SHORT STORY + AUDIO: MILES DAVIS

photo by Alex Lear

 

Miles Davis

(featuring Kenneth D. Ferdinand - trumpet

 

Greta Garbo is credited with saying "I want to be alone." Except I'm sure by "alone" she meant: away from you lames. I want to be where I can be me and this place is not it. Then she would blow some smoke, or pick her fingernails, or do something else nonchalantly to indicate her total boredom with the scene. Miles on the other hand never had to say it. He made a career of being alone and sending back notes from the other world, notes as piercing as his eyeballs dismissing a fan who was trying to tell him how pretty he played.

 

Here this man was: Miles Dewey Davis, a self made motherfucker, a total terror whose only evident tenderness is the limp in his smashed-up hip walk, like he can't stand touching the ground, the cement, the wooden floor, plush carpet, whatever he is walking on. This man who, considering all the abuse he has dished out to others as well as all the self abuse he has creatively consumed, this man who should have died a long, long time ago but who outlived a bunch of other people who tried to clean up their act. This pact with the devil incarnate. This choir boy from hell. This disaster whose only value is music, a value which is invaluable. If he hadn't given us his music there would have been no earthly reason to put up with Miles, but he gave on the stage and at the studio, he gave. If there is any redemption he deserves it.

 

As for me, I admit I don't have the music, but so what? Perhaps in time you will understand that I really don't want to be here. I don't want to be loved or to love. I...

 

Perhaps you will understand that once you don't care, nothing else matters. I don't need a reason why to hit you. Why I'm letting you pack and split without a word from me, without any "I'm sorry," or anything else that might indicate remorse or even just second thoughts about what I've done. Instead, I'm cool.

 

Just like Miles could climb on a stage after beating some broad in the mouth, I cross from the bedroom where I knocked you to the floor and go into the living room and put "Round Midnight" on. The unignorable sound of Miles chills the room. I stand cool. Listening with a drink of scotch in my hand, and a deadness in the center of me. Anesthetized emotions.

 

As you leave you look at me. Your eyes are crying "why, why, why do you treat me so badly?" I do not drop my gaze. I just look at you. Miles is playing his hip tortured shit. You will probably hate Miles all the rest of your life.

 

You linger at the door and ask me do I have anything I want to say. I take a sip nonchalantly, and with the studied unhurried motion of a journeyman hipster, I half smile and drop my words out of the corner of my mouth, "Yeah, I want to be alone. Thanks for leaving."

 

And I turn my back on you, trying my best to be like Miles: a motherfucker.

 

—kalamu ya salaam


2 responses
It may just be my own mind, but I love the way taps seems to reverberate throughout the entirety of the piece. The "anesthetized emotions" are, of course, more than about emptiness but about death. The speaker, like Miles, is not empty, he is filled with a whole like of stuff, and his attempt to suppress then kill the emotions by self-medicating on music and booze has killed more of him than he realizes. Self-medicating is like radiation; it always or eventually kills the good parts too. So, even though it may just be in my mind, the horn man was playin' taps on homeboy, our speaker, cause it's one thing to be cool, but it's another thing to freeze to death inside our own Arctic hell. Then, again, maybe I'm just not that cool. Great piece.
Damn, damnify meaning the freedom to damnify another person with impunity'...You know I heard all the stuff about Miles maybe he had to be the monster ? he was and I'm no Miles Davis apologist what he was...If you got hit upside your head by the PoLice in 1963 and had no recourse but to take the shit, don't blame me or as Karl Marx said: It is not the consciousness of men that determine their being, but on the contrary, their social being that determines their consciousness." I know one brother Miles didn't mess with a Saxophonist name Frank Mclown who I use to talk to on a daily basic and he use to travel around the country with those cat's Miles, Coltrane, etc...Frank Mclown was born in South Boston, Virginia and he said the family moves around 1947 to Pittsburgh, Pennsylvania....He said Miles broke on him once at a club and he told him " You little short mortherfucker I'll kick your dam ass if you try that shit on me" he said he didn't have any more trouble out of Miles...Let me say that I have lost contact with Frank, but I have his phone number, haven't talked to him in probably five years, maybe he still holding on or in a nursing home or dead... Let me close with this Miles Davis, is a study in contrariness...So many of our Black men were drunks growing up in rural Virginia living under the yoke of Jim Crow and Old Crow whiskey' I was bewilder when some of your next door neighbors fathers would lose control with their wives and I don't always put the blame on them, as I said your social being; some of those men worked in Steel Millls, in Lynchburg, Virginia for starvation wages uneducated , living in a dam shack with 7 or 8 kids to feed and 3 or 4 kids by their weekend liaison(s)...once again your social being determine your consciousness....