POEM: YESTERDAY WAS SO BEAUTIFUL

photo by Alex Lear


 

YESTERDAY WAS SO BEAUTIFUL

(and its passing so sad)

 

when the day transitions

it goes to night

first, before

there can be another

day

 

sometimes

a day has been

so beautiful

that in the night

instead of looking

forward

to another day

we can only grieve

for what is gone

 

but each day

is its own being

each being

has their own

day

 

whatever beauty

we find missing

tomorrow, whatever

we might miss

from yesterday

well, that beauty

we must become

 

tomorrow

we must be

as beautiful

as the departed day

we mourn in the anguish

of night

 

—kalamu ya salaam

POEM: LONELY WOMAN

photo by Alex Lear

 

 

LONELY WOMAN 

 

to be thot by the world as nonattractive

is so cruel a twist of birth

to be told yr weight is too much or not

enuf, yr face shape "ah... well, unique"

 

not to look like tv & cable

not to walk like magazines

not to smell like designed aromas

is so much

the way life really is

 

despite tons of pretty people

crisscrossing this century

beauty remains a rare thing, as rare as

infant eyes in an adult head

 

somewhere after high

school (& a prom nite that shouldda been my first

abortion) u wonder: is there any

            one

            in this whole wide

            kaleidoscope who can truly, truly...

 

            what i mean by "truly" is

            be sincere in feeling, &

understand how that mustard spot spilt

            on my blouse may be several days old

            but i'm not a filthy person, yes

            a bit uncaring abt neatness but you

            could eat off the floor in my kitchen...

                        (that's a joke...)

            i don't have any chairs in my kitchen

            & sometimes when i come in late at night

            i sit on the floor & eat chinese in the semi-dark

            ha-ha, ...

 

love excites me & loveless sex turns me off

is that confusing? like a lake

at high tide i totally open

myself to someone i love & if i don't

i only want him to hurry up & be over

although i never kiss & never tell

them that--we all know

there is such a thing

as too much reality

 

but if i could find a man somewhat

like my cat, i could touch him & talk to him

tell all, focus on sanity

& share slices of apple & my dimpleless

smile, the strange odor of my hair when its

wet by the silver rain i've walked into

to forget the dryness of days

 

at work they train me in congeniality

show me how to smile at strangers

with money in their hands

my mother told me never to do that

if you saw my chronology

you would look at my finger

nails and shake your head

the bitten edges confirmation

that loneliness is

a compulsive eating disorder &

what i do with my hands

a blues connotation

 

did i mention i'm black?

well dark brown really (smile...)

& female once a menses,

i'm ramblin' aren't i?

 

on a job application

for a position i never got

i once put down "ornette coleman"

as kin to notify because of that song

he made: "lonely woman"

 

i'm sure he stole those sound-tears

from someone he had hurt, made cry--

cause

            no man

            has ever

            really felt

            like that

 

—kalamu ya salaam

 


POEM: AS SERIOUS AS A HEART ATTACK

photo by Alex Lear

 

 

AS SERIOUS AS A HEART ATTACK

 

i have never been fully domesticated

but i have been civilized

 

by women taught that the heart

is more than a muscle

 

a life drum whose function is

both physical blood pumping

and spiritual longing to be embraced

 

but love, ah love is a river

we may get wet

but we can never drink it all

love always flows on

more than we can ever swallow

 

no matter how thirsty

we claim to be

 

—kalamu ya salaam

 


POEM: TIME IS A FUNNY THING

photo by Alex Lear

 

 

time is a funny thing

 

there have been times when i found myself with literally nothing i could do like when i would sit at a stop sign for what seemed hours trying to figure out how to straighten out the mess i'd made of my marriage, tayari alone with our five young people & me alone at a stop sign, & eventually i just crawled on--it's not like i was the only man who had ever stumbled at that specific crossroads but when i was there the sun shone all night & i saw no one's shadow but my own forlorn form tangled in the rocks & weeds of my emotional life, & although then was years ago, occasionally i am still shook by an invisible hand, it could be when i pause in mid-embrace as i hold a comrade from back in the days i haven't seen in quite a while & they hurl me into a time machine when they innocently ask with a sincerity so certain "how are tayari & the kids, they must be grown now?"

 

 

there have been times when i felt i was drawing my last breath & about to bankrupt the bank, especially that sunday morning we went to face down the klan & the night before those hooded ones goose-stepping around garish flame cross light had shot at police in algiers without being arrested which we knew meant targets were pinned on all our chests but we had to go to high noon, such poot or get off the pot days give men & women no choice, & then there was the helpless waiting to exhale of the pulse pounding pause on the unforgettable creaking bus stuck to a motionless stop like a lamb patiently awaiting a slaughter somewhere in the middle of nica. libre between rama and managua, the u.s. armed contras on the other side of the hill, hard working people softly mumbling spanish prayers & attempting to hide anything that might call attention to themselves at the bottom a half mile or so from the peak & no sandanista soldier rescuing cavalry anywhere in sight, & me frankly more worried about the photos & taped interviews i might loose than about whether i would die & yet at the same time after having heard gunfire in the nights i was acutely aware, as fred sanford was fond of seriously joking, that this could be the big one, the one where the bullet singes your skin without a so much as an excuse me

 

there have been times i paused to count the endless ripples on a lake, to note the shape of each leaf on a tree so tall my myopic eyes could not clearly see the top, to merge my being with the azure luminosity of a spring sky, raise my closed eyes to sun warmth & be clearly seen by any passerby as i stand swaying in the breeze mindlessly enjoying the great goodness of nature's beauty

 

there have been times i have been so harried with details & overwhelmed by minutiae i must have looked like rockerfeller's accountant around tax time, dragging myself home mentally exhausted, nia reminds me i started to snore during the month we crammed in a half year's worth of work within six weeks when we did the jazzfest posters in 1993 & have not been able since to shake that sleeping disorder

 

there have been times i've shared with people events which are now noted in history, our names engraved into the consciousness of both friends & foes so audacious was our doing, we were the flesh levers which moved social mountains, the meaningful moments whose significance sometimes can only be read in hindsight because at the time we were just going with the flow doing what we did & such doing just seemed as right as warm rain & inevitable as darkness following sundown

 

there have been times when i have made statements so stupid there must have been a poltergeist in my mouth misguiding my tongue, i remember one utterance & each time i remember the cruelty of those words i pause & apologize, a friend was going for her phd at the same time she was dating this man she hoped to make her husband, a hope most of us recognized as a longer shot that a three legged horse beating secretariat in a derby run, but still she was proud of both & in one twisted indiscreet swoop i flung assassin words across a room: "yeah, then"--meaning when she got her phd--"then, you can buy a husband," oh the demons of disorder danced that night i'm sure, my only consolation is that i have not unconsciously done anything as callous as that since, & though i know each of us has been awarded an asshole of the month award for some act whose erasure is fervently desired, knowledge of others fucking up does nothing to dim the blemishes on the resume of my own heart

 

likewise, there have been times when i've made my ancestors proud, particularly my enslaved african ancestors who courageously & creatively figured ways to squeeze banquets from mustard seeds, times i've proved to be worthy of the sacrifices, guidance, love & understanding showered on me by the union of degreeless first black lab tech at va hospital-new orleans, big val ferdinand, whom friends lovingly called "ferd" with the preacher's daughter, quintessential third grade school teacher, inola, my physical & spiritual earth parents, & most significantly times i've caused a child, i've both fathered & inspired, to stick their chest out or cry joy tears to know that their flesh was connected to mine

 

but that's the way of the world, one day the weight of my big body will be light as dust, blood gone to rain, spirit gone to ghost, then the meaning of my life will be only in the quality & effects of what i did while traveling through, what creations i birthed, what constructs i destroyed or transformed, i will be measured by what i have meant to others & to the overall health of the earth, those nodes are not just mine but indeed are the arc of each generation & every individual, no matter how each of us consumes our time allotment, chewing cautiously deep in rational thought or wolfing the chow down, savoring the taste of each moment or swallowing several mouthfuls as swiftly as we can, fasting or being gluttonous, focused or totally random, the reality is our matter is only a mere morsel in the mouth of galactic motion, what does the sun care what we do with our little piece so small, so overall futile a wrestling with fate & destiny attempting to shape something significant from the brief ticket we purchase in this crazy lottery of living, only people care & that is the sole true way to identify one's humanness, do we care about being here & care about everyone & everything we encounter in time

 

time is such a funny thing, whether you think about it or not, whether exciting as tongue kissing an exquisite taboo or boring as olive drab painting of army equipment for the 300th repetition, regardless of what we don't or do, the funny thing is that time is a changing that is constantly the same, is both totally silly & movingly profound, is the depth of blue & the velocity of red, the density of black, the blankness of white & the spectrum scale of all the grays in between, no matter how big a ripple we cause plopping into the cosmic pond eventually the lake's face recomposes into smooth placidity, whether we spill piss or perfume, deposit tears or blood, no matter, the planet receives them all just the same because in the end, just as in the beginning, they all & we all, everything big, little, short & tall, equally slip right on away, ain't if funny?

 

—kalamu ya salaam

ESSAY: MEMORIES OF DEATH

photo by Alex Lear

 

 

 

memories of death

 

my first unforgettable death scene was a man’s body all cut up. some man i didn’t know. i had gone to meet my father at his job. a laboratory technician, he worked on the third floor (or was it the fourth floor) at the veteran’s hospital. sometimes he would show us how he mixed chemicals with body fluids, mainly blood or urine. it was kind of fun but not really exciting once you had been there a couple of times. this particular time, i remember i was in seventh grade, and he told me he wasn’t ready to go. often i would go to the main library, which was only a few blocks from the hospital, and afterwards meet my father when he got off from work. on a few occasions i would get there earlier than his getting off time of 4:30pm and would sit around reading until he was ready. but this particular time it was after 4:30. he said he had some extra work he had to do. as most children do, i said, ok.

 

he told me, come on. follow me. and we got on the elevator and headed to the basement. i walked behind him trying my best to keep up. my father was a fast walker. i’ll never forget his story about walking to new orleans from donaldsonville, louisiana. we twisted and turned through the basement. down this corridor, through that door, into another hallway, through another set of doors. i really wasn’t paying much attention. didn’t read any signs or anything. i didn’t have to. i was following my father.  and then we went through the last door.

 

and there it was. a corpse. i balked about ten feet away. the naked body was laid out on a big table that had a ridge around it and pans on carts next to it. the chest was cut completely open with the left and right rib cage folded back. a pan with internal organs was next to the torso. and worse yet, the top of the head was gone. i mean completely sawed off. the brains was in another pan.

 

i don’t remember it stinking or nothing. my daddy said, you can watch me or you can sit over there. over there was only like five or so feet away. i sat way over there. pulled a book out and buried my head in the book while my daddy started messing with that body. it would have been ok except they were making a lot of strange noises. my daddy was sewing the body back together with a big old needle and thread as thick as twine. when he started putting that man’s head back together and sewing the scalp back over the skull, it made this sucking kind of sound.

 

i had, of course, been to funerals before and seen bodies laid out at church, but this was my first really memorable experience with death. at that moment, i was de-romanticized about any thing i thought about dead bodies. i realized that for my daddy, death just brought another job he had to do. in fact it was a good job because it paid him overtime.

 

so this is what happens to you when you die. this is what an autopsy is all about.

 

between that time and my next memorable death experience i graduated from high school. in fact it was february of 1965, the year after i graduated. and, no, kennedy’s assassination was not a memorable death experience for me. by the end of high school i had been active in the civil rights movement: sitting in at woolworth’s and schwegmann’s lunch counters, picketing on canal street, knocking on doors and doing voter registration work in the black community. kennedy had never been a hero of mine. so here i was up in northfield, minnesota, a small town whose claim to fame was that’s where jesse james did his last bank robbery. the local folk had laid a trap for mr. james and they almost caught him. the james gang was badly hurt in the resulting shoot out and disbanded after that attempt. anyway, i was at carleton college. i hated it there and would leave in less than two months, but i also learned a lot there.

 

i was working at the college radio station doing a jazz show. my show came on on sunday nights from 8pm to 10pm, if i remember correctly. part of my job at the station was to get there by 7:30pm and literally rip the news off the teletype. it used to come in automatically and there was this big roll of paper that fed into a box. all the news, weather, sports and whatever. and you had to gather up that long roll of paper and cut it up, or rip it, to separate the items you wanted from the ones you didn’t.

 

there were only 13 black students at carleton, and 8 of us were freshman, so you know how lonely we were. that particular night, linda, a girl from little rock, was visiting my show. as i remember we were the only two black students from the deep south. and when i started ripping the news, i got the first and all subsequent reports: malcolm x had been shot. dead. linda was crying and my eyes were kind of blurry too.

 

at first it was just a line or two, and then later more and more info streamed over on the loudly clattering machine. i’m ripping the news of malcolm’s death for some college kid to read. i don’t know how much, if any of that news item was read that night on carleton’s radio show, but i was strangely very, very affected by malcolm’s death. i say strangely, because i was not a muslim. i was not a follower of malcolm in the sense of being part of any organization, but i was, like many, many people my age, an ardent admirer.

 

why? what was it about malcolm? over the years i have had time to think about it and rather than focus on him, i realize now the focus was on myself and parallels that i scarcely recognized back then, if i saw any of them at all. for one, we both rejected the civil rights movement.

 

i remember sitting on the steps of mt.zion methodist church before our weekly n-double a-c-p youth council meeting. we had been the main force picketing and leading the boycott on canal street. after close to a year of demonstrating, the merchants decided they wanted to negotiate. we said, sure. they said, stop picketing and we can talk. we said, let’s make an agreement and we will stop. the merchants balked. in response to the impasse the adult branch of the naacp, then led by the future first black mayor of new orleans, ernest “dutch” morial, instructed the youth council to stop picketing so negotiations could proceed.

 

we were adamant. we’d stop when the merchants met our demands. not before. the national office sent down wally moon, one of the main officials to instruct us, stop picketing or we will put you out of the naacp. they didn’t have to tell me twice. i decided to leave.

 

for close to two years, the youth council had been my life, consuming all my free time and a lot of my thoughts even when i was in school. i was a few years younger than the leading members, who were mainly college students but they were my gang, whom i hung out with, admired, wanted to be like.

 

i sat there on those church steps and finally decided: i couldn’t do it. anyone who has ever, for whatever reasons, abandoned a love can appreciate the pain of this voluntary separation. that was my first divorce.

 

malcolm had divorced himself from the muslims. also, malcolm was advocating internationalism and self-determination. i agreed with both. plus, malcolm had been a preacher--well, officially he had been a muslim minister, but anyone familiar with his oratory knew that malcolm was not just a master minister, he was a full blooded, get down preacher who spoke so eloquently both birds and angels hushed their singing while he was delivering the word. amen.

 

i had been groomed to hold forth in the pulpit, i knew a thing or two about public speaking, and i knew that malcolm was about the best we had, martin luther king notwithstanding. king had dreams but malcolm had the fire.

 

to paraphrase malcolm’s eloquent post mortem, the march on washington had been a picnic. the white man told those negroes when they could march, where they could march, how long they could march and when to leave town, and you know what, they came when the white man said you can come and they said what the white man wanted said and they left when the white man said go! malcolm. malcolm. el hajj malik shabazz, malcolm x.

 

knowing about the organizers’ attempt to censor the march on washington speech of john lewis, the chairman of the student nonviolent organizing committee, whom walter reuther (of the afl-cio) and others considered too militant was proof to me that malcolm had been right. the sell-out house negroes and their white liberal supporters were emasculating our leadership. i was a young man; speaking truth to power was a sine qua non of my definition of manhood, and in that regard no nationally recognized black leader was more man than malcolm.

 

plus as an insider, i knew all the stories, tales and gossip about our black leaders--king as a philanderer; this one on the take; the other one married to a white woman; on and on. but  when it came to malcolm there was nothing, and malcolm was so hard on middle class negro leadership, i knew that if anyone had anything on malcolm we all would have been made aware. malcolm was a model of leadership in a category unto himself. and now he was gone.

 

days afterwards, i tried to find out as much as i could. and when i saw one of the death scenes: malcolm carted out on a gurney, his head back and to the side, his mouth sort of open, i thought about that body my father had sewn up and wondered would malcolm be cut up like that. my subsequent thoughts were about the men who shot malcolm, how they could do it. death comes in many forms, but for us in the movement, the hardest to confront is the seeming endless cases of black-on-black killings. 

 

death makes you think. at first you just recoil in shock, but sooner or later, the philosophical aspects confront and confound. malcolm’s murder in particular initiated many hours of trying to figure out what, if anything, i could do to address, and ultimately stop, black on black murder. i was too young to know how old that particular problem was. fratricide has never been a racial issue, has never been anything but a human issue, and mainly a human male issue.

 

nevertheless, when your leader and hero dies at the hands of our own, you never forget. i don’t recall what music i played the night malcolm died. despite any nostalgia for my youth and the glory days of seemingly boundless energy and optimism (which two qualities are, after all, the hallmarks of youth regardless of the specifics of any particular time period), despite the fog of memory and the hunger for the good old days (isn’t it oxymoronic that we call the days of our youth “the good old days”?), despite any and all of that, all i remember about that sunday night is malcolm was assassinated. our movement was in crisis. i was in crisis. those were difficult days.

 

—kalamu ya salaam

 


POEM: LET ME SENSE THE CHAOS

 

 

let me sense the chaos

   a semi-autobiography 

   (based on the mca jimi @ woodstock CD)

 

 

            And those who took away our Voice

                                    Are now surprised

            They couldn't take away our Song.

                                                 --Kofi Anyidoho

  

1.

 

in the news

            every

day

the blk world

 

gasping

 

fragmented / confused

 

trying

to grasp

itself

 

confused / fragmented

 

fresh murders

marbling the sidewalks

of our psyches

in an indelible redness

no future sun can bleach

 

            "in Rwanda

            ten thousand dead

            in one day"


 

2.

 

i know that bosnia is bad

but have you seen liberia

have you heard haiti

been seized by rio's preteen

street grown gangstas

or ingested the platinum

raps of inner city america

celebrating its own depravity

 

today's blkness

makes humpty dumpty look whole

 


3.

 

we are

the palsied palms

 

of ex-chattel

picking melodies

 

african black

& mulatto

 

intermixed with the eye tears

of murdered cherokee

 

& dappled

by the martial noise

 

from motley strains

of conquering caucasians

 

chortling praise

to their bellicose god

 

            this mixture is the indigo matrix

            of my muse's midnight hue

 

 


4.

 

have we survived the past

only to give up the present

 

the speedy spin

of integration

flings us

 

away from groundings

with our people

 

a chocolate despair consumes

our sweetness

leaving the dry bones

of neglected unity

disconnected & rotted

 

is the bottom line higher

than the common good

 


5.

 

i have a new cd

of ancestral soundz

previously unreleased

 

roaring strings timbred to a keening

juice of electric hurling through

           

akin to the incredible jism jerk

of groin muscles shooting off

 

i needed to make this hollering

this ghostly heart cry

 

loudly

leaping

through

the thick

of rhythms'

din

 

there is

always a need

to assert

humanness

 

to cry

to announce

            i am

 

 


6.

 

the road to life

is no gentle path

birth is a renting of flesh

a messy letting

of dangerous blood

rife with pain & promise

 

& ultimately

merely momentary existence

amidst the vastness

of eternity

 

 

 


7.


within the cruelty of this

avaricious modernity

 

life's mystery

is the capacity of color

to forge beauty

from the chaos

 

the simple courage

to shed

systemic chicness

& stand unshod

 

authoring the gospel

of musical creativity

 


8.

 

such singing

 

whether with others

with orchestra

with hand instruments

or single voice alone

 

such singing is answer

is signpost

 

signifying

we've found a sound

 

that turns the temporary

of today's tough earth

into a life long

spiritual home

 

 


9.

 

without dark sound sanctuary

nurturing imagination

 

my future is limited

to this tone deaf present

 

except within vibrant

hymnal shelter

 

how else can

my soul survive

 

 


10.

 

yes

 

let me sense the chaos

listen

to my blues resound

 

let me sense the chaos

i will respond

with a song

 

let me

sense the chaos

 

why else

 

was i

born

 

 —kalamu ya salaam

POEM: A MOMENT IN A MISSISSIPPI JUKE JOINT:

photo by Alex Lear

 

 

A moment in a Mississippi juke joint:

  Wilma Mae looks at John L.

 

his slender eyes

and taut behind, bared arms

blackberry dark with grapefruit

sized biceps, but especially

the massive slope of his head

with broad textures like the benin

bronze she didn’t consciously know about

but subconsciously gravitated toward

and those teeth shiney like

lighthouses down on the gulf coast

flashing thourhg the ink of stormy night

 

wilma mae looked at his feet

and the go slow grind of his hips

keeping time to the juke box

& sucked her breath in slowly, she

would have taken a seat

except she was already sitting with

her thighs pressed tightly closed

 

just then john l. threw his head

back and sprayed the ceiling

with the mirth of his laughter

and casually did a little dip

on the off beat of the break

in  the undulating song

 

“god,” she thought, “that man

look like a tractor, & I feels like

a field what ain’t never been plowed…”

 

—kalamu ya salaam

POEM: SOMETIMES/BLUES FOR SARAH

photo by Alex Lear

 

 

 

SOMETIMES/Blues For Sarah

(a meditation in 6/8)

 

         Hello.

 

sometimes we be talking but not sharing

all the thoughts we need to say/

need to hear

even as we mean and appreciate

every word we exchange

 

1.

how typical and terrifying

for a Nanny spirited sistren to spend mature years

up to her ears in tears and fiscal vexations

the scratch simply insufficient to do more

than skim the surface of survival

but what if there was dust on your tracks?

what if you have enough money to meet the man?

what then? would it matter? would you be happy?

the immediate answer is yes! hell yessss!

but i think not

it is not money we miss most, sometimes

all of us are so alone

sometimes worriation starts with just a longing

to be wrapped in the home of another body who cares,

to go liquid and be drunk by a thirsty lover

who will be rejuvenated by the brewing,

to sing hip movements and the fine feathers

of squeezing nakednesses together,

to grow in a space where talk is silence

but communication is real, is live, is flashing

instantaneous music,

—black music, bright and beatific—to be a vibration

and become the shape of the flying piano keys cascading

masterfully up and down,

strong upthrusting drum notes,

cymbals shimmering,

rimshots skittering to the outer edges of giddiness

and a bass blowing huge in the dark,

sometimes to be music and be together and still,

between tunes, between sets, be right up under each other

doing all the things you are in unison

 

but no.

this is america.

we are black.

         and our music—even the fast tunes—

         is all blues...

 

2.

sometimes, we try, we really try harder

to be sane amidst the chaos surrounding us

we skillfully host cultural programs,

we reluctantly go to the slave,

responsibly raise our children

and sometimes wait

for the phone to ring

 

sometimes

 

as we choke on a chest full of songs

wishing only for an opportunity to join

a serious band

 

 

P.S. the money does make a difference

especially when all the gigs are one nighters,

it's just that, out music demands so much more

than merely solos

 

         Goodbye.

 

—kalamu ya salaam

POEM: THE CALL OF THE WILD

 

 

THE CALL OF THE WILD

 

            Poetry is not an answer

            Poetry is a calling

                        a vision that does not vanish

                        just because nothing

                        concrete comes along, or

                        because the kingdom of heaven

                        is under some tyrant's foot

 

            Poetry is not a right

            Poetry is a demand

                        to be left alone

                        or joined together or whatever

                        we need to live

 

            Poetry is not an ideology

                        poets choose life

                        over ideas, love people

                        more than theories, and really would

                        prefer a kiss to a lecture

 

            Poetry

 

            Poetry is not a government

            Poetry is a revolution

                        guerrillas -- si!

                        politicians -- no!

 

            Poetry is always hungry

                        for all that is

                        forbidden

                        poetry never stops drinking

                        not even after the last drop, if we

                        run out of wine poets will

                        figure a way to ferment rain

 

            Poetry wears taboos

                        like perfume with a red shirt

                        and a feather in the cap,

                        sandals or bare feet, and

                        sleeps nude with the door unlocked

 

            Poetry cuts up propriety into campfire logs and sits

                        around proclaiming life's glories far into

                        each starry night, poetry burns prudence

                        like it was a stick of aromatic incense or

                        the even more fragrant odor of the heretic

                        aflame at the stake, eternally unwilling

                        to swear allegiance

                        to foul breathed censors

                        with torches in their hands

 

            Poetry smells like a fart

                        in every single court of law and smells

                        like fresh mountain air

                        in every dank jail cell

 

            Poetry is unreliable

            Poetry will always jump the fence

                        just when you think poets are behind you

                        they show up somewhere off the beaten path

                        absent without leave, beckoning for you

                        to take your boots off and listen to the birds

 

            Poetry is myopic and refuses to wear glasses

                        never sees no trespassing signs and always

                        prefers to be up touching close to everything

                        skin to skin, skin to sky, skin to light

                        poetry loves skin, loathes coverings

 

            Poetry is not mature

                        it will act like a child

                        to the point of social embarrassment

                        if you try to pin poetry down

                        it will throw a fit

                        yet it can sit quietly for hours

                        playing with a flower

 

            Poetry has no manners

                        it will undress in public everyday of the week

                        go shamelessly naked at high noon on holidays

                        and play with itself, smiling

 

            Poetry is not just sexual

                        not just monosexual

                        nor just homosexual

                        nor just heterosexual

                        nor bisexual

                        or asexual

                        poetry is erotic and is willing

                        any way you want to try it

 

            Poetry

 

            Poetry has no god

                        there is no church of poetry

                        no ministers and certainly no priests

                        no catechisms nor sacred texts

                        and no devils either

                        or sin, for that matter, original

                        synthetic, cloned or otherwise, no sin

 

            Poetry

 

                        In the beginning was the word

                        and from then until the end

                        let there always be

 

            Poetry!

 

—kalamu ya salaam