Rhett. The money hit Rhett in the waist and fell at his feet. "We can dance but we ain't no niggers."

     Rhett was stunned. He looked at the man he had hunched moments ago. "I didn't mean nothing by it. They kind of touchy these days, ain't they? Even the little ones." Rhett kicked the knotted dollar toward the boys and walked off chuckling.

     The small crowd that had been watching dispersed quickly and quietly. One guy dropped three quarters in the bucket and said, "Wish yall luck. Don't judge us all by the way some old redneck acts."

     Hickey was livid. At first he had looked around for something to throw at the guy: a brick, a can, a bottle, a stick, anything. The only possible missile within reach was the dollar bill. After the first flush of anger, Hickey turned from staring at the stranger's back, and refocused his attention on the money lying on the sidewalk. As Hickey moved toward the dollar, Otis stamped his foot atop it.

     "Naw, we don't need no redneck money. I ain't gon let nobody buy me like that." Otis snatched up the dollar, walked over to a nearby trash can and threw it in. "Come on yall, let's go." And they started walking home, heading out Rue Orleans. Otis was so angry, he simply half-heartedly waved and didn't even verbally respond when his friend Clarence, who was standing by the hotel door, said to him, "what's up, lil man?"

     As the frustrated trio exited the French Quarter, crossing Rampart Street and taking the shortcut through Louis Armstrong Park, they argued about the money. Hickey was still angry. "Boy, I wish I'da had me a brick. I woulda bust that sucker all up in the back a his head. I woulda kicked his ass good for true and it wasn't gon be nuthin' nice!"

     June-boy responded, "yeah and then what? The police woulda put us in jail for fuckin' with a tourist." June-boy walked over to one of the benches in the Congo Square area and sat counting their take for the day.

     "They'd had to catch me first."

     Otis ignored Hickey's verbal bravado. Silence reigned as June-boy finished the count.

     "How much we got?" Hickey demanded, obviously still agitated.

     "Twenty-six dollars and fifty cents. That's eight dollars and some change each."

     "Yeah, and if Otis wouldn't 've been so stupid and throwed that dollar away. We could of had nine dollars a piece."

     Otis spoke up, "you was mad enough to kick him but not mad enough not to let him kick you by putting a dollar in the kitty while he calling you out your name."

          Hickey quickly retorted, "way I see it, Otis, we had earned that dollar, and we shoulda kept it."

          June-boy divided up the money and gave each one his share. They rose from the bench and continued walking toward the projects. Nobody said anything for half a block. Finally June-boy broke the silence, "aw shit, it's over nah, let's forget about it."

          Otis tried not to say anything more, but the words were burning his throat. "Money don't make it right." Neither Hickey nor June-boy said a word. 

          When Otis got home, the pain his mother saw carved into her son's furrowed brow was not on account of what the White man had said but on account of how June-boy and Hickey had reacted. Otis told his mother what the White man had said but didn't tell her that Hickey and June-boy wanted to take the money.

          "Otis, you hear me. I don't want you going back out there. We don't need the money bad enough to have people mistreating you while you trying to earn honest money."

     Otis knew that it was his mother's pride speaking, but he couldn't wear pride. They couldn't eat no pride. He had bought the taps for his shoes. He had bought the jeans and some of his T-shirts. He paid his own way to the show. He even helped buy pampers and things for Shaleeta. That little money he brought home was plenty.

          "Mama, I can take care of myself. I'm allright. I got sense enough to stay out of trouble and sense enough not to let nobody misuse me." 

          Shirley Johnson looked at her son and smiled at how grown up he was acting. Just then Shaleeta had started crying. "I'll get her, mama," said Otis, glad for the opportunity to end the conversation before it got around to his mama asking what did June-boy and Hickey have to say behind what went down.

     Otis picked up Shaleeta, held her in his arms and began dancing to the music coming from the radio which was always on either B-97 if Otis was listening, or on WWOZ, the jazz and heritage station, if Shirley was listening. OZ was playing ReBirth Brass Band doing a secondline number.

 

***

 

     As the crowd flowed around him, Otis started feeling sick. He left the corner they had held down for over two months now.

     After walking two blocks in ruminative silence, he passed Lil Fred and Juggy dancing on their corner. Otis waved at them. He knew they wouldn't wave back because there were five White people standing around them.

     Suddenly it dawned on Otis what had so upset him about the dollar day. Otis stopped. He looked back at Lil Fred and Juggy. They were Black. He looked at the people they were hustling for money. They were White.

     In his mind Otis surveyed the streets as far back as he could remember. The results stung his pride. He had never seen any White kids dancing on the street for money and he had never been given money by any Black tourists, indeed most of the Black tourists would walk by quickly without even looking at the youngsters mugging, clowning, and cutting the fool on the sidewalk. Only Black boys dancing. Only White people paying money.

     Otis looked at Lil Fred and Juggy grinning at the White people as the dancing duo held out their baseball hats seeking tips. Otis shook his head, is that how he looked when he danced? While turning away from the image of his friends hustling on the sidewalk, Otis spied his own face reflected in the sheen of the brass hotel door held open by Clarence the doorman.

     A well dressed couple walked pass Otis and Clarence into the hotel. Otis was eleven years old and dressed in worn jeans and a Bourbon Street T-shirt. Clarence was forty-two years old and dressed in a white uniform which incongruously included sharply pressed short pants with a black stripe running down the side.

     "What's happenin' lil man?" Clarence genially greeted Otis.

     Otis was frightened by what he saw. He saw his young face in the door and he saw Clarence's old face beside the door. Was this his future?

     They had always told themselves they were hustling the White people. But that dollar day had started him thinking. Fred and Juggy across the street, clowning for tips had brought the thought to the surface of Otis' consciousness. And Clarence patiently opening doors, bowing, and servilely smiling a "welcome" made it clear as clear could be. Clear as that stinging, unforgettable southern drawl that constantly replayed in Otis' head: "Look at them lil' niggers. They sho can dance."

     Otis walked resolutely out of the French Quarter, vowing never to work there again.

 

—kalamu ya salaam

SHORT STORY: FORTY-FIVE IS NOT SO OLD

photo by Alex Lear

 

 

Forty-Five Is Not So Old

 

            It was 1:30 in the morning.  Lucinda was half a jigger away from inebriated as she held a double shot of Seagram's and 7-Up poised before her glossy, hot pink painted lips.  Precisely at that moment, Lucinda made up her mind "since I'm going to die eventually, I might as well live tonight" which meant she didn’t want to go home alone tonight. In fact, she hoped she wasn't going home at all, at least not to her own home.

            Billy must of thought she was a fool.  "Away on business" or so he had said with feinted casualness.  Lucinda knew.  Even as she had allowed herself to act like she believed him when he said he had to go to Portland for four days, she knew.  Maybe he really did have some business to do there, but for sure he was sleeping with Sandra with her little narrow ass. It didn't matter that Billy Jo had left Thursday during the day and that Sandra was at work on Friday, answering the phone when Lucinda called on some pretense or the other. "I know something is up," Lucinda mouthed right before the cool liquor crossed her lips.

            Lucinda was a public relations specialist, she knew how to make things look like what they weren’t. Who had said life was just an illusion? Wasn’t it true that illusions were part of life? The only question was do you believe? Do you believe in what’s not there? Damn, this liquor makes you think some funny thoughts. But no, Billy Jo’s disinterest was no illusion. Nor was Sandra an illusion.

            Just thinking of that little 96-and-three-quarter-pound strumpet made Lucinda angry because invariably it made Lucinda think of when she weighed 115 pounds and was good to go, but that was at least eight years ago. Her eyes growing increasingly glassy, Lucinda silently surveyed herself in the large mirror behind the bar. One hundred fifty-five pounds really wasn't that heavy, “besides I'm tall and have big breasts. How is it these little skinny wenches can get men so excited, what's to it?

            "Furthermore, the slut has buck teeth.  What in the world could skinny Sandra possibly do for William James Brown that he likes better than what I do for him," Lucinda wondered as she took another slow sip of her mixed drink. "I don't look bad--for my age. Hell, in fact, it's not really age. It's experience. I look good to say I'm as experienced as I am."

            Lucinda smirked as she thought about how Sandra couldn't massage Billy Jo's feet like she did, then wash them in a little antique porcelain wash basin--I bet she doesn't even own any antiques--dry them with an ultra-fluffy, teal-colored towel, and then slowly suck his toes as her flawlessly-lacquered fingernails crawled up and down the soles of his size-eleven feet. And for sure, Sandra had no clue of some of the more stimulating thrills Billy Jo's big toe could arouse. Like when Lucinda felt really risqué, really felt like lighting up Billy Jo's little firecracker in her sexy night sky, after cutting his toe nails with a clipper and gently buffing the edges to a smooth evenness with an emery board, after washing them in warm water with a scented soap, after tenderly drying them and then sucking them as he lay back on their bed, and after massaging his feet with baby oil, and as it got good to him, after all of that, Lucinda would climb up on the bed and slowly stroke her pussy with his big toe, stroke it until she was wet. God, a woman didn't know what she was missing if she had never reached a climax with her lover's toe tapping on her clitoris. What did that inexperienced child know about sophisticated lovemaking? Lucinda took a long sip of her drink.

            Lucinda recalled how pleasantly surprised Billy Jo always seemed whenever she dropped in on him at work. With a toss of her luxuriously coiffured hair which had been crafted into a gleaming and glistening, jet black, lengthy, chemically-treated mane that languidly lay across her shoulders, Lucinda smiled slyly as she reminisced about how it had been, the last time she turned Billy Jo on at his office.

            "Billy, I was in the neighborhood, on my way to that little boutique I discovered, you know the one I told you specializes in silk batiks and as I crossed Poydras I felt this twinge like a little spark of lightening." He had looked at her partially annoyed but also partially pleased as she stroked his male ego. "I couldn't wait. So..." she slid seductively around his desk, "I decided to stop here."

            Lucinda reached down and slightly opened Billy Jo's bottom desk drawer. She propped her leg up on the edge of the drawer as she took his right hand and cunningly glided it beneath her skirt and up her thigh. Lucinda shuddered involuntarily as she expertly guided his fingers into the curly mass of pubic hair and the moist flesh of her mound. She tensed her thigh muscles when his fingers reached her clit. "Yes, yes, I needed that," she salaciously whimpered while throwing her head back and squeezing her eyes close with the same intensity as the forceful contractions caused by Billy Jo's fingertips tap dancing on the head of her clitoris. Lucinda savored the first trickles of what would soon become a flow. And then his phone rang. It was intrusive Sandra reminding "Mr. Brown" he had an appointment in ten minutes.

            "That's enough," Lucinda said pulling his hand away, "for now." And then she remembered his astonishment as she bent over to slowly suck her moisture off of his fingers. "We can't have you smelling like pussy when you shake hands with the movers and shakers of industry."

            When Lucinda completed tongue washing each finger, she reached into her mauve silk purse which hung by a silver metal shoulder strap dangling off her left hip. Moving aside her black satin panties which she had removed in the parking garage, she withdrew a pink linen handkerchief that was embroidered with her initials. Before she finished drying his fingers, there was a knock at the door.

            "Come in."

            As Sandra entered, Lucinda ostentatiously finished her task with a flourish, waving the handkerchief, "there, all clean, all dry."

            After daintily refolding her handkerchief and replacing it in her brightly beaded pouch, Lucinda slowly kissed her husband on his clean-shaved cheek, paused to close the bottom desk drawer and cheerfully called out to him over her shoulder as she sashayed past Sandra, "have a good meeting honey, we'll finish ours tonight."

            Pausing at the doorway, Lucinda pirouetted coyly, "and Sandra, you have a nice day. OK." That little narrow-ass secretary didn't know anything about how to administer sexual quickies, didn’t know that men liked sexually aggressive women who were otherwise the model of ladyhood.

 

 

While she was lost in the reverie of remembering the sexual games she often played with Billy Jo, an impeccably dressed young man sat on a stool one removed from Lucinda. Attracted by the resonance of his masculine baritone ordering a cognac, Lucinda turned to look directly at his massive profile. She sniffed and caught the faint whiff of an expensive cologne. He was ruggedly handsome.

            "Hi," she smiled at him.

            He looked at her, briefly. Lucinda saw the almost imperceptible survey flicker as his eyes started at her face, moved quickly down her body, strayed briefly to her behind--she sat up straight and slightly arched her back--and down her legs, and... and, nothing. He turned away without even responding.

            She wanted to throw her drink at him. Instead she decided to annoy him. "I said, hello."

            He grunted, turned his head and pretended he was ignoring her. Lucinda hated to be ignored.

            She got up, slid onto the stool next to him, and ignored his ignoring her. "My name is Lucinda."

            "OK."

            "And your name is?"

            "Jawon."

            Oh god, what a common name, Lucinda thought, he probably doesn't even have a college degree. Lucinda's liquor continued the conversation, "Jawon, that's nice." Pushing her purse aside, Lucinda leaned forward on the bar's leather lining. "Jawon, I'm conducting a survey. Would you mind if I asked you a couple of opinion questions?"

            Jawon grunted without looking at her.

            "I take that grunt to mean, 'oh god, why doesn't this old bag just leave me alone with her silly questions. I'll answer one or two, but she better make it quick'."

            Jawon was slightly taken aback by her boldness. He turned to get a second look at this woman. Lucinda leaned back slightly, crossed her legs, and did not bother to tug down her worsted wool dress. Noticing her broad, soft-calf leather, black belt with the bold, gold buckle, Jawon accessed she was probably some kind of leather freak who liked to tie down men or spank them with a black riding crop. Nah, it's not worth it, was his final appraisal. 

            "If our ages were reversed," Lucinda leaned forward again, bracing her flawlessly made-up face with the back of her exquisitely manicured hand, "If I was a mature man and you were a young attractive woman, would you be offended if I brushed you off without so much as a civil hello?" Sporting a self-assured smile, Lucinda looked directly at Jawon awaiting his answer.

            Acid cruelly dripped from Jawon's thickly mustached lips, "I think you ought to be at home baby-sitting your grandchildren instead of out here trying to rob the cradle."

            "Ah ha. Well, Jawon, ten years from now, I hope you're not sitting on the other end of this question, and if you are, I hope the lady whose attention you're trying to attract, is just a bit more understanding than you are now. That's all. You may go now."

            Jawon backed off the stool and walked away, leaving a dollar tip on the bar while offering no further acknowledgment of Lucinda.

 

 

Lucinda turned to face the mirror behind the bar and in the reflection caught sight of Roderick, the genial bartender, standing discreetly to the side, dressed in black slacks, a crisply starched white shirt topped with a hand-tied black bow tie, and a black and white checkered vest highlighted by a metal name tag which mirrored the bar's multicolored neon-and-florescent-lit interior. There was neither smile nor smirk on Roderick's placid face, nor did his eyes give any indication that he had watched the drama unfold. Without bothering to look directly at him, Lucinda sat her drink on the dark wood of the bar and familially addressed Roderick, "Well, Rodney don't just stand there. Freshen my drink, please."

            As Roderick moved toward her, Lucinda glanced at her watch. It was almost midnight in Portland. Lucinda mischievously decided to call Billy Jo and disturb whatever little excitement in which he might be engaged. Before Roderick could pour the freshener, Lucinda waved him off, "Rodney, I've decided to go home instead of sitting here and getting my feelings hurt. Be the gentleman that you are and call a cab for me please."

            Lucinda never, never ever drove her white Lexus when she went alone to paint the town. A solitary woman cruising down the avenues late at night was like flashing a baked ham in front of hungry bulldogs. Any man that she might meet would pay more attention to her car than to her, and assume that where there was a Lexus there was a big bank account that they might access. Besides, it was safer this way. Not that she had ever done much more than flirt, just to see if she still had what it took to attract a man ten years younger than she. Most of the time... oh, why think about.

            Pulling two crisp, new twenties from her purse, Lucinda waved them at Roderick, "I assume this will cover my tab for three doubles and also adequately provide for your well being."

            Roderick nodded affirmatively as he received the bills with a smile. His clean-shaven head was oiled to a soft, attractive sheen and were it not for the gaucherie of two gold-capped teeth, Lucinda might have found him attractive as well as personable.

"Will there be anything else I can do for you?" he asked Lucinda in a charming tone that implied he was both a trustworthy listener and a resourceful procurer.

            Lucinda's liquor got the better of her normal disinterest in what other people did or didn't do. "Does diabetes run in your family, Rodney?"

            "Not that I know of. No, I don't believe so. A little arthritis is all I've ever heard about, but then my folks are from the country, out Vacherie way. Don't a day go by they don't walk at least a mile and all their food is fresh, home cooked."

            "You're fortunate, Rodney. Did you know the treatment for diabetes is deleterious to the libido?"

            "So, I've heard."

            "Watch your diet young man, we wouldn't want your libido going south before you're sixty-five."

            "Ah, no mam. We certainly wouldn't want that to happen." Roderick had been idly wondering if she were single or out for a fling, or both. Without her having to say anymore he knew that she was grieving for a husband or lover who was no longer sexually active. Someone called to him from the other end of the near empty bar. Roderick waved an acknowledgment to the customer while he was wrapping up with Lucinda. "Is there a particular company you prefer?"

            "Company?"

            "Cab Company."

            "No. How would I know, I don't usually take cabs."

            "OK. I'll be right back." Roderick walked briskly down to the waiting customer, served him, reached under the register, pulled out the bar’s phone and rotely punched in the White Fleet number as he walked back to where the matronly woman sat.

            "A cab is on the way. The dispatcher will ring me when they're outside."

            "Such an efficient young man you are."

            "Thank you," said Roderick with a graceful bow of his bald head.

            "Rodney, one more thing."

            "Yes. At your service."

            "Might, I use your phone to make a quick long distance call?" requested Lucinda while removing another crisp twenty from her purse along with the note page on which Billy Jo had written his hotel telephone number. "My husband would just love to hear from me at this particular moment." Roderick took the twenty with his right hand and handed the phone to her with his left.

            "Take your time," Roderick said over his shoulder as he moved to the far end of the bar.

            "Mr. William James Brown, please. He's a guest." Lucinda smirked at the thought of calling Billy Jo from a bar.

Although she felt her mood turning foul, when Lucinda heard Billy Jo answer the phone, she brightened her voice, "Hello, my lover. Where ever you are."

            "You know where I am. I gave you the number and you called it."

            "I miss you."

            "I miss you too, honey."

            Then there was an awkward hush as Lucinda waited for Billy Jo to indicate interest in her. And waited. And waited.

            "Other than missing you, I'm doing all right, thank you," Lucinda finally broke the stalemate, not bothering to mask her sarcasm.

            More silence.

            "I'll be home late Sunday night."

            "Should I wait up?"

            "You don't have to."

            "Billy Jo why do you..." her words trailed off into a strained silence. Something was in her eye, she paused to dab the edges of her left eye with the heel of her hand. "You know where I am now?"

            "No, I don't Lucinda. Where are you?"

            "I'm sitting in a bar, but I would rather be somewhere with you."

            Again, silence.

            Something else was in her eye now. "Billy, I just want to make you happy. Be good to you. Make it all good to you..." Lucinda abruptly stopped babbling. "You see you've got me babbling. Would it excite you if I told you I wanted you so much that we could make phone sex right now. And...," Lucinda paused. "I started to say something really naughty but this is a mobile phone and anyone could be listening."

            Silence.

The liquor kept her talking long after she normally would have stopped.

            "I'll be forty-nine next week and, in another four months or so, you'll be forty-six, and that's not so old. I was thinking maybe some other medication might help you, I mean, maybe, make you feel less, or, I mean, feel better, or...," his tight-lipped silence was not making it easy. "Are you sorry that I couldn't have children?" As Lucinda questioned Billy she instantly regretted saying anything and wished that he would say something. Anything. "Billy are you there?"

            "Yes, I'm here."

            "And I'm not."

            "Lucinda, I think you've had too much to drink."

            She had not realized she was slightly slurring her words.

            "It's all right. I'm catching a cab home."

            "See you Sunday night, honey."

            Lucinda held the phone to her ear long, long after the dial tone sounded following Billy Jo hanging up. As Lucinda lowered the phone from her ear, Roderick moved toward her. Before she could hand the phone back to him, it rang and startled her. She almost dropped it. Roderick grabbed it, also catching hold of her hand in the process of securing the phone.

            "It's OK, I've got it." She left her hand nestled in Roderick's as he used his free hand to expertly hit the talk button, shift the phone to his ear, and answer, "Hello." While he listened to whomever was talking, Lucinda tightened her fingers on Roderick's hand. "Thanks. She will be right out."

            Roderick hit the talk-off button and leaned on the bar without trying to pull his hand away. "Your cab is outside."

            "Is it?"

            "Yes, it is."

            "Rodney, you wouldn't be interested...?"

            "I don't get off until four and I've already promised..."

            "Just kidding." said Lucinda unconvincingly as she reluctantly released his hand. "Have a good night."

            Lucinda slowly descended from the stool, studiously attempting to maintain her balance and walk as straight as she could. Roderick shook his head. She didn’t have a ring on her finger and she was calling her husband from a bar at almost two in the morning; Roderick had seen so many like her, "the world is full of lonely people."

 

 

At the door Lucinda paused before heading out into the chilly dark. Who was she fooling, she had never cheated on Billy Jo. And never would; even if she did like to sometimes pretend she would enjoy being promiscuous. No, what Lucinda really enjoyed was being desired. Desired like Billy Jo used to do before his illness flared and… Lucinda didn’t want to think about it.

So, why did she keep thinking about how unfair it was that she had been a virgin when she first married, stayed married for five miserable years, spent seven wasted years so-called “dating” until she found Billy Jo floundering in a marriage that was all but legally over; so terribly unfair that now that she have found the man she wanted he didn’t…

Lucinda had salvaged Billy Jo from Betty’s neglect. That woman was so…beneath Billy Jo, so incapable of helping him achieve the finer things in life. Unfortunately, for Billy and Betty’s children, all three of them looked like their mother and, worse, acted like their mother. They were all parasites, they just wanted what little money Billy Jo had saved, which wasn’t much. What was a measly $78,000 anyway?

It’s amazing what one can think of when opening a door.

Betty didn’t understand Billy Jo, what he wanted in life, what a legal career could mean. She was uneducated and Billy Jo deserved more. Betty undoubtedly didn’t know how to do all it took to keep a man—Lucinda used to say to “keep a man happy.” These days she cynically just placed the period after man. Later for this happiness crap.

            But wasn’t she entitled to happiness? People admired her—she came from a good family, was well educated, took care of herself. That thing with her uterus didn’t stop her from being a woman. And my, my, my, wasn’t she some kind of woman? Exactly the woman Billy Jo needed as a helpmate to eventually become a judge.

            Lucinda loved Billy Jo. He would be a public success, and God knows he was privately terrific. Lucinda loved the way Billy Jo made love to her, even though she knew he was not as interested in loving her as she was in being loved by him… Oh, this was all too… Lucinda pushed against the burnished brass plate etched with the club name, Black Diamond.

 

 

As the door swung open, an early morning gust sent a shiver through Lucinda and she suddenly remembered asking Billy Jo to turn around. “I want to suck too,” she had said while he had been patiently slurping her wetness with an almost disinterested expertness.

            In her dating career, which seemed like another life time ago, she had had the opportunity to sexually examine maybe twelve dicks. Ah, the variety of the male sex organ, the little differences, particularly when aroused. She liked the feel of some, especially the way they throbbed when she squeezed or how they jumped as she teased the scrotum with her fingernails; for a couple of others it was how they looked, the veins pulsing on…what was his name, yes, Andre, light-skinned Andre, with the thick veins crisscrossing the surface of his thing, or the hooded darkness of Jerome’s uncircumcised penis; and then there had been the size of Harold’s tool. A  basketball player’s big dick, but he hadn’t known what to do with it, or without it, for that matter.

Love making with Billy Jo had been the biggest turn on, surprisingly so—oh, you could never tell just by how a man looked, or even how he danced, you could never tell if he knew how to make love without using his dick. Billy Jo knew. And Lucinda really, really liked that.

            Moreover Billy Jo wasn’t squeamish about her freaking him. He hardly moved the first time she inserted a forefinger in his rectum, while she was sucking him and he was busy down there giving her head. Why was she like that? What did it look like? She supine, he on top of her, his head bobbing between her quivering thighs, his knees astride her head, his member in her mouth, her nose just beneath his taunt testicles—Lucinda really liked that he was clean so the smell was never suffocating—and her hand spread across his bottom, one long finger deep inside him. What would a photograph of that look like?

He never questioned her, or made her feel embarrassed or feel anything but happy to have her way with him—not even the time she reminded him to shower and have a bowel movement before they jumped to it when they had been out on that wonderful weekend at the spa in Nevada, and had had a big lunch, and a scrumptious dinner, and had been out all day and dancing half the night, and...her finger was all the way in him, plunging at him, and the more deliberately she pushed, the more he nibbled at her clitoris, and she sucked him so hard she was afraid she was going to hurt him, but it felt so good. Why? Why all of that? Why did it take all of that?

 

 

At the curb, the cab driver held open the back door of his maroon Toyota Camry. Lucinda slid in, thanking the driver by flashing a wide smile and making no attempt to hide her thighs as, one by one, she slowly swung her legs into the sedan. She would have really given him a good peek but he was studiously not looking, and Lucinda was not sure whether he was just being a gentleman or if, for some unfathomable reason, he really didn’t want to catch sight of what lay between her legs.

Lucinda slid all the way over to the driver’s side of the back seat so that she was directly behind him when he got in. After she gave him the address, Lucinda folded her arms, briefly; she made sure the door was locked and then pushed her body deeply into the corner of the back seat.

            Lucinda knew what she was going to do. Lucinda knew what she shouldn’t do.

She scooted down, lay her head on the fabric of the backseat and pretended to sleep.

Her hand crept under her dress. She had not worn panties.

            “Any particular way you want to go?”

            “Oh, whatever. I’m sure you know how to do your job. Take whatever route. This time of the morning, what difference does it make? Are you…?” Lucinda stopped herself. She didn’t want to make small talk. She wasn’t even mildly interested in this young foreigner. She certainly didn’t want to know what country he was from with his African accent. What did that matter?

Yes. Her left hand was there.

            “Mam?”

            “Don’t mine me. I babble sometimes after a drink or two. I’m not used to drinking.”

Good, he was taking the expressway. No lights. No stops.

            If he turned around and saw her—God, I would be so embarrassed, Lucinda lied to herself, halfway hoping he would look at her, would… “Oh.” She scooted down further and gapped her legs wider. Forefinger in the hole, thumb on the button.

She was beginning to breathe heavily—is that why he turned the radio on? “Is OK I play radio?”

“Yes. Of course.” Their eyes met briefly in the rearview mirror. Could he imagine how smooth her thighs were? The treadmill and the exercise ball were really an effective way to keep her legs toned. What would he think if he turned and saw her, saw down there? The way she kept her private hair close cropped. How the dark of her looked in the shadows, the deep chestnut of her bulging labia major set off by the cream of her dress bunched up almost to her hips. Would he pull over and try… even on the expressway? What would he do if he could see the glistening sheen of the beginnings of a mildly musky flow dripping down there?

Lucinda smiled wanly. The guy looked away and pretended to be just driving a woman home. But Lucinda knew. Maybe he could smell her arousal. “Billy.” Barely audible, her utterance was more a release than a sounding. Lucinda wanted to touch her nipples, to rub them between her thumb and the side of her pointing finger. She could smell the driver, he reeked of Old Spice or was it one of those obscenely-colored (whoever heard of quality perfumes in those garish shades), one of those obnoxious body oils those unkempt street merchants hawked? Lucinda closed her eyes.

Lucinda imagined Billy Jo’s lips sucking her breasts. Could you call this sex? A short tremor shot through her. Lucinda’s legs jerked and she bumped against the back of the driver’s seat. She knew she should stop. Billy. Just thinking about him.

            She turned slightly sideways as though she was going to curl up on the seat or like she was trying to get comfortable, or look out the window. Or anything but… “Oh.” Why was she doing this to herself? She never usually made sounds during sex with Billy Jo because she usually had him in her mouth when she came. Lucinda wanted to stop, wanted to move her hand. But. “OH!”

            “You OK, lady?”

            “I’m OK.” Lucinda caught her breath and held the air inside her chest, tensing to enjoy the sweetness of the release that was just about to happen.

            Lucinda paused, turned and looked up at the rearview mirror; she was certain the man was leering at her. But he wasn’t. At least he was pretending he wasn’t. Lucinda was sure he was waiting for her to close her eyes and then he would stare. “OH,” a sudden contraction caused her to jerk. Her free hand flew to her mouth. She bit her fist.

Lucinda knew that men got off on watching women please themselves, however, she no longer cared whether he was furtively observing her. Lucinda squirmed as she continued and her thumb press hit just the right rhythm. “Oh-Ohhh.” She turned her head just as the driver adjusted his rearview mirror.

            Patrice Orobio saw the woman fling her head back and open her mouth, like she was, well, like she was… No, she couldn’t be. These crazy  American women. He didn’t like that they were so out of control.

            Meanwhile, in Portland, after replacing the receiver and pausing for a moment of silence, Billy Jo lay on his side in the dark, Sandra firmly massaging his back.

            "That was Lucinda."

            "What did she want?"

            "Nothing. She was drunk."

 

—kalamu ya salaam